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they start off confident. then realize they get discriminated against n constantly disrespected. At first, they fight back. then just exhausted. Then all starts to feel normal. They stay for too long, n by the time they finally leave, they don't even recognize themselves anymore.
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Seeing some people upset but SM NEVER includes Yuta in their releases schedule they only add him later on after EVERYTHING is out and in that other document where they talk about the company’s positive growth by citing all his solo projects in Japan as examples of good work 🙃
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a little giveaway for the redline manila stop! 🍒
hello everyone! it’s @yutranslations.
i’ll be giving away twisted paradise albums and persona albums (riot ver.) on the day of the concert!
(disclaimer: albums are opened, serial codes have been removed, but photocards are still included!!)
there will be 10 copies available for each album, and they’ll be given away on a first come, first served basis!
alongside the albums, i’ll also be bringing some handpicked snacks ( and if u have any requested snacks please lmk ) from japan and a omamori from shinjuku juniso kumano shrine (the same omamori yuta has on his phone) which will be randomly given to two people!
there are no special mechanics or anything like that. if you spot me, just come up and say hi!! 🥹
i’ll tweet my location and what i’ll be wearing on d-day so you can find me! don’t be shy, please feel free to approach me!
( ps. i’ll be attending the soundcheck, pls do expect the giveaway to happen earlier in the day and within a shorter time window 🙇♀️ )
see you guys in manila! 🫶
ᜊ⍤⃝ᜊ⸒⸒ retweeted
ยูตะบอกว่าจะมีโซโล่นะ แต่ไม่มีในแพลนเอ้ดเอม เคยคิดจะลงให้มั้ยก่อน ไม่ว่าจะทำอะไร ค่ายไม่เคยที่จะโปรโมตให้จริง ๆ แค่เปลี่ยนดิสสักครั้งsmมันยังไม่ทำให้ยูตะเลย อันนี้คือซิงเกิ้ล บั้มเต็ม ใดเอย ที่ปล่อยมาค่ายมันไม่เคยจะลงโปรโมตดี ๆ ให้ยูตะสักครั้ง 🤬🤬🤬
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Replying to @G_SongWan
RIGHT?? Whenever I look through YUTA’s solo credits, I can really feel how much thought and care the A&R team has put into his music.
From Kevin D, Joowon, Kaizen, and Akira, who have been helping shape his solo identity since Depth, to K Thrash, the songwriter and producer behind Prisoner, who has also worked on HYDE’s albums; BACK-ON, his Avex seniors, who wrote and composed Two of Us, Playback, and Dreams Never Sleep; Lukas Costas, the composer of Twisted Paradise, who mainly works on pop music; and Lucky West, the producer behind To Love Someone, who has worked extensively with American rock artists — the list also includes producers who have previously worked with other SM artists, as well as emerging producers making their debut in the industry.
There’s such a fascinating range of creators involved in his albums, and I can’t help wondering how all these people were brought together. Who found whom, how the songs made their way to YUTA, what kind of sound or direction he was looking for, and how his ideas shaped the final tracks.
Every time a new album comes out, I get so curious about the whole process behind it. I’d genuinely love to hear the stories behind these collaborations and see how all these different creative minds come together to bring his music to life. We need proper bts videos.
he jasrac database is v heavy and a bit of a rabbit hole, but it's actually interesting because we get to see who owns what. we can even trace one yuta song back to some legendary western alternative rock connections that not even komca or jasrac can bypass
his jasrac credits are solid proof that he built his solo albums and his rock/ music connections all through his own efforts
ᜊ⍤⃝ᜊ⸒⸒ retweeted
이번엔 진짜 유타 솔로 비하인드 보고 싶어
앨범 제작 과정이 젤 궁금해
앨범 콘셉트 스케치, 데모 수급, 작사•작곡•편곡에 관여하는 모습, 유타가 표현하고 싶었던 것, 작업 과정 중에서의 고민 등 라디오에서 들려주는 이야기들을 영상으로 보고 싶어
혼자 오즈모 켜놓고 쫑알쫑알 얘기만 해줘도 좋으니까.. 悠Tube든 nct 채널이든 콘텐츠 주세요ㅜㅜ
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สวัสดีค่ะ🙏
YUTAPROJECTTH ต้องขอขอบคุณ YUTAMI และ NCTzen ทุกคนที่ช่วยกันโดเนทและให้ความรัก และช่วยเหลือโปรเจควันเกิดและคอนเสิร์ตให้สำเร็จไปได้ด้วยดีนะคะ เราขอขอบคุณทุกคนจริงๆค่ะ🙏❤️
#YUTA #THE_REDLINE_BANGKOK
#NCT127_5TH_NEOCITY_BANGKOK_THE_REDLINE
#HAPPYYUTADAY #YUTAProjectTH
ᜊ⍤⃝ᜊ⸒⸒ retweeted
จริงรอยยิ้มยูตะคือที่สุดยิ้มทีโลกโคตรสดใสขนาดวันที่เราแบบอ่อมๆเหนื่อยๆยังรู้สึกดีไปด้วยเลยคนอะไรมีมวลความสุขให้คนอื่นอยู่ตลอดเลยรักยูตะอะ
based on this, what happened during one bangkok when yuta performance could not be part of thailand youtube channel was solely SM's fault for failing to use their global administrative resources to negotiate and clear those rights beforehand for his overseas solo stage 😌
Replying to @G_SongWan
tldr: for Depth and Persona: YUTA and/or Kevin D, owns the master rights/the song, Avex is the Regional Physical/Digital Distribution Rights in Japan, SM is the Global Artist Management & Administrative Rights and everything else including promotion outside japan,
because of what i saw on my tl, i got curious and went digging into 🍒's credits on JASRAC, and it's really a mix of good and bad news
tldr: for Depth and Persona: YUTA and/or Kevin D, owns the master rights/the song, Avex is the Regional Physical/Digital Distribution Rights in Japan, SM is the Global Artist Management & Administrative Rights and everything else including promotion outside japan,
if anyone wants to check its here. just search by his gov name or his song titles www2.jasrac.or.jp/eJwid/
Replying to @G_SongWan
and the way he uses his name is really confusing. for example if we are searching for nakamoto yuta, they only have 8 songs credited under his name. but we can't search with just yuta because there are so many other yutas in jp. we have to search with the song's title 🤔














