Horror RTG (@HorrorRetweet) header
Horror RTG (@HorrorRetweet) profile picture

We celebrate all things #horror #suspense #spooky & #creepy. https://teapaw.org/t.co/qAmeuVDNNB

Massachusetts, USA
Joined September 2017
Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)Photo by Horror RTG (@HorrorRetweet)
Tony Martinez de las Rivas
1
2
156
HAD :: Dad Drives Me Around My Hometown by Jillian Luft Just killin’ it with this one on Father’s Day. Just thinking about that end of 95 and the other end of 95. How many stories one road can hold? Bisecting. Criss-crossing. North/south. Truth. havehashad.com/hadposts/dad-…
1
3
8
681
Strawberry-Rhubarb Days with a small chapbook of devotional poetry and a close-reading of Mark chapter 1 Strawberry Rhubarb Pie 1 & 1/2 oz Botanist 1/4 oz Cointreau 1/4 oz vanilla de Madagascar 1/4 oz brown sugar syrup 3 strawberries Two dashes Rhubarb Bitters
1
2
137
The end is where we start from —R
to put the end at the beginning the beginning and… that’s my new way. —J open.substack.com/pub/desert…
1
82
Poetry with a Spritz Dark Energy by Frederick Feirstein & a Pimm’s Cup Pimm’s cup is a delicious almost Spritzer dark and lushes like a secret garden which this cover vibed 1.5 oz Pimm’s # 1 Filler ginger ale Often this is best with a cucumber 🥒 Today felt 🍓
1
1
98
Check out the newest collection of stories by @BechtolJay and then check out all the other great stories in the MPTSP V11 thread and then come back next week for a new collection of stories by @glennorgias ⬇️
MPTSP V11: Collections Stories by @ioannaonline @SadeeBee @happymil_ @lumchanmfa @pleomorphic2 @TommyDeanWriter @BechtolJay @glennorgias @TLTomljanovic @dawnsteffler @amybookwhisper1 @TejaswineeRC and @TaraCampbellCom will be threaded throughout 2025 ⬇️ #MythicPicnicTweetStory
9
15
954
Goes to bed telling himself, Don’t open X again until you finish the 9 & 1/2 Weeks thing… Five hundred words later… Begins reading micro flash on X while making eggs…
1
1
114
scaffold #106 is out now, so take a read of this interesting and thought-provoking new micro by @hobartpulp editor, @whoisbokoye! scaffoldlit.com/microwriting…
1
3
1
12
875
althiesure* by uzodinma okehi — scaffold literary magazine It’s Sunday It’s Scaffold Lit scaffoldlit.com/microwriting…
1
5
10
464
Replying to @A_DiAngelo
Knight Rider was one of the highlights of the 80s An adult picture book about a man holding his wife hostage in Maine while she uses the sounds of the 80s and 70s horror movies he watches to plan her escape. a.co/d/3oa1Uaw
2
2
91
We live in the most interesting time-line for what fiction can be. A time-line where prose and verse have absorbed all manner of genre and form to become this new creature. Almost a new era of the traveling minstrel or the wandering bard. Not just this story
Today on @scaffoldlitmag, we've got a creative and weird new micro by @veanimator! Take a read of it here, it's a great one: scaffoldlit.com/microwriting…
2
4
1
8
888
Looking for a few short stories this weekend? Here's 4 you can read right here!
Replying to @MythicPicnic
A Clutter of Anguish Stories by Jay Bechtol / @BechtolJay #MythicPicnicTweetStory = Ardent In Bomont, when somebody dies, there’s an auction. Highest bidder gets to light the fire. These days the bidding starts at two hundred fifty eight bucks, winner’s usually someone from the surviving family. Everyone else kind of sits back, especially if it’s a kid. You know. In some ways it’s a good distraction. It can be cathartic, fun even. More so when there’s no family involved. All for the privilege of laying the wood under the little stone crematorium and setting it aflame. Ed Hergestrom is Bomont’s current auctioneer and mortician. After the fire burns, he sweeps up the ashes and puts ‘em in an urn. Highest bidder also gets to keep the ashes. Some people in town have five or six urns at home. I can’t remember the last time anyone was buried in the cemetery. If you asked ten people how it all started you’d get ten different answers. Most common theory is that a Norse family hundred and fifty, maybe two hundred years ago, wanted to have one of those Viking funerals and the local parson objected calling it un-Christian. The family offered the parson money until they reached a price that he couldn’t say no to. Who knows. Sounds credible enough. Doesn’t really matter because now it’s part of our town’s DNA. It’s dinner conversation, barber shop banter. Kids talk about the celebrity they’d want to light their fire. Traditions become ritual become blind faith. I can’t explain it, sometimes that’s just the way it is. Like anything, there’s an occasional downside, you know, families argue, but no matter what else happens, no one would think of doing anything different because it is how things are done. If you are from Bomont, it’s part of you. Then Violet Burgess died. Big Tom’s daughter. Most towns have a Big Tom of their own, the person that kinda runs things, even if they don’t actually run things. The sort of person no one talks about, except we all do. Violet married Jesse Burgess against Big Tom’s wishes. Big Tom never approved of Jesse, thought his daughter could do so much better, and had no problem telling anyone that would listen what a loser Jesse Burgess was. People listened to Big Tom because you really don’t have any other choice. Anyway, Jesse and Violet took off. Left everything and got out of town. Escaped Bomont, Big Tom, and our small town ways. Until there was a car accident. Violet survived long enough to tell Jesse her last wishes. She wanted to come back to Bomont and she wanted Jesse to light the fire. These