Historian of sexuality and crime in late medieval England. Instructor: Acadia & Dalhousie CBC: https://teapaw.org/t.co/mwQRMWTFZA…
NS Canada
Joined November 2021
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Dr. Mariah Cooper retweeted
Just registered for @IMC_Leeds and can't wait for all the sessions I'm seeing promoted here. I hear the place to be Wednesday afternoon will be a series of sessions on "Law and Problem Solving." Feat @Will_Eves @HistorianMariah @mapper_mundi @james_ddjm @S_B_White @tjmcsweeney1
Dr. Mariah Cooper retweeted
Two questions, not from the exciting#Chaucer records discovered & released today by @SebSobecki, but from #MedievalTwitter today:
1) why are some people so invested in Chaucer not being a rapist?
2) why are other people so invested in Chaucer not not being a rapist?
CFP Reminder - deadline for submissions for Disney and the Middle Ages edited volume is in one week, Friday July 15th. Please feel free to reach out to if you have any questions.
7/7 by email to [email protected] by Friday July 15, 2022. Please write to the above email address with any questions, or contact Christina M. Carlson ([email protected]), Mariah Cooper ([email protected]), and/or Joshua Parks ([email protected]).
6/7 disability studies, material culture, and postcolonial theory are also encouraged. In addition, we welcome submissions from non-medievalist scholars with expertise in twentieth- and twenty-first-century media and culture. Proposals of 300 to 500 words should be submitted by
5/7 We welcome submissions from a wide variety of disciplines including literary studies, history, religious studies, gender studies, musicology, art history, and film studies. Critical perspectives such as ecocriticism, animal studies, queer theory, critical race studies,
4/7 How does Disney’s medievalist media represent gender, race, religion, disability, and other features of medieval life? What do those representations reveal about modern life as seen and shaped by Disney?
3/7 white supremacy within and outside the field.
We encourage authors to consider the role of the Walt Disney Company in shaping popular perceptions of the Middle Ages, as well as the function of medievalism in Disney’s ideological projects.
2/7 The Walt Disney Company's films, theme parks, and merchandise are full of people, places, and things coded as “medieval,” and because Disney's medievalism is often coded as white and Christian, it is especially relevant to medieval studies' ongoing struggle with
1/7 We invite proposals for an edited collection of essays on medievalism in Disney media for Brepols’ new series Reinterpreting the Middle Ages: From Medieval to Neo.
Join the live-stream event to hear a great panel discussion! I will be speaking on “The 800-Year Me Too Movement.”
TONIGHT: Stories of Resilience and Resistance Through the Ages. April 12, 2022 (4:00 pm - 6:00 pm AST) at Fountain Learning Commons / online link below.
www2.acadiau.ca/home/event-r…
@AcadiaU @acadiastudents @residencelife
Thank you to my amazing supervisory committee @geck_john @kateweikert @ByzantineHoopoe and Sébastien Rossignol for all the support and feedback over the years. Thank you to my examiners @k_cawsey @storied_selves and Edwin Bezzina for the thoughtful discussion.
3000% extra super proud and happy for Dr @HistorianMariah who's passed her defense with flying colours!! I am so lucky to be a part of the committee as an external and have learned so much from your research. You are an absolute star.
The professors' paradox: Improving education by refusing to teach cbc.ca/news/opinion/opinion-…