Funmi Iyanda (@Funmilola) header
Funmi Iyanda (@Funmilola) profile picture

media architect. builder of narrative infrastructure … see the big picture [email protected]

London. Lagos. Shanghai
Joined January 2009
Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)Photo by Funmi Iyanda (@Funmilola)
Funmi Iyanda retweeted
Entirely Petty headline. Love it or not. And, yes, I do. The film delivers in scale, ambition and reach at a theatrical screen level. Daring, bold and Cinematically complex. Decidedly a Theatrical experience.
The theater experience won't change your mind on Digger, and the laughs that are there still will be when it hits HBO Max. Our review: bit.ly/4xOfs59
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Great conversation, detailed and eye opening. Quite atmospheric and cinematic in bits. I’m invested in the story arc with Ike and Sugi in prison. Becker comes across as likeable and inspiring, not in spite but because of everything.
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Funmi Iyanda retweeted
pleased to share my essay on @republicjournal in which i write about the myth, language & philosophy of the literary legend, Amos Tutuola. kindly read rpublc.com/august-september-…
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❤️👌🏾
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“It does not have to be dark to be horrific. The most lethal darkness travels technicolour, bathed in the dubious sheen of approval and acceptance.” - #trailerjam
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"For me, success is not a public thing. It's a private thing. It's when you have fewer and fewer regrets" Happy Birthday to the Legend that is Toni Morrison
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Funmi Iyanda retweeted
Shah-Tcheragh Mosque, Iran.
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If you are lucky to live long enough, or wise enough; you’ll be alive with people for whom the context of history is genuinely or knowingly lost, non- conveyable or non relatable. It’s a terribly earned grace; this liberating realisation, that you are now free to care only about the things for which you’d be happy to die or die happy upon. - #trailerjam
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Why read the narrative when you can read the picture.
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Roots in the sky at HOME Manchester. Quite cool. I like.
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These are best seen in person so details come to focus. I would love to see interpretations in textiles and fashion. Nengi’s is already textile and quite fabulous.
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“The writer gives us villains to tell us uncomfortable truths because story is at the mercy of the lies we need”. - #trailerjam
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“Life became easier when l realised everyone preferred me to be rich, not to be good.” - #trailerjam
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I find gothic Nigeriana by old masters sublime and terribly honest because l think it’s where they are most proficiently self expressed within the constrains of necessary patronage and funding from sources that prioritise the political over the personal. #nigerianmodernism #tatemodern
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I will always love Abayomi Barber’s fabulous ability to convey the subtlest softest emotions on subjects from whom the boring and hardening duality of tiresome hardships or bombastic triumphs is the expected norm. He let’s be and let’s breathe. A refreshment. He was great in person too. Gentle, wry, kind to me when l was strapping and he was giant.
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Ladi the great 😍
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Funmi Iyanda retweeted
my favourite part of Frankenstein was the creature’s curiosity about the world & his instinct to form bonds with the people around him. he perceived the world without the filter of human judgment. he was gentle, and any violence he committed was a reflection of humanity’s cruelty
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