CineAlpha retweeted
Agree. And Arvind Trivedi ji who played Ravana, off screen was loved & respected too.
I don't think Ravana has been glorified in Nitesh Tiwari's Ramayana. He is driven by ego & arrogance & shown in an intelligent way how he chooses between good & bad. But chooses the wrong path always. You need to read between the lines as a a neutral audience & not as a nitpicking, biased one who only wants to point out the flaws.
Sir, even I liked Ramanand Sagar's Ramayana, and even today, every person who worked on that Ramayana is remembered. But saying that Ravana has been glorified in Namit Malhotra's Ramayana is wrong because, even in Ramanand Sagar's Ramayana, Ravana was glorified and portrayed as a good-hearted man.
You can see that in this video too.
Sir, even I liked Ramanand Sagar's Ramayana, and even today, every person who worked on that Ramayana is remembered. But saying that Ravana has been glorified in Namit Malhotra's Ramayana is wrong because, even in Ramanand Sagar's Ramayana, Ravana was glorified and portrayed as a good-hearted man.
You can see that in this video too.
CineAlpha retweeted
These two are the biggest dalals, and all thanks to the production houses that made them what they are today. Honestly, it's a shame to even call them film critics. They behave more like blackmailers, pressuring producers and spreading negativity about their films if they don't get paid. I'm glad the #Ramayana makers didn't entertain them or give them a single penny. More power to them!
TWO HINDI CRITICS UNDERREPORTING RAMAYANA'S COLLECTIONS. 😳
Two Hindi critics are allegedly underreporting Ramayana's collections by a huge margin. Since they haven't been paid by the makers, they are reportedly showing 15–20% lower collections every single day.
And do you know what's even more interesting? When certain movies have corporate bookings, they conveniently choose not to report them because they receive money from the makers. In fact, they sometimes even report collections higher than the actual figures provided by the makers.
Do you know which two critics I'm talking about?
The only scene that disappointed me in Ramayana was Sai Pallavi's reaction as Mata Sita when Jatayu died.
This scene would have been more emotional if she had given a more emotional reaction, but she didn't.
TWO HINDI CRITICS UNDERREPORTING RAMAYANA'S COLLECTIONS. 😳
Two Hindi critics are allegedly underreporting Ramayana's collections by a huge margin. Since they haven't been paid by the makers, they are reportedly showing 15–20% lower collections every single day.
And do you know what's even more interesting? When certain movies have corporate bookings, they conveniently choose not to report them because they receive money from the makers. In fact, they sometimes even report collections higher than the actual figures provided by the makers.
Do you know which two critics I'm talking about?
HIGHEST WORLDWIDE OPENING DAY GROSSERS IN BOLLYWOOD. 🔥
Which Bollywood movie do you think can surpass Dhurandhar 2?
MUKESH KHANNA SAID THEY GLORIFIED RAVANA IN RAMAYANA.
Mukesh Khanna told news reporters that it's not a good thing to glorify Ravana in front of Lord Rama.
He also said, "I think they did it because someone told me that, in the South, they burn effigies of Rama instead of Ravana." 😳
WHAT SHOULD BE CHANGED AND IMPROVED IN PART 2?
1) The movie should not conclude with the final battle. Part 2 should end when Lord Ram gets angry with the God of Water (Varuna), strings his bow, and is about to shoot an arrow. This happens right before the construction of Ram Setu.
OR
It should end after Angad goes to Lanka as a messenger of Lord Ram. When Raavan tries to touch Angad's feet to move them, his crown falls. Angad then moves his foot and kicks the crown out of his palace, saying, "Don't touch my feet; touch Lord Ram's feet instead." Raavan's crown then flies all the way to Lord Ram's feet.
By doing this, the filmmakers will have enough time to properly cover Vali, Akshay Kumar (Raavan's son, who is killed by Lord Hanuman), and Lanka Dahan.
2) De-glorify Raavan by showing or presenting, in some way or form without losing the PG-13 rating, how he raped Lord Kuber's daughter-in-law, Rambha, and the curse he received as a consequence.
3) Spend a little extra on the VFX budget because you simply cannot compromise on the visual quality of the Vaanar Sena and Hanuman Ji.
4) Give proper screen time to Vali's death.
5) Include goosebumps-inducing background music during Lord Hanuman's flight and Lanka Dahan. 🔥
CineAlpha retweeted
#RamayanaReview : ⭐⭐⭐⭐🌟 4.5/5
Finally watched RAMAYANA today, and I absolutely loved every bit of it! 🏹🔥
Right from the beginning, you can see the sheer amount of hard work, dedication and effort that has gone into bringing this epic to the big screen. Hats off to Nitesh Tiwari and Namit Malhotra for presenting this legendary story on such a grand scale.
Performances:
Ranbir Kapoor is amazing as Shri Ram, while Ravi Dubey is a perfect choice for Lakshman. But Yash absolutely steals the show as Ravan! He is the trump card of the film. His presence, screen persona and especially the Shiv Stotram sequence are simply outstanding. 🔥
What I appreciated the most is that the makers have tried to stay as close to Valmiki's Ramayana as possible, while taking certain cinematic liberties that feel justified in the context of filmmaking.
And finally, that glimpse of Sunny Deol as Lord Hanuman! What an entry! It has made the wait for Part 2 even more exciting.
A grand cinematic experience, backed by sincerity, scale and brilliant performances.
Now eagerly waiting for Part 2! 🔥
JUST WATCHED RAMAYANA, AND THIS IS WHAT I FELT.
Nitesh Tiwari, WTF DID YOU DO, MAN? 😭
I just watched Ramayana today, and I honestly don't have any words. This is one of the finest films I've ever watched and undoubtedly the best Indian movie in terms of VFX, even mogging Hollywood in VFX and CGI.
People were literally cheering when Hanuman Ji appeared in the post-credit scene.
Part 2 will surely create history, and there's no doubt that Sunny Deol as Hanuman Ji is going to steal the show in Part 2. 🔥





















