New report from our ARC-funded project 'Making Australian Television in the 21st Century' highlighting plummeting levels of Australian drama production and proposing some policy solutions.
Our @ksanson @Annapotters @Mazmac01 new report pulls together research funded by an ARC grant to investigate the role/possibility of ‘national’ television in an industry that has become global in corporate org & distribution. A lot relevant beyond AU eprints.qut.edu.au/248187/
Delighted to be part of this new edited collection - with a a chapter on clean teen drama production - investigating how streamers expand and alter domestic storytelling norms #disney #Netflix
Dr Anna Potter retweeted
Academic friends at @SCMStudies in Denver, we'll have a panel on Screen Story Strategies in the 21st Century (nothing less) Wednesday, April 12 at 11 AM with the ⭐️magnificent⭐️ @DrTVLotz, @Annapotters and @RedvallEva #scms23
But seriously, what's going on with the weather?
The Australian Screen Stories Viewing Report part 1 is out! Lots of lovely charts and data - and details on which screen story providers Australians value most eprints.qut.edu.au/238930/
🇦🇺 Australian Screen Stories Viewing Report Part 1: The start of results from a nationally representative survey about scripted series and movie watching. Want to know what service or channel Aussie’s most value? Click thru to find out eprints.qut.edu.au/238930/ #streaming #Netflix
Delighted to be part of this @NYUpress collection edited by @drtvlotz & Ramon Lobato & looking at original series commissioned by SVODs in 15 countries. Out early 2023 #mediastudies #mediaindustries
Early next year from @NYUpress Industrially-grounded analysis of streaming originals in 15 countries by territory experts looking at a range of program forms
Was Neighbours feminist? A wonderfully detailed analyis in today's Conversation from my
@usceduau colleague @sarahjcasey and @Feministingoz
theconversation.com/from-cha… via @ConversationEDU
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Big congratulations to my very clever @usceduau ECR colleague @LeviDurbidge for being awarded this prestigous AAH fellowship @ResearchUSC_AU
Dr Anna Potter retweeted
Digital change has affected the economics of all television industries, though not in same ways and with different implications for scripted drama. @DrTVLotz, @Annapotters and @CathyJ0707 explore the contrasting cases of the US, UK, and Australia journals.sagepub.com/doi/ful…
My super talented colleague @phoebemack explaining how so many of us, including a few of my media industries students, suddenly found ourselves 4 eps deep in Byron Baes
Please enjoy this @ConversationEDU piece I wrote on celebrity culture for your light Friday reading✨🔮✨From cringe to binge: the ingredients that make Byron Baes compelling reality television tinyurl.com/yc7zbw35 via
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Dr Anna Potter retweeted
YouTube quarterly revenue up to $8.6 billion. The $100 million Kids content fund is literally a coffee to them.
Dr Anna Potter retweeted
MIA 182: Anna Potter & Amanda D Lotz analyse how digitisation and screen policy reform altered the production of domestic drama and children’s programmes in Australia between 2001-2014.
tinyurl.com/5h5r7z3b
@Annapotters @DrTVLotz
#AusTV #AusTVPolicy #ABCTV
New article with @DrTVLotz on why we need more ambitious policy frameworks for Australian drama production @ResearchUSC_AU #mediaindustries #culturalpolicy
New work w @Annapotters in Int'l J of Cultural Policy. Perhaps provocative – hear us out – the changed industrial context requires new approaches and solutions. Thanks to many who read drafts, we didn't name you for your protection 😉tandfonline.com/doi/full/10.…
Dr Anna Potter retweeted
Come see this at @usceduau art gallery!
@BarrowcliffeR's exhibition is on.
Also, LOVE this amazing image of Rose by @spirekids - the very talented Dr Tricia King.
If you haven't seen it yet, the Reading Between the Lines exhibition by @BarrowcliffeR is still on at our USC Art Gallery. Rose uses the exhibition to reveal stories of the Butchulla People hidden in the historical record. Read more: bit.ly/3AyFI6Z (📸@spirekids )
Dr Anna Potter retweeted
ICYMI: A huge congratulations to @LeahBarclay and her collaborators Lyndon Davis and @spirekids for winning 2021 APRA AMCOS Art Music Awards for Excellence in Experimental Music. Their project explored Sunshine Coast places through immersive soundscapes and photography 🏆🎶🌅
Short and sharp: Titles up, hours down 68 per cent for Aussie TV drama smh.com.au/culture/tv-and-ra…
If you're on the Sunshine Coast, come along to the super-talented @BarrowcliffeR's exhibition, on until October 30th @usceduau Art Gallery
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Our report charts Australian drama production, including children's, over 20 years. Spoiler alert - levels have fallen dramatically since 1999, by 68% on commercial FTA broadcasters @ResearchUSC_AU @OzKidsTV
Today, the Making Australian TV in the 21st Century (@AnnaPotters @ksanson @mazmac01) team released the Australian Television Drama Index eprints.qut.edu.au/212330/1/… drawn from 20 years of Australian television drama production. We examine who commissions, 1/3
Dr Anna Potter retweeted
I had a go at trying to put Australia's vaccination failure into some context, for Meanjin meanjin.com.au/blog/a-pandem…
This was tough to write because it brought back so many memories of the late Tom O'Regan but I'm honoured to be part of this special issue of @Media_Int_Aus celebrating Tom's work
From the Celebration of Tom O’Regan issue (MIA 180): Re-Visiting Tom O’Regan’s Australian Television Culture: Why Media Ownership, Regulation and Policy Still Matter by Anna Potter
tinyurl.com/p5bth4sw
@Annapotters
Dr Anna Potter retweeted
This is #MeAtTen In 2020, 499 children aged between 10 and 13 were imprisoned. At least 65% of them are Aboriginal or Torres Strait Islander children. 68% of all children in detention were on remand, meaning they were yet to be convicted of any crime." It’s times to #RaiseTheAge
























