Madman, writer, filmmaker & creative artist @Festival_Cannes Panavision Prize https://teapaw.org/t.co/H6tA4SBYi4 https://teapaw.org/t.co/TYsabCFxZC
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Joined June 2009
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Truly grateful to share that NEON FLESH has been selected as a FINALIST in the Music Video – Electronic + EDM category at the inaugural @chromaawards
Ferran Brooks retweeted
All of us at Marvel Studios are deeply saddened by the passing of Sir Patrick Stewart. Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from "X-Men" to "Logan" to "Avengers: Doomsday." He was a singular talent, a generous collaborator, and a true gentleman. Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art.
Ferran Brooks retweeted
In lieu of flowers, memorial contributions may be made to:
Johns Hopkins Alzheimer’s Disease Research Center Fund
alzresearch.org/giving/
Alzheimer’s Foundation of America Caregiver Resources
alzfdn.org/donate/
Photo Credit: Tommy Garcia
Ferran Brooks retweeted
«A mí las brujas no me dan miedo. A mí lo que me dan miedo son los hijos de puta, y de eso hay mucho y en todas partes».
Ferran Brooks retweeted
Por favor, ayúdanos a compartir. Este carrusel se actualizará conforme se disponga de nueva información verificada. Cada difusión cuenta. (SE IRÁ ACTUALIZANDO CONSTANTEMENTE ) #AccidenteFerroviario #AccidenteTren #Iryo #Renfe #Toledo
Ferran Brooks retweeted
Hace 2 años que los valencianos decidimos no visitar a nuestros muertos el 1 de noviembre, Día de Todos los Santos, para ir a ayudar a nuestros vivos.
Qué orgullo, señores.
Ferran Brooks retweeted
Antonio Acedo, el héroe de Urda.
Gracias por dedicar tu último aliento a salvar vidas.
Ferran Brooks retweeted
2 AÑOS - 239 Vidas perdidas
No olvidamos 😔 #29Oct
En Memoria:😔😔
María Dolores Almansa Lacuesta, Manuel Alonso Ridaura, Antonia Alonso Comes, Manuel Álvarez Ruiz, María Consuelo Andrés López, Adelina Arce Tamarit, Colombina Argudo Sánchez, Isaam Aslam Murgui, Jasmin Angels Aslam Murgui, María Luz Ayala García, Pedro José Bajo Navarro, Julián Baños Martínez, Julián Baños Llácer, Josefa Baviera Yago, Vasile Beleca, Ángel Belencoso Cabañero, Mohammed Belhadi, María Benet Hernández, Emilia Benito Sáez, Juan Zacarías Bermúdez Marchante, Sebastián Blanco García, Manuel Blesa Taengua, Miguel Manuel Bonilla Cantero, Amparo Bou Chisvert, Mostafa Bouzad, Luciano Bravo Morales, Rafael Brisa Marqués, Miguel Burdeos Baño, Rosa Calatayud Moreno, Joaquin Cantos Vicó, Eva María Canut Montoro, Nicasio Carmona Sánchez, Manuel Carmona García, Francisco Caro Enríquez, Sara Carpio García, Miguel Carpio Espí, José Castillejo Belinchón, José Ceba Arroyo, Marian Chioveanu, Marina Company Candel, Manuel Company Almenar, Florin Costel Besnea, Miguel Daroqui Sainz, Sixto Delgado Domínguez, Teresa Descalzo Sáez, Jorge Diaz Mullor, Francisco Doménech García, Maria Isabel Dominguez Baldrich, Fernando Duran Nuñez, Rachid el Achqar, Terry Elizabeth Turner, Reshma Escribano Guillem, Manuel Espinós López, Dolores Espinós López, José Vicente Espuig López, Ramón Farinós Aznar, Carmen Fenoll Ortiz, José Fernández Plasencia, José Vicente Fernández Comes, Olga Leonor Fernández Arredondo, María Carmen Fernández Mendoza, Isabel Ferrandis Rodrigo, Paula Florica Serb, Ramón de la Fuente Muñoz, Ernesto Fuster Lázaro, Felipe García Monteagudo, Lourdes María García Martín, María de los Desamparados García Cutanda, Jorge Garrido Rosas, Neizan Garrido Pagán, Elisabet Gil Martínez, Jesús Giménez Martínez, Enrique Gómez Giménez, Reyes Gómez Rodriguez, Carlos González Castán, Roberto Grau Gómez, Zhihua Guo, Lorenza Gutiérrez Urries, José Hernaiz Montoro, Guangming Hong, Isabel Ibanez Escudero, María Amparo Ibor Babiera, Isabel Izquierdo Isarriá, José Vicente Izquierdo Pérez, Encarnación Juan Planells, Bernardo Juárez Terrádez, Dolores Lacuesta Arnandis, Felipe Lahoz Lafuente, María de los Desamparados Latorre Escribá, María del Carmen Lazo Martínez, Donald Leslie Turner, Ruben Lima Rábago, Sergio Llorens Navarro, Silvanna Lochi, Elvira López de las Heras, Mónica López, Antonia López, José Carlos Macario Gil, Juan Vicente Madrid Ferrando, Juan Mandingorra Poveda, Manuel, Leonor March Paredes, José Luis Marín Carbonell, Antonio Martí Guillem, Salvador Marti Company, Jacinto Martín Villanueva, Aurelio Martin Mateo, Rosa