Everyone talking about what kaiju would potentially appear in a 3rd minus film and I think Biollante is the easy layup. They seem obsessed with the living cell and mutation in relation to human change. I think thats a layup for a strong biollante metaphor
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SemiStable retweeted
They should make a western from the perspective of the horse
Steven Spielberg's next film will be a Western that he hopes to shoot next year.
(Source: hollywoodreporter.com/movies…)
One of the best parts of the film
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With all the carnage happening, it's hard to remember that Godzilla in these films serves as Koichi's personal demons. When another threat arrises and he must put his life on the line again, all his previous inner conflict surfaces again, they are intertwined.
SemiStable retweeted
LONG LIVE THE KING
‘GODZILLA MINUS ZERO’ is tracking to have the biggest domestic opening weekend EVER for a live-action international film.
Read our review: bit.ly/ZeroDF
Godzilla vs mechagodzilla II at 29 and godzilla vs Hedorah at 12...
Never cook again (all monsters attack at the bottom pretty unanimously for everyone is really funny tho)
He’s been dissolved at the bottom of the ocean, frozen solid in an iceberg, blown up in a volcano, disintegrated in an atomic meltdown, and killed by missiles on the Brooklyn Bridge, but thanks to the millions of fans who love him, Godzilla will never die.
In honor of #GodzillaMinusZero’s release, here’s Variety’s Godzilla movie ranking: variety.com/lists/godzilla-m…
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Okay, but when they hit this shot in minus zero and the blood was flowing off of both beasts... one of the most legendary moments in the series
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The violence here is intense and goes to some very heavy places related to nuclear war and the state of our modern day. There is a very morbid scene of New York getting burned alive. The United States has planted this message in everyone's heads, all it takes is one maniac.
Replying to @DaSemiStable
Godzilla Minus Zero (2026): 9.5/10
This is a much larger scale film than Minus One. The conflict has increased in scale, the fights are bigger, the violence is more intense. There is a tradeoff here, but I think I can vibe with it over time. Needs a rewatch or two.
Send Help (2026): 7.8/10
This film definitely surprised me. The concept of having the protagonist and antagonist (in a way) swap roles about halfway through the film to highlight corruption is really cool. Sam Raimi maintains his style too, with some crazy shocking violence.
La bola Negra (2026): 9.5/10
A massive achievement from a technical perspective. The editing is otherworldly and the lighting stunned me on numerous occasions. The story is innovative, mixing three distinct time periods and characters to tell of art's impact on queer communities
I think my eardrums are gonna explode, this theater is SO LOUD. I want godzilla's roar to be so loud I actually perish
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Art gives the rise to future generations and their opportunity to live a full life. Stories hold power and should be protected.
Replying to @DaSemiStable
La bola Negra (2026): 9.5/10
A massive achievement from a technical perspective. The editing is otherworldly and the lighting stunned me on numerous occasions. The story is innovative, mixing three distinct time periods and characters to tell of art's impact on queer communities
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