The official twitter account for the film magazine Film International.
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Joined January 2010
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New interview with Kevin Hegge, director of new documentary ‘Tramps!’ from @suspirialex filmint.nu/documentary-filmm…
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“Klawans notes, for instance, Sturges’s singularity within the constructs of the classic American film industry where a team of screenwriters on any given picture was the norm.” @Jeremyrcarr on new book from @ColumbiaUP filmint.nu/crooked-but-never…
“The mix of the gritty and the romantic here feels fresh. Ultimately, the film is tender in tone, with unexpected humorous flashes that don’t feel forced.” filmint.nu/michal-chmielewsk…
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Read the review from @ThomasPuhr here: filmint.nu/akiko-ohkus-tremb…
@FilmInt reviews #TrembleAllYouWant 💕 “... those interested in a romantic comedy not churned out by Netflix algorithms can do far, far worse than this flawed – but often disarmingly beautiful – gem.”
An excerpt from REFOCUS: The Films of Wallace Fox from @EdinburghUP filmint.nu/mapping-the-caree…
Matthew Sorrento interviews Katie Holmes on directing ‘Alone Together’ filmint.nu/interview-with-ka…
“I found this character tragic and moving. He had such a traumatic event happen to him and he couldn’t get free of it…. I think that’s something people can identify with….”
– Michael Shannon filmint.nu/interview-michael…
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“Unconventional and even daring while not appearing to be so.” @los_rodewaldos writes about Terence Davies’s ‘Benediction’ filmint.nu/terence-davies-be…
“Doesn’t hold a candle to Gaspar Noé’s best work, though it does represent the worst of his occasionally strained attempts for shock and awe.” @Jeremyrcarr on ‘Lux Æterna’ filmint.nu/gaspar-noe-lux-ae…
“The Great Swindler deserves to be recognised as a major work that sheds light on Godard’s attitude towards technology, critical reflexivity, and the shortcomings of the classical documentary mode.” filmint.nu/jean-luc-godard-t…
New Book Review on our website filmint.nu/what-ever-happene…
“The question remains: what exactly is Sonny revolting against? Is he a “prisoner” of America, or, more specifically, of New York City? Perhaps what he feels is much narrower, the imprisonment of his own circumstances.”@ProfHendershot filmint.nu/losing-pacino-hol…
BOTD New Hollywood writer Frank Pierson! credits incl Cool Hand Luke, Anderson Tapes, Dog Day Afternoon. More:
-interview w/@GoIntoTheStory: gointothestory.blcklst.com/w…
-@ProfHendershot on Dog Day via @FilmInt: filmint.nu/losing-pacino-hol…
-@Writer730: indiewire.com/2012/07/mad-me…
“Deceptively short but its impact and heart are huge. This is quietly radical filmmaking: Sciamma shows us that there is an alternative to narratives shaped by the patriarchy….”@los_rodewaldos on ‘Petit Maman’ filmint.nu/celine-sciamma-pe…
“Two-thirds broad comedy, one part chase film, it’s also a gimmick and an enjoyable bromance.” Review of #unbearableweightofmassivetalent filmint.nu/the-unbearable-we…
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New book review from Matthew Sorrento of ‘Big Bad John: The John Milius Interviews’ from @bearmanormedia out on our website filmint.nu/the-john-milius-i…
“For those of you who wondered if another reboot could find itself an audience after Christopher Nolan did such a fine job with his trilogy, please wonder no more….” Elias Sahara reviews #TheBatman filmint.nu/the-batman-review…
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“Asgari has delivered his most accomplished socially aware thriller.” Ali Moosavi reviews ‘Until Tomorrow’ from @berlinale filmint.nu/until-tomorrow-be…
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“These girls were actively looking for a way out, and to create separation between themselves and the world they gladly left behind.” @suspirialex interviews Avalon Fast filmint.nu/avalon-fast-honey…
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