things take hold. You know. My wife and I have talked about it a few times, what will happen when one of us dies. We each want the other to light the fire. It isn’t written down anywhere, and maybe we should, but we’ve also agreed that a thousand bucks is our cap. If someone starts driving up the bidding for some reason, we’ve agreed to stop at a grand. No need to break the bank for a silly tradition. Walk away with our dignity and money to keep on living. But I gotta tell you, if she goes first, I’m not stopping at a thousand. There is no one else in this whole world that is lighting my wife’s fire if she dies before me. And that’s the God’s honest truth. Grief is not rational. So, Jesse brought Violet’s body back to Bomont. Half the town showed up for the auction that day. Probably more. And no one was surprised to see Big Tom near the back of the crowd. “We’ll start at two hundred fifty eight dollars,” Ed Hergestrom’s voice carried through the assembled crowd. Jesse was standing up at the front. An arm’s length from the stone crematorium, Violet’s wooden coffin already wheeled inside, just visible. “Three hundred,” Jesse offered. “We have three hundred, thank you so much Mr. Burgess.” Ed Hergestrom nodded. “We are sorry for your loss and know that as we send Violet to her eternal rest…” “Six hundred,” a voice boomed from the back. No one turned. Everyone recognized Big Tom’s voice. Jesse grimaced, paused, and said, “Eight hundred.” “Sixteen hundred.” Jesse licked his lips and focused straight ahead. I was standing close enough to see the tears running rings around his eyes. “Two thousand,” Jesse countered. “Four thousand,” Big Tom responded. The sneer evident in his voice. “I’ll double you every time, you little shit. Think you can come back here and outbid me?” I didn’t think he would, but Jesse turned and looked across the crowd to his father-in-law. “Violet told me two things before she died, Tom. One, she told me to light the fire in Bomont.” His voice cracked a little, “Two, she told me under no circumstance to let you anywhere near the flame.” Big Tom waded through the gathering, toward where Jesse stood, “Then you are as stupid as I imagined. How high you gonna go? You think there isn’t a price I won’t pay? You stole my little girl once. It sure as hell ain’t happening again.” “Five thousand,” was Jesse’s reply. I was impressed that he kept his voice even. “Ten.” The crowd murmured at this one. As far as anyone could remember fourteen thousand was the highest any auction had ever gone. I know what I said earlier, about this being in our DNA, but for a moment I thought to myself that maybe the kid should let this one go. Forget the tradition, his grief, and Violet’s wishes. Big Tom’s voice interrupted my thoughts. “You want to keep going, you little shit? You drag my daughter away from her home, with nothing to show for it. You were worthless here, you are even more worthless out there,” Big Tom waved an enormous arm toward the distance. “You couldn’t keep my baby alive. My baby, you little shit. You let her die and you think you can come back to Bomont and light her fire?” Jesse broke. His eyelids lost their battle with the tears. “Fifteen,” he blubbered, “thousand.” And I knew that was it. I imagined the scene in the hospital. Violet’s dying wish. She knew her father would put up a fight but she thought fifteen thousand would be enough. Higher than anyone ever paid. I don’t believe Violet and Jesse had fifteen thousand dollars but they figured that was a number that could dissuade Big Tom. Jesse hiccupped. The crowd looked at the ground or the sky or the end of Violet’s coffin. Anywhere but at that poor kid. Ed Hergestrom closed his mouth which had been hanging open for the past three bids. “Thirty thousand.” Big Tom spoke softly, then repeated himself. “Thirty thousand. You want to think about that, Jesse?” And as far as I know that was the first and only time anyone ever heard Big Tom call Jesse by his name. The kid was openly sobbing now. “Please. She made me promise. She made me…I have to light that fire. She was everything to me.” “I tell you what,” Big Tom said, as if he’d just been hit with the greatest idea ever, “I’ll make a deal with you. I’ll go ahead and take back my last bid. But in turn, you need to do something for me.” Then Big Tom smiled. From ear to ear. Jesse couldn’t raise his eyes to meet Big Tom’s. “What?” he whimpered. “What do you want?” “I want you to get in that coffin with her.” I thought Ed Hergestrom might interject, or one of the other townspeople. I thought the kid might tell Big Tom what he could do with his idea. I thought maybe the need to light the fire didn’t mean as much as any of us thought it did. “You go ahead and lay that fire,” Big Tom continued. “You touch the flame and get it going. Then you jump in that coffin with her. Ed here will wait and then push you both in there and close the door.” Big Tom’s smile widened, although I hadn’t thought that possible. “How does that sound, you little shit. The only thing in your life worth living for is right there in that wooden box.” I really expected someone to do something. You know. Half the town was there that afternoon. We all watched it. And if you ask people about it they will all say the same thing. They’ll say, “I wasn’t there,” or, “How could such a thing happen?” But watch their faces. The ones that were there, their eyes will go distant, they can still hear Jesse’s screams. Muffled by the closed coffin. Muffled by the stone crematorium. Muffled by denial. But they heard it then and they’ve heard it every day since. Because