Pogo

When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema. It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores. This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work. A tragedy deserves empathy 🙏, not opportunism. Learn the difference.