Francesc Messeguer retweeted
🇫🇷 Aujourd’hui, le Louvre souffle ses 233 bougies !
🎂 Le 10 août 1793, le musée du Louvre ouvrait ses portes au public sous le nom de Muséum central des Arts. Les visiteurs pouvaient y admirer des œuvres issues des anciennes collections royales.
Merci d’être toujours présents pour vous émerveiller des chefs-d’œuvre du musée.
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🌍 Today, le Louvre celebrates its 233rd birthday
🎉 On August 10, 1793, the Louvre opened its doors to the public as the Central Museum of Art. Visitors could admire artworks mainly from the former royal collections. T
Thank you for always being there to marvel at the museum’s masterpieces.
Francesc Messeguer retweeted
This Vertigo shot was so subtle I didn’t even notice it when watching the film for the first time
‘The Odyssey’ Translator Emily Wilson Slams Christoper Nolan’s ‘Abysmal’ Screenplay: ‘I Would Be Ashamed to Have Written Any Part of This Script’ variety.com/2026/film/news/o… a través de @variety
Francesc Messeguer retweeted
Mission: Impossible 2 (2000) looked at Brian De Palma’s sleek spy thriller and said, “What if this was an operatic John Woo action movie instead?” Suddenly Ethan Hunt feels like an action myth rather than a secret agent.
Francesc Messeguer retweeted
IN THE LINE OF FIRE was released 33 years ago today.
John Malkovich accepted the role without reading the script. The chance to play opposite Clint Eastwood was enough, and the performance earned him an Academy Award nomination for Best Supporting Actor.
Francesc Messeguer retweeted
Cillian Murphy says Christopher Nolan never misses with his endings.
“In all storytelling, your ending, your third act is the hardest… And I remember reading the OPPENHEIMER script and going, ‘Yeah, fucking yes. What a great ending.’”
Francesc Messeguer retweeted
Christopher Nolan has long cited Michael Mann’s HEAT (1995) as a major inspiration for THE DARK KNIGHT (2008).
The influence is easy to see in the film’s grounded crime drama, city-scale storytelling, and unforgettable opening bank heist. teapaw.org/auteurhouse/status/205…
STEVE HACKETT & STEVE ROTHERY share first single “The Black Sea” from forthcoming album ‘The Roaring Waves’ progreport.com/steve-hackett…
‘Disclosure Day’: John Williams Recorded Two Hours of Music Over a Six Month Period for his 30th Collaboration with Steven Spielberg (Exclusive) variety.com/2026/artisans/ne… a través de @variety
Francesc Messeguer retweeted
The character of Frank Costello in The Departed is loosely based on Boston gangster Whitey Bulger. Scorsese gave Nicholson freedom to shape him. The actor wanted Costello to be “frightening but charismatic,” pushing for more madness and deviance.
“She was a complete stranger. She was a bit intimidated at first because she’d heard of the band, but she wasn’t a Rush fan”: Alex Lifeson and Geddy Lee on Anika Nilles’ rollercoaster audition for Rush's Fifty Something tour guitarworld.com/artists/band…
Francesc Messeguer retweeted
The “six‑minute shot” in All the President’s Men is a showcase of acting and technical precision.
The “six‑minute shot” in All the President’s Men is iconic because it turns a simple phone call into pure cinematic tension.
Robert Redford holds the screen with quiet focus, even keeping a natural slip of words.
Alan J. Pakula and Gordon Willis pull off a single slow zoom, balancing Redford with the busy newsroom.
The background shows colleagues chasing Tom Eagleton, while the camera locks onto Woodward uncovering the deeper truth.
Redford’s focus against the fading newsroom makes this one of cinema’s most unforgettable moments.
Francesc Messeguer retweeted
Tom Sizemore's menacing glare in the coffee shop scene in Heat was brought about through his extensive training in lethal force. Michael Mann explains
"Right here, Sizemore does something very interesting. He had the cold look in his eye, which anybody encountering, communicates without any words or histrionics - lethal potential. It’s a belief in himself as his character, Cheritto, that Sizemore got from the work we did in pre-production. You have to do the work, feel you have the aptitude and the capability of being that lethal, and then the moment's there."
Michael Mann’s quote comes from the director’s commentary track on the Heat DVD.
Francesc Messeguer retweeted
No es sólo la crónica de una noche que salió mal, es el retrato de un país dispuesto a castigar a todos aquellos que se salieran del orden y la moral pública, un país donde ser joven y libre era casi un delito…
REDADA EN UNA FIESTA HIPPIE, mi nuevo libro, ¡muy pronto en librerías!
📚✌🏽☮️✨🏳️🌈🍃
#lafiestahippie #420
Edición de libro: @guilloSC
Edición de video: @algoandres
Música: @ElMesseguer
Francesc Messeguer retweeted
The first scene filmed for Goodfellas (1990) was Morrie’s Wigs. It was directed by Stephen R. Pacca so it would look like a real low-budget local commercial.
'Metal Gear Solid' Movie in the Works at Sony From 'Final Destination: Bloodlines' Directors variety.com/2026/film/news/m…