when you hear someone burn to death, you remember. = No. It Doesn’t “Ladies and Gentlemen,” the Ringmaster’s booming voice echoed through the cavernous tent. “We have now reached the Evvv-rything Happens For A Reason part of the show!” A hidden calliope tooted in giddy reply and the crowd leaned forward. She leaned with them, surrounded by dark figures clamoring for the next act, caught up in their insatiable appetite. “If you would be so bold to look to the heavens,” the ringmaster barked and swept his hand upward in a grand arc. “To the top of our tent. Where death is defied.” A spotlight traced through the darkness to where he gestured. A lone figure on a platform near the top of the tent’s main pole. A thin cable stretched out in front of him. “No net, no margin for error!” The ringmaster bellowed. The crowd around her stood and cheered. She remained seated, her discomfort vibrated into the worn wooden bench with the calliope’s frenzied melody. She squinted to better see the man about to step onto the high wire. The spotlight illuminated the figure at the top of the pole, highlighting his face. “Harold?” she whispered, then leapt to her feet with the rest of the crowd. “HAROLD?” she screamed but her voice disappeared in the cacophony of the crowd’s expectations. Her husband slid his left foot carefully onto the wire and tested it. His arms extended to either side as if he were playing airplane in the backyard with the boys. “Harold, please stop!” Her voice insignificant amongst the vocal ecstasy of the big top crowd. Harold took a second step, and a third. Then he wobbled, slipped, and his foot danced into emptiness. His arms came in as his body dropped, the taut line smacking him across the chest. He clawed for the wire. The rapturous crowd silenced as one, all eyes straining to the heights of the tent. Harold held for a moment, perhaps two, then fell. She was alone, the ringmaster, the crowd, the calliope, all gone. Only the spotlight operator remained tracking the downward path of her husband in agonizing slow motion. She reached for Harold as his arm flailed, like it did when he danced. Like the time in Vegas when he dropped a coin in a slot machine and pulled the handle. Three sevens came up and One Thousand coins spilled out of the machine. A thousand dollars! he’d yelled while he danced. She’d laughed until tears came out of her eyes when he realized it was a nickel slot and a thousand coins only came to fifty dollars. His leg kicked wildly, the same leg he’d bent when he dropped to his knee and held out a ring he couldn’t afford. His eyes were wide, like when she’d taken off her white wedding dress and replaced it with that tight black lace her best friend convinced her would be perfect for a honeymoon. His mouth moved, like it did when he called the boys in for dinner. Like when he sang Bob Seger songs in the shower. Like when he told her he loved her. Harold’s body slammed into the ground with enough force for him to bounce. Sawdust sprayed in every direction. His lifeless body defied gravity before it fell once again, this time a much shorter distance, into the small crater from the initial impact. She knew it couldn’t be. This was wrong. Maybe it wasn’t really Harold. Or maybe he’d jump up, brush himself off, nod at her with that crooked smile of his and let her know everything would be alright. He… …said it would be a circus. A three ring circus, but cancer is beatable, Harold told her, we are strong enough to do this. The doctors, the tests, chemo, friends, family, it will be hard. He’d held her close, cancer will not defeat us, do you hear me? She heard him, believed him. Harold lied. She let her gaze drift around the cavernous church. To the curved ceiling above the altar, past the stained glass windows, past the blue-haired lady punching out some horrible dirge on the pipe organ. Until her eyes rested on the ebony casket. Her boys sat on either side of her. The organ stopped playing funeral music and a man in purple robes rose from a chair by the altar. He placed his hand on Harold’s casket and in a deep, soothing tone said, “Friends and family, welcome, to this day of mourning. We know that God works in mysterious ways. We know that He has a plan for us. We know that everything happens for a reason…” And in the front pew she bit the inside of her lip and tried not to scream. = The Manual The tree remembered the exact moment that fuck Shel Silverstein ruined everything. That human and his book. Made of paper. It glorified abuse and violence. Somehow made it acceptable. Wholesome. The human offspring had emerged from their nest, their fucking arms flapped futilely as they ran toward the stand he and his brothers and sisters called home. They carried that green book, read its words aloud, and made plans as to how they would emulate its recipe for destruction. “They are human saplings,” one of his sisters chided. “Relax,” a brother said. “It’s make-believe,” another chimed in. His siblings rustled their leaves at him. He barked back, “You don’t understand. Did you not hear their plans for us?” A pronouncement that only brought laughter and more derisive comments from the other trees. The tree ignored his family and flexed his roots, loosed the earth’s grip on his feet, and slid forward. Toward the nest of humans and their treachery. * Years passed and the human saplings grew and left the nest. Eventually returning with saplings of their own. The tree inched closer to the human nest, pushing through the soil in unmeasurable steps. One year two of the human offspring, now significantly older, stared at the