Haggard rancia y morena. Devoro novelas y fungirleo con Kim. Cliente de Barrons Books&Baubles #JAMMF #RikRankin #Rollo #AλέξηςΓεωργούλης #Rochester
Highlands Dublín Lisboa Corfú
Joined March 2014
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Pásate también por nuestro blog de reseñas de novela romántica. @KCarringtonFox y yo las comentamos con humor. alacamaconunlibro.blogspot.c…
Pero qué coj...???? Van a hacer series hasta del tío que corta la leña en casa de cualquier familia de las novelas de Jane Austen.
Prepare to meet The Other Elliot Sister!
A new drama, telling the story of Elizabeth Elliot, the overlooked eldest daughter from Jane Austen's Persuasion, is coming to the BBC.
Learn more ➡️ bit.ly/3Uo5o5v
ALT The Other Elliot Sister is written in red cursive script on a dark yellow patterned background.
El problema no es la altura de Jack Lowden, sino la de Emma Corrin. Si se me permite decirlo.
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Bueno: o es la Edad Media tal y como se concibe equivocadamente en el cine o es “Noche de Fiesta” de José Luis Moreno. Eso es la Regencia hoy día en los medios audiovisuales. No hay término medio.
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Si veo un insecto o un detalle sin fuste más en esta película, apago. Willoughby, otro que necesita champú y peine. Y Marianne es peor que Lydia, que ya es decir.
La Regencia en el cine es la nueva Edad Media: el supuesto “realismo” se basa en gente que no se lava, no se peina, no plancha la ropa, viste de marrón y colores apagados y tiene poca o nula educación en algunos casos. Qué tristeza.
Parad ya con la IA y con los retoques usándola, que esta gente era guapérrima y aquí no los reconoce ni su madre.
Margaret Dashwood diciendo "snob". Todo bien. Y, por favor: champú, peine y plancha de la ropa para esta gente, sobre todo para Marianne.
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Espera, que ahora toca odiar al señor Bennet. Que sí, que es un negligente con la educación de sus hijas y todo eso, pero que ya lo sabemos, señora.
Esto 👏🏻
Rolls up sleeves. I just had to see this before going to sleep:
Darcy is not a myth. He is Austen’s design.
She wrote the man who first insults Elizabeth in a crowded room and later crosses England to save the sister she loves, quietly, without seeking credit or gratitude. She wrote the letter that undoes every false impression. She wrote the walk at Pemberley where Elizabeth sees the true shape of his character for the first time. He wasn't in a ballroom, but in the place he has made into a home. She wrote the second proposal in which he offers her nothing but the proof that he has learned to value her judgment above his own pride.
That is not Stockholm syndrome. That is the romance Austen chose to tell: two people of equal wit and unequal station who must each shed a false understanding of the other before they can meet as equals. Elizabeth’s prejudice is real; Darcy’s pride is real. Austen gives neither of them an easy victory. She gives them the harder gift of change.
The man who begins as “tolerable” ends as the only person in the novel who can truly see Elizabeth’s mind and still desire her wholly. Austen did not invent him by accident. She built him, sentence by sentence, so that the moment he says he has been a selfish being all his life would land with the full weight of everything that came before. To call that arc a dangerous myth is to refuse the story she actually wrote.
I will take Austen’s Darcy who is flawed, proud, capable of growth, and finally worthy over any modern rewrite that begins by deciding he was never the hero she intended.
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Comparar a Rochester y Darcy vin Heathcliff es de traca. Y supongo que el gran héroe romántico ever es el tipo Grey. Manda cojones.
Vete a tomar por donde amargan los pepinos, déjanos soñar, hostia ya. Team Darcy y Team Rochester hasta la médula. No los voy a odiar por mucho que os empeñéis. Haced vuestras historias con vuestros antihéroes y dejadnos vivir.
This adaption was written by woman who hates Mr. Darcy. She's said “Him being held up as a romantic hero is a myth which has had a really insidious ripple effect on dating culture right up until now.” That many women had a kind of Stockholm syndrome to the character. And that he was a “conceited, bullish and rude snob who, as my fellow millennials would say, needs to check his privilege.”