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Here for the work, the advice, and the occasional talking shit. #design #comics #youtube #games #movies πŸ§‘β€πŸ¦―

Toronto
Joined January 2025
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I share YouTube and design/editing advice, document my creative journey, and break down what makes videos earn clicks without sacrificing creativity. Follow if you want FREE practical tips, resources, and help finding your creative voice.
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#Spoilers I give Absolute Batman #25 a 9.5/10. In my opinion, this issue has only one problem. However, these first 25 issues have exposed a pretty major problem with Scott Snyder's writingβ€”or perhaps I should call it a habit. Finally, I'll talk about my thoughts on that thing. Actually, that last part is what really matters. This issue is divided into two halves. The first half is emotionally oppressive, with a very strong sense of tension and pressure, and it brings about a major change in the relationships between the characters. The second half is full of spectacular action, but the one thing I dislike about this issue is also in this part: Absolute Barbara. I wish she'd been given more room to show what she's capable of. As it stands, her portrayal in the comic feels far too abrupt. Actually, she's been like this for the past several issues. Of course, she's getting an origin story in #26, which might help explain things, but an explanation can't undo how it felt to read it. There's a major problem with this seven-issue Scarecrow arc. For most of the arc, we're constantly told just how terrifying and overwhelming Absolute Scarecrow is, and we watch him physically and psychologically abuse and torment Absolute Bruce. Then, halfway through #24, Scarecrow is defeated, and by #25, we're already fighting Absolute Joker. I didn't feel any sense of a long buildup finally paying off. All I felt was that the story had been compressed. And I think this has always been a characteristic of Snyder's writing. If you like it, it's a strength. He comes up with incredibly grand, magnificent, and beautiful themes, characters, and storylines, and then resolves everything with a game of rock-paper-scissors. He's exceptionally good at building climaxes, but I think resolving those climaxes has always been a problem for him. Dark Nights: Metal is the worst example of this, in my opinion. Absolute Batman isn't nearly that bad, but the problem is still pretty significant. And this writing pattern is becoming more and more obvious. All right, none of that really matters. On the final page, a pregnant Absolute Selina meets Absolute Bruce, who looks completely dumbfounded. It's Christmas, my friends! It's Christmas for us BatCat fans! All right, let me calm down a little. Is Bruce the father? We don't know. Is that person really Selina? We don't know. When did she get pregnant? We don't know. How do Selina and Bruce feel about this? We don't know. Is this Helena Wayne? We don't know. Is she actually pregnant? We don't know. And don't fucking bring up miscarriage. I honestly can't imagine why that would even be considered an option. Besides, with her belly already that big, aren't you worried about her health? The truth is, we know absolutely nothing. These days, when comic writers talk about their creative visions, I tend not to believe them. I only trust what's actually on the pages. All right, Snyder's exact words were that Absolute Bruce and Absolute Selina would have a different kind of development in their relationship. But killing each other would also count as a different kind of development. Obviously, that's something none of us wants to see, but strictly speaking, it would still fit that description. This is just an extremely exaggerated example. So I'd rather draw conclusions from the comics themselves. I need to take a detailed look at how much time has passed in Absolute Batman, especially how much time has elapsed between #14 and now. Absolute Selina's appearances in Absolute Batman have actually been quite limited, and she's been used in a very functional way. She shows up to fight Absolute Bane, that monstrous mountain of flesh, and then disappears as soon as the fight is over. The next time we see her, she's pregnant. If Absolute Batman is going to explain this, I think it'll happen in #27, since #26 is Barbara's origin story. Of course, it'd be even better if they could spare a page in #26 to tell us something about it. But I think it's more likely that we'll get the explanation in Absolute Catwoman #6. And that really frustrates me. In my opinion, that book is very poorly written, and its publication keeps getting delayed. Absolute Selina's attitude toward Gotham also makes me very sad. The book barely explores Selina herself, either. They might as well call it Absolute Calico instead. As for the claim that Absolute Selina is the Bruce Wayne of the Absolute Universe, I haven't seen that reflected in the story at all, apart from those unexplained enormous sums of money. Bruce also appears on the cover of Absolute Catwoman #6, so that would be a great opportunity. It could also explain why, despite the book selling so well (why is it selling so well?), Snyder still hasn't said anything about a continuation. Maybe they need to wrap up this particular stage of the story first. Anyway, whether it's Absolute Batman #26, #27, or Absolute Catwoman #6, they're all coming out next year. It's okay, my friends. It's okay. Just going from the eighth year to the ninth.
