Video walls have given production companies way more creative lighting options, but it’s a completely different approach. Here’s how it affects color, brightness and delivery, as well as what to do about it. hubs.li/Q04Cf_hR0 #VirtualProduction #BroadcastTechnology

SipRadius Provides Rapid Response To PHP Concerns #broadcast #infrastructure ift.tt/r5DpN4W

In less than 10 years SMPTE 2110 has completely transformed how broadcasters operate, but a lot has changed since its release in 2017. Part 5 of our free Broadcast Standards reference work brings you bang up to date. hubs.li/Q04C6n8H0 #SMPTE #BroadcastStandards

FOR-A And Canon Team Up For A Unified Approach To PTZ Production #broadcast #production ift.tt/3d1yGN8

Mediagenix Unveil Its Vision For AI Context-Aware Scheduling #broadcast #infrastructure ift.tt/eTuzVH6

Without robust mix-minus & comms a broadcast studio is just a collection of people frantically waving at one another off camera. Multi-site crews, IEMs, radios and IFB feeds mean comms systems have to be extremely flexible. Here’s how it all fits together hubs.li/Q04BS3280

Wooden Camera Introduces New Cage And Accessory System For Sony FX5 #broadcast #acquisition ift.tt/fduMy4e

Live sports production is exploding, but budgets aren't. In this free series we speak to Gravity Media’s engineering and commercial teams to find out how they are keeping broadcasters ahead of the game without breaking the bank. hubs.li/Q04BG_5z0 #GravityMedia #LiveSports

HuskerVision Builds IP Production Facility With Grass Valley #broadcast #production ift.tt/81BiAUW

Planning for multi-format output isn't a content strategy – it's an engineering one. LiveU's Ben Ratner on the shift from slot-centric to story-centric production, and why the intelligence has to start at the point of capture. hubs.li/Q04BwvT80 #LiveU #CellularBonding

Normal human behavior plays right into the hands of content pirates, and streamers are using a combination of carrots and sticks to keep people on their platforms. But you can’t cheat human nature. hubs.li/Q04BmX4-0 #ContentPiracy

DHD SX2 And XS3 Audio System Selected For Broadcast Media Training #broadcast #production ift.tt/eYjgPBr

Vendor Spotlight @ IBC 2026 - Amagi Broadcasting has always been about telling stories, but today’s viewers want stories that speak to them directly. Launched at IBC 2026, Amagi’s Studio platform shapes content based on individual preferences. hubs.li/Q04Bfb4B0

Wisycom Transforms Wireless Workflow At Sutter Health Park #broadcast #acquisition ift.tt/G7bEtfv

Vendor Spotlight @ IBC 2026 – Globecast With no tie ins and no hassles, Globecast’s new MooM platform is giving broadcasters the flexibility to be more creative as they scramble to adapt to the second wave of streaming. hubs.li/Q04z-hkJ0 #IBC2026 #IBCshow

IPsec and NAT are natural enemies – one locks down data and the other rewrites it. Making them work together in a high stakes broadcast environment is tricky, but not impossible. Here’s how. hubs.li/Q04B5J-k0 #IPSecurity #BroadcastSecurity #BroadcastEngineering

SABC Upgrades To IP-Based Production With Ikegami UHK-X600 Cameras #broadcast #acquisition ift.tt/RSYndjp

Every element of the streaming ecosystem supports every other element – it means every engineering decision influences multiple parts of the ecosystem. And it’s why modern streaming engineering has become progressively more architectural. hubs.li/Q04z-k_f0 #Streaming

There are many motion capture technologies in virtual production, but not every system suits every shot. Between optical, inertial, mechanical, magnetic and markerless systems, here’s what works and where, and why it matters. hubs.li/Q04zSRPz0 #VirtualProduction

Mesh Broadcast Services Fits Big-Truck Audio Power Into Compact Eclipse Unit With Calrec Argo M #broadcast #production ift.tt/M017XjN