Editor on S.W.A.T., Z-Nation, Superstition, Teen Wolf, Wrestling Jerusalem, Bring It On, Desperado, School Dance plus The Lincoln Project

Hollywood
Joined January 2009
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Erik C. Andersen, ACE retweeted
Barbra Streisand as Dolly Levi and Louis Armstrong as orchestra leader singing the title song in Hello, Dolly! (1969), directed by Gene Kelly. Hello, Dolly! won three Academy Awards: for Best Art Direction, Best Score of a Musical Picture and Best Sound, and was nominated for four other Academy Awards, including Best Picture. Hello, Dolly! was one of the highest-grossing films of 1969 in the United States. ► A recording of Hello, Dolly! by Louis Armstrong released in 1964 was a widely popular success, winning the Song of the Year and Male Vocal Performance awards at the 7th Annual Grammy Awards. Armstrong's rendition was inducted into the Grammy Hall of Fame in 2001. ► Barbra Streisand's gold-beaded gown (designed by Irene Sharaff) in the Harmonia Gardens scene weighed 40 pounds, and cost $8,000. The original design included a 2-1/2-foot train, which was removed after she and other dancers tripped over it during rehearsals. The train is visible when Streisand starts down the stairs, then disappears.
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Erik C. Andersen, ACE retweeted
Awesome
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Erik C. Andersen, ACE retweeted
Vera-Ellen's incredible tap dancing routine in Wonder Man (1945) which was her film debut.
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Erik C. Andersen, ACE retweeted
Carrie Fisher at 19, was so confident and mature and had such presence, no one else could compare auditioning for Princess Leia
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Erik C. Andersen, ACE retweeted
Fred saves Rita Hayworth In 1940, Rita Hayworth was miserable at Columbia, and unhappy with the roles she was cast in; vamps with freon in their veins, or bores who did nothing but simper. Hayworth, who was born Margarita Cansino, had been a dancer since the age of 11, but no one made use of her greatest talent, Then, one day, she received a phone call from Fred Astaire, who had ended his phenomenally popular partnership with Ginger Rogers. Hayworth said, “He knew what those fools at Columbia didn’t - that I was a dancer.” Astaire was looking for someone to co-star in his next film, “You’ll Never Get Rich”, and had done his research. He arranged a meeting with Hayworth and the two tried out a short routine. Fred, who was the perfectionists’ perfectionist, was amazed. He told his wife, Phyllis, that he had found someone with “extraordinary talent” who was “able to learn steps faster than anyone I’ve ever known.” It was the beginning of an electrifying partnership. Though the couple made only two films together, they are pure magic. Hayworth was not only a beauty, but had the fluidity Astaire needed, as well as charm on screen. “You'll Never Get Rich” (1941) with music by Cole Porter, was a major box-office hit and gave Hayworth her much needed career boost, proving that she was not just a pin up girl. Fred said you could “show a number to Rita before lunch” and she would return and perform it perfectly after eating. Their second film, “You were never Lovelier” (1942) was an even bigger success. Rita said, “Those two movies gave me enormous confidence. I was no longer the dumb redhead. They saved my career.” From then on, Hayworth was cast in a succession of hit musicals, and even when her films were noirs, like “Gilda” (1946), numbers were specially written for her to perform.
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Erik C. Andersen, ACE retweeted
Stevie Wonder in 1973, performing “Superstition” during his guest appearance on "Sesame Street"
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Erik C. Andersen, ACE retweeted
Why does infrastructure in surrounding cities seem so much nicer than infrastructure in the City of LA? And even when we do improvements, they're often done in a shoddy way. It's time for LA to start taking more pride in its work.
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Erik C. Andersen, ACE retweeted
Democrats, remember 2024? Don't make the same mistake again.
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Erik C. Andersen, ACE retweeted
The master...the maestro...the legend. watch AND LISTEN!
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Erik C. Andersen, ACE retweeted
JD Vance says this isn’t the time to “gripe about all the little things" like gas, groceries, rent, your mortgage.
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Join us for the SOUND/MUSIC/FOLEY Contract Negotiations Forum next Wednesday! 🔊 Wednesday, October 14, 2026 7–8:30 PM PT Los Angeles | Hybrid RSVP at editorsguild.com/Contract202…
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Erik C. Andersen, ACE retweeted
It’s not just Donald Trump. It’s the Republican Party. Tired of this shit? Show them this November.
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Erik C. Andersen, ACE retweeted
Trump is the first president to call for America to be attacked. And his Republican allies said nothing. They don't care about you, or the country. Vote Democratic this November. The future of America depends on it.
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Erik C. Andersen, ACE retweeted
Trump's stock portfolios are up. The Mar-a-Lago crowd is thriving. Elon got his government contract. The billionaires who backed this whole operation got exactly what they paid for. Everyone else is still waiting...
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Erik C. Andersen, ACE retweeted
I'm voting YES on Prop 40, the California billionaire tax. Here's why.
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One of the best examples of editing!
The transitions between each section are incredibly smooth. It’s so good that I got completely absorbed in this arrangement and almost forgot about the original soundtrack.
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Erik C. Andersen, ACE retweeted
One of the very best sets ever in film - the giant typewriter from 1937s "Ready, Willing, and Able".. Lee Dixon and Ruby Keeler - and a bevy of beautiful legs, type out a fantasy letter.. The routine was choreographed by Bobby Connolly (who later choreographed The Wizard of Oz). However, it heavily borrowed from the " Busby Berkeley Style" that dominated Warner Bros. musicals at the time. It remains one of the most delightful sequences in film, and is a personal favorite of mine!
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Erik C. Andersen, ACE retweeted
“She Came In Through the Bathroom Window” - The Beatles
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Erik C. Andersen, ACE retweeted
PLUR1BUS editor Chris McCaleb, ACE, uses some “trickery” and motion effects in Avid Media Composer to change the timing of scenes ▶️ avid.com/emmys #pluribus #emmys #emmys2026 #editing #videoediting #editors #postproduction #mediacomposer #avid #emmynoms #avidcollab
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