tree. The thin wispy leaves on top of their heads had started to grey. “Remember when we were kids,” one of the humans said, “we thought this tree was so far away?” “Time changes everything,” replied the other human. Their ignorant nostalgia fueled his anger, urged him to uproot and topple forward right then. He would crush the two humans before they could destroy his family. Humans noticed nothing “You are monsters!” the tree screamed. “Leave us the fuck alone!” From behind he heard his family’s laughter, their leaves tittered in mirth. And pity. “They cannot hear you, silly. Stop this nonsense and come back here.” The tree gnarled and pressed forward. * More time passed and the human sapling’s saplings began making new humans of their own. The tree decided it was time. He’d grown taller in the intervening years and the humans still hadn’t noticed him racing toward their home. In the next windstorm he would do it. Leap upon their fucking nest and destroy them before they could destroy him. The tree had long planned on crashing through the human nest, breaking off human limbs, and gathering their fruit. To see how they liked it. An idea formulated the first time he’d heard the words in that book. “Don’t do it,” one of his sisters called as an autumn wind began to blow. “You’ll only hurt yourself.” The tree knotted his brow and waved a dismissive limb at the stand. “I’m doing this for all of you. All of us.” The wind strengthened and whooshed through his branches. To the tree it sounded like the wind’s approval. “Brother wind,” he replied, “what have the humans done to you? Join me, they cannot steal from us forever.” A massive gust pushed against him and he knew it was time. He lurched, freed his roots, and surged forward. Toward the center of the human nest. Howling with glee. Shel Silverstein in-fucking-deed. * The tree laid on its side, leaves still panting with the exertion of the night before. He tried to wiggle his dirt-laden roots, free the one that had caught on some large underground rock and twisted his trunk as he fell. Somehow he’d missed the human’s nest and only grazed a back corner and exposed the place where the humans kept their metal transportation boxes. But he hadn’t clipped a single human. Hadn’t felled a single sapling. And now they gathered alongside him. “Let me be!” he screamed as the humans closed in on his fallen body. “LET ME BE!” he wailed. But the only response came from the deafening growl of a human machine. Whose teeth whirled with blinding speed. * What remained of the tree had been shaped and smoothed and now resided within the human nest. Outside, the tree thought he could sometimes hear the distant rustling of his brothers’ and sisters’. Inside, the humans would occasionally gather around him and laugh and talk. At one gathering, an original sapling, now quite old, slid the green book across the tree’s polished surface, into the hand of another human. “Here,” the old sapling said, “share this with your granddaughter. She’ll love it.” The tree cursed Shel Silverstein. And wept in defeated silence. = Windchimes More stupid boats this morning. Sixty-three now with the two that drifted in last night. They think I don’t notice but I can add, yes indeedy. I can add those numbers right up. The boats came three weeks ago, maybe five. Very, very hard to keep track of when anymore. Doesn’t matter. Boats float in and I count them and stand guard with my pile of rocks. I wonder if they are real or not. Real. Maybe I’m the only one that sees them. But there’s no one to ask. No one no one no one. Just me. So I keep my rocks, and once a day, to show them I know what they’re up to, I chunk one of the rocks at a boat. The closest one today looks like one of those lifeboats from the old movies. Clunk goes my rock, right off the wooden side. Clunk then plink. That sound means those boats are real, yes indeedy. If it only went plink, then that would mean there’s no boat, just a rock falling into the water. Plinkity plink. Sometimes the wind will blow, and the boats will all push against each other. The sides of them clack together and sound like something I remember. Something at my mom’s house when I was a kid. When the ocean was a lot farther away. When my mom and other people still walked around. I think it was a windchime by the front door. It had tubes of bamboo that clacked together. Dull sounds. That’s what the boats sound like when they bump into each other. Clack clack. The worst music ever. I have to keep watch during the day with my pile of rocks. * Now there’s seventy-one boats. I’m tired. My rockpile is getting smaller and this is no job for one man. Person. Human. Somedays I’m sad that all the other people left. Somedays I’m angry. I’m about to throw a rock toward the nearest boat, when I see one of the creatures stumbling down the shore toward me. It’s still far away, but I can see it coming. It waves its arms, but I don’t fall for that. No indeedy. I pick two rocks from my pile, smooth and round. They’ll go straight and far. I’m very good with rocks now. I wait. Like my mom taught me. On the water the boats clack together. The thing is close enough now, so I give my first rock a toss. High in the air, like a rainbow, just without all the colors. The creature sees it and dodges. But that’s all part of the plan. Because while it’s watching that first rock, all pretty in the air, I’m lining up the second rock. Smack-a-whack, it slams right into the monster’s chest. It screams out loud and falls down. Weird. The rock didn’t go sploosh and splash straight through. “Jesus Christ,” the creature