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Reading Absolute Batman #25 outside. That crisp autumn air, falling leaves, and the last golden days of October. πŸ‚πŸ¦‡
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VisionQuest is all sauce, no meat.
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Never buy a gen 1 product from any company.
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It’s 2 AM. Some random lady just tried to shake me down for a $20 Taco Bell meal, and somehow I got spoiled for Absolute Batman in the process. πŸ’€
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The club scene from Clayface desperately needed something like this. Matt switching back and forth so cleanly was super jarring.
Remember when BATMAN: THE ANIMATED SERIES injected a little AKIRA DNA into Clayface’s transformation and made it gloriously disturbing? Ron Perlman’s voice work made the whole thing even better, giving the shape-shifting horror a genuinely tragic edge.
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My biggest criticism of the DCU so far is its visual design. DC Studios needs to invest more in concept art and art direction. Some of these projects lack a distinct visual identity beyond the characters’ costumes and powers. The cinematography, production design, and overall aesthetic should be just as imaginative as the characters themselves.
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Clayface had such a cool typeface for a title in its marketing, but the actual title card in the movie looked cheap and didn’t fit the film’s tone. It made zero impact. Definitely a nitpick for most people, but the designer in me sees so much wasted potential. Little details like that bother me.
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Clayface didn’t need Batman to appear, but his presence needed to be felt. Ex. The gangster stalking Caitlyn, nervously checking rooftops and alleyways for Batman, causing him to following Clayface without realizing. Little details like this could make Gotham feel dangerous and paranoid without ever showing Batman. It also would have made the film more suspenseful in general.
This might be Nitpick But after thinking about it and seeing the movie since they confirmed that Batman was still operating during Clayface where was he Wouldn’t he be aware or at least be involving with this situation
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This might be Nitpick But after thinking about it and seeing the movie since they confirmed that Batman was still operating during Clayface where was he Wouldn’t he be aware or at least be involving with this situation
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Clayface is surprisingly character-driven, exploring Matt’s descent into madness and self-obsession. However, it lacks the suspense and dread promised by the marketing. Despite some interesting body horror moments, it never fully embraces the character’s weirdness. By the time things escalate, the movie is over. A decent film with shades of Joker and The Penguin, but ultimately less compelling. Don’t expect many Batman references beyond a few clever nods.
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Strangest part of the movie. I'm very confused like what was the point of that.
Aaron Paul has been cast in a minor role in Clayface! (via @Feature_First | featurefirst.net/aaron-paul-…)
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Stop redesigning the YouTube app UI!
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Dream project: A Forensic Files/Unsolved Mysteries-style docuseries investigating Gotham’s most infamous crimes and Batman’s rogues gallery. All the intrigue of true crime without exploiting real tragedies.
Hear me out a DCU Batman Rouges Gallery series Take place in Arkham Asylum, where each episode focuses on a Batman villain on there backstory and there One Bad Day on how they become who they are
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Finished it. Great season with a fantastic ending, but story-wise, I still prefer Season 1. Too many characters competing for focus. I’d love Season 3 to explore a corpo rat, a familiar character from the game, or even a story set during the game.
Cyberpunk: Edgerunners II has some of the best animation and motion graphics I’ve seen in a long time. Seriously impressive stuff. I’m really digging the character-driven story, even if it’s a bit of a slow burn. And that opening... Pure Cyberpunk. A gig gone horribly wrong. Fantastic stuff.
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I’m also dying to see more exploration of rogue AIs or NetWatch investigating the Blackwall. That could make for a killer season with some fascinating ideas to explore.
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Thought you were done with Night City? Well, Night City isn't quite done with you. Patch notes for Cyberpunk 2077’s Edgerunners 2 Update (2.5) are now available for you to ready up and review before going live on the streets tomorrow. Jack in: cp2077.ly/2.5_Patch_Notes
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