Aaron Meier retweeted
Trump completely passed out, reawakened, then passed out again during today's pressor in the Oval Office. 😂🤣👇
Aaron Meier retweeted
Marisha Wallace, now starring in “Cabaret” on Broadway, talks about the liberation of acting on London stages. “It was something I had never experienced, where I was not just Marisha the Black actress,” she said. nyti.ms/478xzt0
Aaron Meier retweeted
Here are six minutes and two seconds of producer Sonia Friedman explaining why the Broadway model urgently needs fixing:
Aaron Meier retweeted
“When I die, the Heavens will open and we’ll all go to the Al Hirschfeld Theatre—all the same people—and we’ll do [HAIR] again.” - Gavin Creel
Aaron Meier retweeted
Drama Desk & Obie Award winner Mandy Gonzalez will guest star as Norma Desmond at select performances of Andrew Lloyd Webber's Sunset Boulevard on Broadway.
Aaron Meier retweeted
I cannot believe we're having "I don't need PrEP because I'm not a degenerate sex addict" discourse. Pathetic ungrateful losers. You people deserve nothing good in this world. Take your PrEP.
Aaron Meier retweeted
When the dj ain’t giving it, standing still is a form of protest. Don’t let these clubs or djs play in yall face! Give us what we wanna hear!!! And the new shit! QUEER BARS and DJS SET TRENDS NOT FOLLOW THEM!!!
Aaron Meier retweeted
4th July, 1844 — Edmonia Lewis was born.
Edmonia was the first professional black sculptor and one of the most celebrated neoclassical sculptors of her time.
‘The Death of Cleopatra’ is one her most recognised works. It depicts the famous Cleopatra in the moment of her death.
Edmonia Lewis was the first sculptor of African American and Native American (Mississauga) descent to achieve international recognition. Her father was Black, and her mother was Chippewa (Ojibwa) Indian.
Orphaned at an early age, Lewis grew up in her mother’s tribe where her life revolved around fishing, swimming, and making and selling crafts. In 1859 she attended Oberlin College in Ohio, one of the first schools to accept female and Black students. She developed an interest in the fine arts, but an accusation of poisoning, probably racially motivated, forced Lewis to leave the school before graduating. She traveled to Boston and established herself as a professional artist, studying with a local sculptor and creating portraits of famous antislavery heroes.
Moving to Rome in 1865, she became involved with a group of American women sculptors and began to work in marble. Sculptors usually hired local workmen to carve their final pieces, but Lewis did all her own stonework out of fear that if she didn’t, her work would not be accepted as original.
In addition to creating portrait heads, Lewis sculpted biblical scenes and figural works dealing with her Native American heritage and the oppression of Black people.
Aaron Meier retweeted
Lauren Boebert wanting to abolish the Department of Education is like chlamydia speaking out against the dangers of penicillin
Aaron Meier retweeted
Condescension in criticism is so lazily cynical: the assumption that if you don’t love this thing I love, you must not understand it, and that if you do love this thing I don’t, you must possess a lesser mind. It’s okay to differ, and to respect that.
Aaron Meier retweeted
That’s a wrap for the #TonyAwards. It was a night packed with great winners, but Lincoln Center can’t host the show again. Broadway’s biggest night needs to move back to Radio City Musical Hall.
Aaron Meier retweeted
Max Wolf Friedlich's new play Job will arrive on Broadway this summer!
broadwayworld.com/article/JO…
Aaron Meier retweeted
Replying to @janecoaston
RW Christianity is based in the idea that god expects no personal sacrifices, asks you to rise above nothing and exists exclusively to sanctify your personal resentments and vindictive impulses as noble and holy.
Aaron Meier retweeted
Some Critics Don’t Understand the ‘Cabaret’ Broadway Revival. Young Women Do. (Guest Column) variety.com/2024/legit/colum…

