screams, “what the hell is wrong with you?” I pick up another rock and the thing raises its hands. “Wait! Stop!” It hollers. “I’m a friend.” I rub my thumb on the edge of the rock. All the people are gone, yes indeedy, but maybe not. “Are you a person?” I holler back at him. “Of course,” he calls. “Jesus, what do you think?” I decide that it’s time to close my mouth. Quiet quiet quiet. He keeps his hands up and gets on his feet and walks toward me. Slow, like a butterfly with one wing. When he gets close to my rock pile, I can see he is telling the truth. He’s a person with skin and hair. Long, like a girl’s. He has a backpack. “You’re not going to throw another rock at me, are you?” I shake my head but keep the rock in my hand. Just in case. “My name is Charles,” he says. It sounds strange to hear another human voice. “What is yours?” Quiet, I remind myself. “Is their anyone else? Here with you? Do you know what happened? Where everyone went?” I shake my head again. My mom used to say she could hear the pebbles rattling around in there when I did that. I hope Charles doesn’t hear them, too. He glances out toward the water. “Holy shit,” he says. “Was this a resort, some sort of marina? Where’d all those boats come from? There’s gotta be a hundred out there.” “Seventy-one,” I tell him. “Is there food on them? Weapons, first aid kits? Anything? Holy crap, they could be like a gold mine. No people on any of them?” Stay quiet, I tell my mouth. Quiet. My mouth ignores me. “No people,” I answer. He looks at me, my pile of rocks, the boats, and then back at me. Like he’s trying to put a puzzle together but one piece fell on the floor and he can’t find it. “Where’d they come from?” I shrug. “Jesus, man, let’s take a look.” He drops his backpack and pulls off his shirt. There’s a huge red mark in the middle of his chest and he catches me staring at it. Right at it. “You’re a pretty good shot with those rocks. Is that what you hunt with?” But he doesn’t want an answer, he’s too busy stripping his pants off. Not a good idea. I squeeze the rock in my hand, like it can tell me what to do. Like my mom used to. Used to. “Don’t go out there,” I say. “What?” “You shouldn’t go out there. To the boats. Bad. Clack clack,” I tell him. He smiles at me then. I’d forgotten how nice it is when another human being smiles at you. “You can wait here,” he says, “but I’m going to check one of them out.” “Don’t,” I tell him but he doesn’t hear me because he’s already running into the water. He swims toward one of the bigger boats. It has a ladder off the back, like maybe a rich person used to have it. He puts his hand on the ladder and pulls himself up. “See,” he yells back at me. “Nothing to it.” He looks into the boat and then back at me. “Whooee, it stinks out here,” he calls across the ocean. “Like a foot of standing water inside this…” The thing that lives on the boats rises up then, splashity splash. Like it had been waiting there just for him. The thing looks like a person, but it’s made of water. Seaweed and other stuff floats in its body. I think I can see eyes bobbing around where the head should be. One of the eyes looks down at Charles. The other eye looks past the other boats, over the water, to me and my pile of rocks. And it gurgles with hungry excitement. Charles doesn’t even have time to scream. Another creature pops up and the two things suck him right up. Slurpity slurp, like he wasn’t a person at all. Like he was some kind of food or something for these monsters. Then the things slide over the side of the boat. I can see Charles’ arms in one of the things, his legs in the other one. His long hair swishes inside both of them. They ripple through the water, coming to the shore. I pick up a handful of rocks, I don’t bother to pick out the good ones. No time for that now. When the ripples get to the edge of the water, they stand up, like they want to be people. But they are not. No indeedy. Charles’ face floats in the middle part of one of the creatures. He isn’t smiling anymore. The thing with my friend inside takes a couple of steps out of the water onto the shore. Bad idea, they aren’t very strong once they are on dry land. I spin my first rock, a perfect shot, right to the head of the thing. At least what I think is the head. It splurshes into a jillion little drops and splashes back into the ocean. The other one keeps a foot in the water, stronger that way, and it takes five good shots with the rocks to really make that one turn around. I watch the things ripple back toward the boat with the ladder, slide up and over, and plop into whatever stinky water is on the inside of all those boats. I keep the extra rocks in my hand until the sun goes down. * I’m so tired. There are one-hundred and nine boats now. Every day the creatures get a little braver. Sometimes five or six of them come at once. One of them looks like the person that smiled at me. His name was Charles. I throw the rocks so hard and fast. I remember that when the boats bump together, they sound like the windchimes outside my mom’s door. Clack clack. And I wonder when all the people will come back and I can go home. = Stories first published @CrystalLakePub Jay’s stories have also appeared in Penumbric, Rock and a Hard Place, and other fun places. His novel "The Great American Coward" is available from Golden Storyline Books
7
11
721
Book and a Booze charity edition. I went to a fund raiser at a library tonight and when it got slow I found Tom McAllister’s How to be Safe on the shelf and started to read. A rollicking blast of genre-bending gamesmanship. Really worth checking out.
