Independent crime fiction, horror fiction and steampunk fiction book publisher

Joined May 2021
The shelf is nearly empty. A handful of the limited edition Hollow Point hardbacks by Shaun Hutson remain, no reprint, exclusive to Caffeine Nights. Will you be the one who got there in time?
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Twenty copies left. No reprint. The limited edition hardback of Hollow Point by Shaun Hutson closes for good this week. Exclusive to Caffeine Nights. Claim one of the last 20: caffeinenightsbooks.com. Will you take one or let it go?
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In The Crew by Dougie Brimson, belonging and territory meet in football crime fiction. Which is harder to break: loyalty to the group or loyalty to yourself? Answer in the comments.
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Which lands harder in Monolith by Shaun Hutson: terror that’s ancient and unexplained, or modern and man-made? Answer with your choice in the comments.
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Why can an ordinary rural setting feel unsettling? In Parasite Crop, Mark Cassell opens the discussion: does horror work better in a familiar place or a strange one? Comment FAMILIAR or STRANGE.
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Which breaks a character first in British crime fiction: loyalty or ambition? Comment LOYALTY or AMBITION, and tell us why. Top Dog by Dougie Brimson.
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Revenge can drive a crime story, but does it deepen the lead or diminish our sympathy? In Nick Oldham’s Vendetta: more compelling or less sympathetic? Comment with your choice.
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What is more frightening: primal terror that attacks the body, or psychological dread that attacks the mind? Comment BODY or MIND.
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Face Down by Garry Bushell: when justice operates outside the law, which matters more. Justice or the law? Comment JUSTICE or LAW. #FaceDown #BritishCrime
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Four weeks of dark-fiction debate, one question to keep alive: with Lomax: The Tip of the Iceberg, what should we discuss, fear, setting, voice, character or world-building? Answer with one choice in the comments.
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Beyond the launch, what matters more from a publisher: ongoing author support or a lasting reader conversation? Answer in the comments.
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What do you want from an unsettling book? A: sleepless nights. B: a lingering idea. C: a shock. D: a world you can’t forget. Answer A, B, C or D in the comments.
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When choosing a dark read, do you start with genre, author, recommendation, cover or setting? Answer with one in the comments.
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Friday 9 October: What earns your attention on page one of Dark Country by Darren E Laws: voice, danger, setting, mystery or a striking image? Comment with your choice. #Writing #Readers
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On Thursday 8 October, we’re discussing why backlist books deserve visibility. What brings you to Heathen: recommendation, cover, author, review or shared interest? Answer in the comments.
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Wednesday 7 October: What makes an imagined steampunk world distinctive first: 1 colour, 2 machinery, or 3 historical detail? Comment 1, 2 or 3.
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Dark fiction confronts difficult choices without looking away. On Tuesday 6 October, is its pull the freedom to explore the unthinkable: or the chance to expose what people hide? Comment A or B.
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What makes a fictional villain memorable: frightening, persuasive or ordinary? Join our spoiler-free discussion on Monday 5 October and tell us in the comments.
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Audio or print/ebook: when does audio win for you: commuting, household tasks, late-night listening or another moment? On Friday 2 October, tell us in the comments.
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On 1 October, we’re discussing the value of a focused list spanning crime, horror and steampunk. Which boundary should we cross next: crime into horror, horror into steampunk, or steampunk into crime? Comment below.
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