Henslowe as a Blog (@HensloweAsaBlog) header
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This was a 5-year blog of the day-by-day records of an Elizabethan theatre run by Philip Henslowe. For the full site, see https://teapaw.org/t.co/ely0tDIbak

Joined February 2016
Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)Photo by Henslowe as a Blog (@HensloweAsaBlog)
I made an index to the Henslowe blog in case anyone finds that useful! hensloweasablog.blogspot.com…
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Thanks to all who stopped by the CADRE (Co-authored Drama in Renaissance England @CADREDB) digital exhibit @SAAupdates in Portland. Interested in contributing an entry? See here for more info: cadredb.net/index.php/How_to…
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Edward Alleyn’s wooden chest, which kept intact his and Philip Henslowe’s massive archive on their careers in 16th-17th c. London theatre performance and playhouse ownership. The chest and keys are still on display and maintained @DCArchives henslowe-alleyn.org.uk/histo… #Woodensday
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Looking for your next read? 'The Changeling: The State of Play' ed. by Gordon McMullan & Kelly Stage is now available in paperback and 25% off in our #BacktoUni sale! Orders to the US or Canada use codes: BTS23US / BTS23CA Everywhere else: BTU23UK bit.ly/3sQPfXK
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Look at our website. Join us. A bit late for our in-person marathon, but we have many delicious Lord Chamberlain's Men plays on Zoom in weeks to come. Members also have the chance to listen to our archive. readingearlyplays.com/plays
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The premise of the play “Sir John Oldcastle” is “Falstaff was actually a virtuous and devout Protestant!” But that is boring. So the authors have created a fat, sleazy, highway-robbing catholic priest, also called Sir John, who does all the Falstaffy stuff. #AdmiralsMarathon
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The Two Angry Women of Abingdon is quite delightful. It is way, way too long, but not, I think, because Porter is being paid by the word, but because he loves his characters too much and he loves theatre too much, and he loves Oxfordshire too much. Bless him. #AdmiralsMarathon
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As far as I can tell, the moral of "Englishmen for My Money" is that Englishmen may be jerks but at least they're not foreigners. 🤷‍♂️ #AdmiralsMarathon
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A lot of of "Englishmen for My Money" is like this: "God’s seker kind, dat’s un fraai meisje." "Ah Venice, Roma, Italia, Francia, Inghilterra, nor all dis orb can show so much bellezza" "Certes, me dink de mine de petite-a de little Anglais, de me matre!" #admiralsmarathon
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Anthony Munday's "Robin Hood" plays are a dramatugical disaster. Part 1 one is good fun. But then it overlaps clumsily into Part 2, in which Robin Hood dies in Act 1 to be followed by a humourless four acts about King John and Matilda. Fie on thee, Munday, fie. #AdmiralsMarathon
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In "Robin Hood Part 2" (1598), there's no Sherriff of Nottingham, but Doncaster is a delightfully evil equivalent. Try reading this speech in Alan Rickman's voice... #admiralsmarathon
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Part 1 of 'Robin Hood' ended with the brilliant dramaturgical device of summarizing the plot of Part 2. 🤷‍♂️ #AdmiralsMarathon
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One of the many insane things about Munday's Robin Hood plays is that Friar Tuck keeps randomly speaking in Skeltonics. Wish you were here, @lucycmunro , you might be able to justify this nonsense. #admiralsmarathon
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The best line in A Humorous Day's Mirth is "I will in silence live a man forlorn, / Mad and melancholy as a cat." But a close second is "Never was minion so disminioned." #AdmiralsMarathon
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