Martín García, Elvira Martínez Álfaro, José Martínez Toral, Jesús Martinez Parrón, Nuría Martínez Sanchís, Salvador Martínez Mas, Milagro del Consuelo Martínez Martínez, Ángel Rafael Martínez Martínez, Rubén Matías Calatayud, Izan Matías Calatayud, Janine Brigith Mercado Rodriguez, Enrique Miguel Magraner, Carlos Mira del Toro, Manuel Mocholí Doménech, Cándido Molina Pulgarín, Fidel Montero Romero, María de los Desamparados Montes Villar, Emeterio Mora Gómez, Javier Mora Ruiz, Jesús Andrés Mora Ruiz, Purificación Mora Serna, Miguel Morales Molina, Concepción Moreno Martínez, Francisco Moreno Garcés, Manuel Moreno Ramos, Antonina Morón Busons, Luis Timoteo Muñoz Villanueva, Blas Muñoz Arévalo, María Dolors Muñoz Ferrando, Jonathan Muñoz, Francisco Antonio Murgui Lorente, Silverio Navarro Borrás, Nieves Navas Aguilar, Rafaela Nevado Nevado, Celsa Nierto Lorente, Antonio Noblejas Sánchez-Migallón, Hipólita Ojeda Lara, Juan Ortiz, Sofiane Oumha, Fernando Páez Robles, Raquel Pagán Romero, Rosa Pagés García, Vicente Paredes Pardo, José Pastor Ruiz, Miguel Ángel Pérez Ferragud, Anunciación Pérez Osma, Teresa Peris Ferrandis, Antonio Picos, Miguel Antonio Piqueras Sáez, María Isabel Piris Rico, Francisco Miguel Planells Martínez, Teresa Plaza Oliver, María Amparo Plo Bonafont, María Polo Ballesteros, Francisca Porras Verdugo, Francisco Puertes Subies, Francisco José
Ferran Brooks retweeted
Antonio Acedo, el maquinista fallecido del AVE. Su rápida reacción salvó muchas vidas. No lo olvidamos.
Ferran Brooks retweeted
The problem with algos that it has to define things that had no actual definition. If a million people will post that I'm great storyteller algo will have to consider this as fact even without any actual storytelling. How long will it take for humans to actually check such things. It costs nothing to support each other and post to promote each other. It changes everything if we all support each other
Ferran Brooks retweeted
It kept coming down for five kilometres.
Nobody in the film says what it's for. I'm curious what you think it is.
HOLED, episode 3 — full film on YouTube
Ferran Brooks retweeted
Ha muerto Tim Curry.
Fue el irrepetible Dr. Frank-N-Furter de THE ROCKY HORROR PICTURE SHOW, el Pennywise que traumatizó a toda una generación en IT, Darkness en LEGEND, Wadsworth en EL JUEGO DE LA SOSPECHA, Rooster en ANNIE... Y muchos más. Tenía 80 años.
Descanse en paz.
Ferran Brooks retweeted
Tim Curry, the legendary film and TV actor has died at 80 💔🕊️ tmz.com/2026/08/26/tim-curry…
“Idiot" visual test - A 30-second rough cut for a possible #RZØ music video, built from only four generations with @Hailuo_AI’s MiniMax H3.
What impresses me is not just the image quality, but the amount of usable coverage: confrontational close-ups, industrial tracking shots, architectural push-ins and tactile macro details. The horizontal strip of light ties faces, steel, steam, mesh and black latex into one coherent visual language.
Camera movement feels directed and physical rather than like generative drift. Faces hold up at extreme proximity, textures have real weight, and the 2K output remains remarkably detailed and clean.
Only light colour correction and film grain were added in post.
Four generations. Thirty seconds of editable material. That efficiency is brutal. MiniMax H3 feels like a serious leap forward for AI music-video production.
#MiniMaxH3 #HailuoAI #AIMusicVideo
One shot. 15 seconds. No cuts.
Another T2V test with @Hailuo_AI’s MiniMax H3, pushing a complex continuous camera movement through a dense industrial environment.
What impresses me most is not only the 2K detail, but the coherence of the movement. The camera travels through layers of pipes, cables, metal, vapour and fractured light while preserving depth, weight and convincing parallax. It feels physical—not like a simple digital zoom.
The shot also develops its own visual narrative bassed on the prompt adherence: a controlled approach, pressure building, a sudden release and a final burst of acceleration into the light.
Strong metallic textures, beautifully controlled monochrome contrast and a camera that moves with real intention. A complete dramatic arc inside a single generation.
MiniMax H3 is a serious step forward in cinematic movement and spatial coherence.
@Hailuo_AI #MiniMaxH3 #HailuoAI #AIVideo #AIFilmmaking #GenerativeAI