Queer. Feminist. Medievalist. she/they. Author: Digital Codicology. Co-PI: ‘Always Here: a Queer+Trans Global Medieval Sourcebook.' Coiner of the #CaswellTest.

Joined August 2013
Digital Codicology's price in hardcover is steep ($80) I'm sorry about that, and wish there were a cheaper paperback available! (Maybe in a few years, if sales are strong enough?) In the meantime, you can get 20% off ($64) when you buy from SUP & use my author code: WHEARTY20
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Bridget Whearty 🏳️‍🌈 retweeted
Something very, very exciting is happening @britishlibrary Medieval Women: In Their Own Words, our new major exhibition, opens on 25 October Get your tickets now, they're cheaper than #Oasis and more chance of encountering Margery Kempe 😉 blogs.bl.uk/digitisedmanuscr…
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Bridget Whearty 🏳️‍🌈 retweeted
My book All Boys Aren’t Blue has had 7 criminal charges, and is virtually banned in all high school libraries in Texas, Florida, Georgia and Iowa (where an educator can go to jail for a year with a 1500 fine to give it to a “minor”) Fight for the right to read
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This article is about massive flight delays in Europe. But it’s definitely applicable to the US. Recommended reading if you, like me, are currently sitting on the runway because (as the pilot is saying) understaffing in American air traffic control means your plane can’t launch
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~3 hrs after boarding, we’re (maybe?) about to leave. Ooof.
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Bridget Whearty 🏳️‍🌈 retweeted
Replying to @BridgetWhearty
Tell them you have important codicological questions and/or need to recheck the collation. It won’t be a lie!
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Bridget Whearty 🏳️‍🌈 retweeted
Indeed - sometimes digital images are easier to read than originals (though I remember facsimiles of microfiche ... eek!). It's having both available that counts.
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Bridget Whearty 🏳️‍🌈 retweeted
Materiality - letterlocking, water damage, uninked writing, seal quality, digital flattening ... the list goes on ... it's not just about bookfondling (though that is part of it ...)
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Bridget Whearty 🏳️‍🌈 retweeted
Would suggest you need to examine the paper stock, ink qualities etc? Clues to watermarks? I’ll never forget my tactile connection with the past when unfolding a pack of previously unread ordination papers & letters. Had to surreptitiously dab my eyes! 🥲😃
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Bridget Whearty 🏳️‍🌈 retweeted
A reminder to any undergraduate/graduate students focused on disability studies or disability history: I'm happy to look over your grad school apps, do informational interviews, or look at grant/fellowship materials. 1/
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Bridget Whearty 🏳️‍🌈 retweeted
Replying to @BridgetWhearty
Just quote Benjamin on aura!
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Bridget Whearty 🏳️‍🌈 retweeted
Replying to @BridgetWhearty
You need to engage with the materiality-texture, watermarks, inclusions, page dirt, co-binding, damage…digital imagery doesn’t serve any of these queries. And IKWYM-“Why do you need to see THIS copy of the Nuremberg Chronicle?”. I get the preservation instinct, but yeesh.
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Bridget Whearty 🏳️‍🌈 retweeted
if you've written one of these send it to me?
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Bridget Whearty 🏳️‍🌈 retweeted
would love to read a collection of people's 'how it moves / feels / I just want to touch this thing / mystical reasons I can barely articulate / aura desire materiality' justifications like a long prose poem, w glimpses of gold & parchment & binding & ink flickering in and out
Replying to @BridgetWhearty
It’s funny to have written a wholeass book about digitization — and be asked ‘can’t you just use the digital object’ and be like ‘well… maybe? But I also just want to touch this thing 🤷🏻 because mystical reasons I can barely articulate? Because aura, desire, materiality?’ 4/4
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Bridget Whearty 🏳️‍🌈 retweeted
Quires. I've never been denied access. One curator once told me they'd do it for me, I politely refused and brought my case forward abt why one doing it oneself is crucial.
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Bridget Whearty 🏳️‍🌈 retweeted
Anything interesting going on with the binding, obviously.
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Bridget Whearty 🏳️‍🌈 retweeted
Also, any signs of correction, self-correction by the scribe, different ink etc etc can easily just be missed in a copy.
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