
Office Manager & EA in music distribution 🍊 Freelance music journalist and marketer. Bylines @bestfitmusic 🖊
London, England
Joined September 2012
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Selling my tickets for #Mahalia #MahaliaPresents this evening via the link - open to offers!
Tickets for Mahalia Presents. Don't miss out. twickets.live/tour/mahalia-p…
Clare O'Shea retweeted
Tobe is such an underrated genius. Even Pharell couldn’t believe his ear at his own tribute.
Clare O'Shea retweeted
i only came to speak the truth hunny:
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Stormzy performing I Got My Smile Back 🥺 the lyrics are something #Brits2023
Interesting article @musicbizworld - is TikTok expecting, and *preparing*, for tests to reveal that losing major label content won’t affect engagement? musicbusinessworldwide.com/i……
Clare O'Shea retweeted
“…the coloniality of language… capture[s] the colonizer’s imagination of the colonized as having no Language, that is, no Eurocentrically valorized expressivity]” —Veronelli
It’s not a perfect solution but massively reducing secondary ticketing seems like a net positive for most TS fans 🤷♀️
Interesting statistic: Ticketmaster would have kept $3.8 - $5 million in fees if Swift had allowed the company to sell tickets on its own secondary market.”
Taylor Swift’s Eras Tour on Track to Sell $590M in Tickets. Here’s Where That Money Goes blbrd.cm/sT0OPjE
Clare O'Shea retweeted
Wait until people find out there’s a job in the music business where you start out doing everything for an artist for 20% of nothing. Whew. People are really going to lose their shit.
Clare O'Shea retweeted
UK albums chart to count video streams from 2023 musicweek.com/labels/read/uk…
Clare O'Shea retweeted
Do you know who Shudu is? I just found out—she’s the first AI model. She’s been “hired” across the industry which means her creators, white men, NOT a Black woman, are the ones paid. And companies get to say they ran Black content without having to work with or hire Black people.
Going forward, @ariellevking predicts a greater focus on prioritising rest and intentional content creation online
teapaw.org/i/spaces/1zqJVPZpQjXKB…
And the winner of the 2022 Mercury Prize with @FreeNow_UK is...
@LittleSimz - 'Sometimes I Might Be Introvert' 💫 🏆
#MercuryPrize
Clare O'Shea retweeted
One of my TikTok ad clients is spending $150K+ a month on TikTok ads.
Guess what is the top spending/performing age group?
Women 45-54.
The CTR and conversion rate on women 45-54 on TikTok is nearly double the 18-24 segment. 🤯
And this isn’t even my first Twitter account 🥲 remember the good days on here?! #MyTwitterAnniversary
Clare O'Shea retweeted
Expanded on this thought — that content is becoming more important than creators, similar to the way streaming contributed to songs > artists — in a new blog post today 👀⬇️ midiaresearch.com/blog/what-…
Replying to @tatianacirisano
2. Perhaps dangerously, content is becoming more important than its creator. Even with a viral TikTok video, it’s a struggle to get viewers to convert to followers, because following people isn’t the point. Reminds me of how streaming has contributed to making songs > artists










![Broadcast of Bad Bunny’s 2023 Grammy Awards performance with closed captions that read, “[SPEAKING NON-ENGLISH] [SINGING IN NON-ENGLISH]”](https://pbs.twimg.com/media/FoRApOSaIAEqwlw.jpg?name=small&format=webp)