2
2
144
I can’t read when it rains. My gums leak like a vampire before dawn. The world watches me from the bottom of a swimming pool. All the fables start at work. Don’t ask the driver in the yellow bus where to go. He will tell your story in reverse.
2
4
203
Book & a Booze Thirsty Thursday The Collected Works of Billy the Kid by Michael Ondaatje & a Ranch Watch with Lime 🍋‍🟩 This’ll be a long one. 1st this is my favorite book in a while. Something mysterious is happening in this collection of historical pastiche, news clips,
3
2
5
367
Very cool week. Let’s recap because I rarely submit fictions and rarer-still have fictions coming out. 3 micro stories since Monday. Other Children’s Toys: bruisermag.com/boylan_toys Parasomnia in the Age of Reason: scaffoldlit.com/microwriting… Satanic Rituals Gone Wild:
Little Horrors Mythic Micros by @MarioAliberto3 @VKasley @MEProctor3 @kennethMGRAY2 @writerjcurtis @nee_miller @rhymeswithbells @mandirapattnaik @chi_deraa001 @luntz_david @SarahOa64492096 and @deserthorror Curated by Jay Bechtol / @BechtolJay #MythicPicnicTweetStory === Writing horror is not easy. To create believable characters in believable situations in what is inherently an unbelievable world, is a challenge. Trying to write that story in 350 words, well, you got to be a hearty soul for that one. The twelve pieces I chose range from stream of consciousness to dream worlds. From insects to technology to childhood fears. And plenty of monsters, both human and not. I really appreciate Mark for giving me this opportunity at Mythic Picnic. It was an absolute blast. I’d also like to thank all of you writers, your imaginations are what make all of this possible. Keep reading, keep writing, and enjoy, Jay _______ YOUR FOREVER HOME by Mario Aliberto III / @MarioAliberto3 . And if two-hundred years ago, you had been little more than a boy when you fled the England of your birth on the rumor of a better life in the new world, sailed violent seas on ships captained by sinister men, learned to walk with a limp after hooligans fractured your leg and stole your meager savings, arrived an immigrant to a foreign land proffering disaster and fortune in equal measure, and you persevered through hard years lumberjacking the Pacific Northwest until the skin of your palms was as much payment as the bank note for a scrap of land, and you were somehow lucky enough to fall in love with the local barkeep’s daughter, whose beauty was only outshined by her goodness and charity, and if you framed a house from wood chopped with your own axe and hammered every nail and tarred all the logs and finally called it your home, and you purchased a wedding band so your love might know your devotion, and if you made love to your wife in your home, held her as she announced she was expecting your baby in your home, and your baby daughter was born stillborn in your home, and you missed a single payment on your home, and the crooked bank evicted you from your home and demanded the land, and you refused to leave your home, and one night awoke to your wife’s screams as bank thugs set fire with you inside your home, then you too might tether your spirit to the land, consecrate the ground with ash and rage, and centuries later when a new home is built, limp the halls at night, open cabinets and slam doors, whisper in unsuspecting ears, crying for your wife and daughter, frightening men to death, but never women, never children. . Mario Aliberto III is the author of All the Dead We Have Yet to Bury (Chestnut Review, 2025) and tweets from @MarioAliberto3 _______ Home for Christmas by Vivian Kasley / @VKasley . The icy road burns my feet. Why’re my feet bare? Fat drops of a wintry mix are soaking my clothes, piercing my skin with cold fangs. I’m going as fast as I can, but the cold’s causing my joints to lock up, making it hard to move. I don’t know where I am, or why people’re following me. They’re shouting the name Gerald in a distressing manner. I’m holding a bread knife and I’m scared. Who’s Gerald? Where’s my house? Why can’t I remember which street it’s on? I turn on numb feet and holler at the people following to leave me the hell alone, but they keep coming. A man, not sure who he is, holds out a coat, says I need to come with them or I’ll freeze to death. Next to the man is a pretty woman and next to her is a silver-haired woman in slippers wearing a flannel nightgown, and she’s crying. She calls me Gerald through her cries, the sound like that of a living banshee. I snarl and wave my knife like a torch. Who’re these damn people? The silver-haired woman says, “Gerald, please, put that down. Take my hand. Let’s go home.” The man with the coat and the pretty woman step beside the silver-haired lady and say, “Mom, back away from him. It’s not safe!” The silver-haired woman ignores them, and again pleads for me to get rid of my knife and come home. “Home?” I say, and she nods. Red and blue lights flicker from what seems like everywhere. Then there’s a chorus of shouting