Emma-Louise Williams (@Underthecranes) header
Emma-Louise Williams (@Underthecranes) profile picture

Radio producer, filmmaker, mum, BA MA GDL LPC, IAAS Senior Caseworker, asylum & immigration law 'AlI is flux, nothing stays still' My views

London & Limousin
Joined August 2012
Emma-Louise Williams retweeted
Piano Player and Still Life #artbots #matisse
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Emma-Louise Williams retweeted
English painter Vanessa Bell, Lady with a book, 1945 #womensart
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Emma-Louise Williams retweeted
My daughter has just carved Van Gogh's Starry Night on her Halloween pumpkin! Love it!❤️👏👏👏
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Emma-Louise Williams retweeted
In 'The Red Room, Etretat,' (1899) Felix Vallotton depicts his wife Gabrielle sitting in a chair, while their niece on the floor tears up a piece of paper. As usual with Vallotton, he's left us an inscrutable picture with a long list of possible narratives.
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Emma-Louise Williams retweeted
When Paul Feiler moved to Cornwall in the early 1950s, he joined a community which had established itself as the centre of avant-garde British art in the post-war years. His works are studies in light and shadow, space and solid objects, geometric shapes against organic forms.
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Emma-Louise Williams retweeted
'Ten Cents a Ride.' (1942) Louis Bouché is known as a painter of the American scene. In a 1962 New York Times review, the art critic Stuart Preston described him as 'an American realist who finds poetry, but not obvious poetry, in the commonplace.'
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Emma-Louise Williams retweeted
'Monday Morning.' John Anthony Park made a name for himself through his means of observing and recording the colours and textures of the natural landscape which surrounded him in St Ives and for his impressionistic manner of handling colour and light. Monday was always wash day.
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Emma-Louise Williams retweeted
Sarah Morgan, contemporary UK printmaker #WomensArt
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Emma-Louise Williams retweeted
Two Girls, Red and Green Background #artbots #matisse
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'Girls Outside the Gaiety Cinema, Newlyn.' (1925) Throughout the first two decades of the 20thC, a love of his native Cornwall dominates Harold Harvey's work. The 'impressionist' touch of his early work gives way to a crisp delineation of forms in pictures produced after 1920.
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Emma-Louise Williams retweeted
During WW2, London's underground transport system occasionally suffered blackouts. This is Henry Carr’s scene of Piccadilly Circus at night in 1942 - the downlight cast from a single lamp makes the picture particularly atmospheric.
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Emma-Louise Williams retweeted
Bauhaus students Martha Earps-Breuer, Katt Both and Ruth Hollos-Konsemüller. 1927 #WomensArt #BauhausWomem
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Emma-Louise Williams retweeted
Replying to @ahistoryinart
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During WW2, Laura Knight served as an official war artist, and in 1946, she spent three months observing the Nuremberg war crimes trials of those awaiting their fate and those guarding them. She wrote how she wanted to give the proceedings 'space and mystery.'
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Emma-Louise Williams retweeted
Plate, c.1928 by Grete Marks (1899-1990), ceramic artist and a Bauhaus student #womensart #BauhausWomem
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Emma-Louise Williams retweeted
'Request Stop, Hampstead.' (c1950) Stephen Bone painted a world full of charm. His style went out of fashion for some years but is again gaining popularity. If you are wondering about the colour of the bus sign, white bus signs with a red circle indicated 'compulsory' stops.
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We’re raising GP awareness of Addison's & adrenal insufficiency at the RCGP Annual Conference with our new campaign: 👁️ Spot. Recognise the signs of adrenal insufficiency. 🩺 Stabilise. Manage the condition safely. 🫴 Support. Help patients get the care they need. @rcgp @RCGPAC
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Emma-Louise Williams retweeted
Turn your smartphone into a classic telephone with this retro handset. Simply plug it into the Type-C port – and you’re ready to go. Shop now 🛒funnynoise.co/telephone
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Emma-Louise Williams retweeted
Dave Stewart & Terry Hall Psycho Killer #TalkingHeads
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