
The voice of the international film industry. @mattjmueller @JKmovies @OrlandoParfitt @daltontowers @mslouisetutt @NikkiBaughan @elliecalnan @michaelrosser
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Joined August 2008
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Join us on December 8 for Screen's FYC London event, in partnership with @BarbicanCentre ✨
Find out more here: screendaily.com/news/screen-…
‘Godzilla Minus One’ director Takashi Yamazaki to make English-language debut on ‘Grandgear’ screendaily.com/news/godzill…
Ventana Sur launches Ibero-American co-production initiative inspired by Cannes’ Producers Network screendaily.com/news/ventana…
Lionsgate, Steven Paul’s SP Media form joint venture screendaily.com/news/lionsga…
Fantasia entry ‘Big Break’ from ‘The History Of Concrete’ producers lands North American deal screendaily.com/news/fantasi…
UK comedies ‘Ghosts: The Possession Of Button House’ and ‘Ali G: Who Iz I?’ glide into UK-Ireland box office top five screendaily.com/news/uk-come…
‘Sukiyaki’ Tokyo review: #TIFFJP opener is sprawling, feel-good drama about Japanese singer Kyu Sakamoto’s 1963 global hit says Elizabeth Kerr. screendaily.com/reviews/5221…
‘Clayface’ tops global box office with $43 debut while ‘Wildwood’ lands with $15m screendaily.com/news/clayfac…
‘Letters From The Silenced Country’ DOK Leipzig review: Mixed-media documentary proves a raw, disquieting study of Belarusian resistance says @davecalhoun #DokLeipzig screendaily.com/reviews/lett…
‘The Other’s Profile’ Rome review: Unfocused, uneven Italian drama puts influencer culture in the spotlight says @NinjaWorrier screendaily.com/reviews/the-…
‘You Can See Everything’ climbs in second weekend at US box office, ‘Clayface’ rules on $24m screendaily.com/news/you-can…
Indian director SS Rajamouli says new film ‘Varanasi’ much bigger than global hit ‘RRR’ screendaily.com/news/indian-…
What could the arrival of Peter Rice at Netflix mean for the streamer’s film culture? screendaily.com/features/wha…
"The consensus in Hollywood is nobody goes to Netflix to watch the films and Sarandos wants to change that": What could the arrival of Peter Rice at Netflix mean for the streamer’s film culture screendaily.com/features/wha…
Exclusive: Erotic thriller The Fixation and drama The Mirror have both sold for US distribution.
The films will have limited theatrical releases after their world premieres in Florida this month: screendaily.com/news/wildsta…
‘The Liberation’ review: A remarkable Carrie Coon powers Guy Nattiv’s expertly-observed US cult drama says @nikkibaughan screendaily.com/reviews/the-…
Japanese horror Never After Dark won best feature film at @grimmfest this year; with thriller Stronger Than The Devil recognised in seven categories: screendaily.com/news/japanes…
In 2016, filmmaker Charlie Shackleton made Paint Drying, a 10-hour film of paint drying on a wall, in protest at @BBFC fees.
10 years later, @BBFC CEO David Austin responds to the film and discusses the organisation's changed fee structure for classifying films: t.ly/OhLOG
🌳Wildwood grows into a record number of cinemas this weekend for @BlackBearUK & @LAIKAStudios 🌳
The film, about a young girl on a quest to rescue her kidnapped brother, is the longest stop-motion film ever made: screendaily.com/news/uk-irel…