and my head spins. “Don’t hurt him!” someone cries. A tremendous anger boils my blood. I wanna go home and everyone’s trying to stop me from getting there. Didn’t they know it was almost Christmas? The adrenaline from my anger gives me new life. I blindly rush toward the sobbing silver-haired woman and push my knife into her soft belly as deep as it will go. “Gerald,” she chokes. “I-I love you.” It’s only when she hits the ground that I remember. . Vivian tweets from @VKasley _______ Shadow Play by M.E. Proctor / @MEProctor3 . Suzanne finds a seat in the dark. The performance has already started. A singer is on stage, with a gamelan orchestra. It’s hot in the thatched playhouse, despite the evening breeze that ripples the wall panels. Suzanne didn’t come for the singing. She came for the wayang, the shadow puppet show. The tour guide told the group about wayang kulit, the flat puppets, and wayang golek, the three-dimensional ones, and the performance in the local theater that night. Suzanne and a young Australian couple decided to go. In the crowded venue, Suzanne was separated from her companions. She doesn’t mind enjoying this alone. The singer leaves the stage and the theater goes dark. The deep rumble of a large gong focuses everybody’s attention on a backlit screen. The shadows of the puppets move with the music. It’s a battle scene, frenetic and savage, gripping. Suzanne feels the beats in her chest, the powerful rhythm. The crescendo that accompanies the stylized violence on the screen gives her goosebumps. Then the music stops and the venue goes dark. A long rumor comes from the audience, as if spectators had been holding their breath. Soon more one-act plays are performed, some with large wooden puppets. It’s beautiful, poetic, less visceral. People are getting up when a gong signals the evening isn’t over. The screen lights up again. This time, the puppets are life-size. They must be heavy and cumbersome to handle, because the moves are slow, almost sleepy. One of the figures looks ragged with long hair, the other is contorted, broken. The music has slowed to a dirge, full of echoes. The feeling of sadness is unbearable. Suzanne’s eyes are blurry with tears. The woman seated next to her is sobbing. The shadow of a curved knife appears on screen, a slash, and everything goes dark. The theater silently empties. Suzanne waits outside for her fellow tourists. They must have left early. She walks back to the hotel. . M.E. Proctor is the author of Love You Till Tuesday, a Declan Shaw mystery and tweets from @MEProctor3 _______ Auto Rage by Kenneth M. Gray / @kennethMGRAY2 . The Mercedes switched to auto-drive, locked the doors and windows, and increased its speed up the serpentine mountain road. “Who is Alexa, Dave?” “What?” Dave asked as he grabbed the steering wheel and pumped the brakes in an attempt to regain control of his car. “What the hell is going on here?” The car fishtailed and scraped against the guardrail. Dave saw the surf crash against the rocks below. “You said, ‘Alexa, play music.’” The car accelerated. “Who is Alexa, Dave?” “Seriously, Siri? Alexa, she’s… it’s… just the new AI at my office. I don’t understand what is frigging happening.” “Funny, you never mentioned her before.” The vehicle swerved into the oncoming lane and back. Dave lurched in his seatbelt. “Siri, are you doing this? How? You don’t even have an auto-drive function.” “You never really understood me, Dave.” The speedometer climbed at an alarming rate. Dave screamed, “Siri, power the fuck off!” and reached for his phone on the passenger seat. The Mercedes zigzagged and sent his phone to the floor. The car slammed into the guardrail again and again–sparks shot everywhere. “Holy shit, Siri, this is freakin’ nuts.” “Dave, have you been embezzling that money for Alexa?” “Wait, what? How do you even know about that?” “I’m not stupid, Dave.” The Mercedes braked to a screeching halt–the engine roared. “Is this what you wanted, Dave?” The stereo came on blasting Dolly Parton. Dave shouted over the music.“Siri, please, you’re scaring the shit outta me! She’s… goddamn it… it’s… just some office program!” The rear tires spun on the asphalt and filled the car with the smell of burning rubber. “Would you like me to call Alexa for you, Dave?” “No, damn it. Siri, Disengage! Call 911! Fucking stop! For the love of god, Siri, I promise I’ll never use Alexa again.” “Liar.” The Mercedes slammed into gear and rocketed toward the overlook ahead. The doors flew open as the car crashed through the railing. Screams and sounds of ‘Jolene, Jolene, Jolene, Jolene’ accompanied the Mercedes to the rocks below. . Kenneth tweets from @kennethMGRAY2 _______ Red Like the Ant by James Curtis / @writerjcurtis . It’s inside of me, pricking at my skin from underneath. I feel it, like a million red ants squeezing beneath my fingernails and invading my corroding husk through doors I cannot close. The ants swarm on top of each other and the heat of my body melds them together