It's Nice That

Starting a creative career has never felt harder – 28 industry voices on what comes next

Accidental Collage is a celebration of noticing the hidden worlds of printed ephemera, torn posters...

In the world of printed posters, what deserves to stay upon a wall? How do we reckon with the implications of replacing one piece of art or advertising with another? This deceptively simple book is...

From Form’s Amsterdam Museum Night campaign draws on surrealism and 17th century dioramas

The identity plays with perception and discovery, inviting visitors to wander the city’s museums and unearth its hidden treasures.

Polar’s logo for bakery P.A.C. is just typed out, and all the better for it

Using a purposefully limited typographic toolkit, the intuitive, reactive identity from Polar directly embodies the fast-paced nature of bakeries. 

A lived-in approach to sportswear shapes Figur’s graphic systems for brands like Hoka, Sap and Unna

From ultra marathons to mountaineering, founder of the Swedish studio Lukas Nässil doesn’t just design the brands supplying the adventure and endurance gear, he uses them.

Never eaten a whole fish? This beautifully designed magazine will show you how to

The eclectic magazine from US-based studio Beam creatively curates the words of chefs, fishermen, fishmongers, and scientists. What are they talking about? Fish!

Welcome to Hot Cottage, the jack of all trades design studio that zigzags between methods and...

Part of the Ed Davis visual universe, design studio Hot Cottage takes joy in the archive, the collage and the alternative references.

“Designing a good poster is a dark art” – highlights from this year’s INTL poster competition

We chat to INTL festival co-founder James Gilchrist about how poster design has changed over the past decade and what to expect at this year’s show.

For Alex Rorison, photographs are physical objects to be played with – not just “pixels on a screen”

Making fashion and product photography that feels more tactile and less sterile, the creative is treating the discipline more like print – seeing images as surfaces for something more.

Children’s toys don’t need to be an eyesore with Odd Works’ tasteful identity for Toyto

Toyto, the Berlin-based brand of old school wooden block toys, is advocating for natural and tactile play over a childhood of blue-light-induced headaches.

Why Nothing’s Charlie Smith is doubling down on “joy and wonder”

The former Loewe CMO is on a mission to make tech cool again, and thinks the best brands know how to entertain.

“It’s not their experience versus your academia”

We’ve all faced a little bit of creative confrontation in our time. Creativity is led by opinion and taste, so it’s no surprise that opinions sometimes clash. But how does one navigate pushing...

“Photography allows me to remain available to life”: Arielle Bobb Willis on the power of image...

Photographer Arielle Bobb Willis shares how her journey with depression led her into photography – a practice that has allowed her to stay present “when depression wants to keep me thinking about the...

100 tracks, 100 science projects: jazz-punk band Robocobra Quartet create a new band identity out...

Robocobra Quartet may not be the first band to create a sprawling album going way over the traditional track listing, but they are the first band to grow an entire musical identity in petri dishes.

From wax seals to postal stamps, Aplomb perfume’s packaging has the intimacy of a handwritten letter

The luxury scandi fragrance brand strikes a perfect balance between confidence and simplicity – it draws on all the visual codes of personal correspondence with taste.

Why brand relevance is driven by novel ideas: The New Company on getting out your creative comfort...

Design director Will Geddes and executive producer Helena Corzan from design and marketing agency The New Company spoke all about how to keep things new. Defining the agency’s creative approach as an...