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Traces of the twentieth century. A project of @PlattenbauBLN and @Berlin_Type.

Berlin
Joined May 2022
Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)Photo by Berlin Modern (@BerlinModerne)
On the road again … back soon. #BerlinModern
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Modern entrances of Berlin: This currently-vacant shopfront provides the latest instalment in our ongoing series of modern doorways. #BerlinModern
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Broadcasting in the space age. Robert Tepez, 1963–71. #BerlinModern
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Concrete, tiles, exterior (orange) blinds and an anguished bronze sculpture … what more could one want? Architect and year of construction (currently) unknown. #BerlinModern
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Angles of uncertainty. Willy Kreuer, 1956–57. #BerlinModern
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Books and brutalism. Bodo Fleischer 1975–78. #BerlinModern
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Bell-tower in concrete and brick. Werner March, 1958–61. #BerlinModern
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The last days of the Haus der Statistik. M. Hörner, P. Senf, J. Härter, 1968–70. #BerlinModern
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The former Osram-Haus on Ernst-Reuter-Platz. Bernhard Hermkes, 1956–57. #BerlinModern
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We’re back in Berlin … and ready for another year of modern delights. First stop: the ever-wonderful Staatsbibliothek. H. Scharoun, E. Wisniewski, 1967–76. #BerlinModern
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Farewell to the desert. Tomorrow we return to the familiar world of post-war Berlin.
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Textures of the desert, part 4. #DesertModernism
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Textures of the desert, part 3. #DesertModernism
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Textures of the desert, part 2. #DesertModernism
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Textures of the desert, part 1. #DesertModernism
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Berlin Modern in Palm Springs, part 6: This late masterpiece of Desert Modernism is actually in Palm Desert, a few miles down 111. It was still a bank in 2019, but now stands vacant. Architect Unknown, 1978.
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Berlin Modern in Palm Springs, part 5: Bold forms and vernacular textures at the art museum. E. Stewart Williams, 1974–76.
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