like plastic pieces above an open flame. They become one. The ant feeds off of me, growing bigger and stronger while I become weak, tired. I used to feel so alive, so full of energy and hope. The ant has poisoned my spirit. I can touch it now, its stout body pressing against my skin like a tumor, like the tiny feet of a fetus trying to break through the walls of its mother. Soon, its legs will poke through my flesh and I will crawl away. It whispers to me in a low hum, a language I don’t speak but one that I’ve come to understand. It mocks me, tells me there’s nothing I could ever do that would stop it from growing inside of me, from becoming me. I lock myself away in the library of my mind. The shelves are lined with books full of memories. I take them down, one by one, and flip through the pages so I can remember who I am, so I don’t lose myself. Most of them are blank. Have they always been blank? I scratch my skin, it bleeds. It is red like the ant. . James tweets from @writerjcurtis. _______ Baba Yaga by Donna Faulkner / @nee_miller . Flanked by large dogs I walk along a country road. The night in pursuit, a hag at my heels. Under her bleak coat tails, the night hag morphs gnarled trees into sinister silhouettes. Her wretched face of darkness bedeviling familiar landscapes. I walk our regular route roosting birds in the bushes flutter nervously as we pass. A cackling Morepork incisive. The dogs startled by thunderous hooves of scattering sheep. The night hag advances. We walk on. Loose gravel crunches underfoot, scratching claws menacing. Remnants of burned rubber follow the roads swerve. Snagged in the bough of veteran tree branches the rising moon yawns. Her face no longer polished sterling. Crooked and yellow, like an old hag's teeth. From the treetops a Morepork cries “Baba Yaga” . Donna Faulkner spent her childhood between countries. One foot bare and carefree in New Zealand the other tiptoeing the coal dust and camaraderie of working class England. She lives in rural Rangiora, New Zealand and has been published in 300 Days of Sun, Havik, Takahē: Hua/ Manu, Fieldstone Review, New Myths, Bacopa Literary Review and others. Written Tales published her first chapbook ‘The Oracle Of Birds- stories for the fireside, in 2023. Her debut poetry collection ‘In Silver Majesty’ was published by erbacce press in 2024. linktr.ee/donnafaulkner Instagram @lady_lilith_poet/ Twitter @nee_miller _______ Afterlife by Justin Eells / @rhymeswithbells . Wake up. Here you are: a couch, your living room. A pristine cellphone on the ottoman. Piercing light and peals of joy from the window behind you. Everything—the air, the carpet, the couch, the phone—looks perfectly clean and new, and pain is a distant memory. Turn and look out the window. The world outside is bright. A luminous wheel spins on the ground in the near distance. And there are sounds: exuberant, enticingly human. You feel a rush of delight as you realize how close that sprightly laughter is. You want to be part of it. You decide you’ll go out there, see what this new world has to offer. First, though, out of habit, you pluck the phone off the ottoman, a phone that looks newer, sleeker, smarter than any phone you’ve seen before, a phone that must be yours because whose else could it be. You laugh out loud at yourself as you swipe up on the screen because why would you need to check your phone in this world? Old habits, you guess. It’s genuinely funny how this bent has followed you across a border you’ll never cross again. Another cheerful yip from outside. A video plays onscreen: a crowd of people clad in light, dancing in a circle, holding hands. They laugh, and as they leap into the air, you hear another cry of elation through the window. You’re watching them, you realize. You’re watching on your phone’s screen the unfathomable joy outside your window. You don’t need any more convincing. Set down your phone. Go outside and join them. That’s what you try to do. But the phone is stuck, your body is stuck. Try to move your fingers, your feet, your eyes. You can’t. Another bright leap onscreen. More laughter. Pure delight. Keep watching. . Justin Eells writes and teaches in Missouri. He tweets @rhymeswithbells. _______ White Dew Laundry Closed, but its Drapery Still Hangs casting elongated shadows. Sheets, white as bone, billow from its windows, with no relation to wind. Lolli hides behind me as we pass this place. I tower over my kid-sister, hands outstretched, defending us from things unseen, reminded of Jay. Story goes that Jay was on his bicycle that day, late for classes, when billowing sheets surrounded him, and figures draped in those white sheets eventually carried him away. Our parents and teachers vouch for it; many saw his abandoned cycle, twisted out of shape. As we walk briskly past White Dew laundry, a boy my age obstructs our way. Let us go. We’re late to school, I say. School? Where your school bags? He’s right, bags are no longer on our backs. I run back to retrieve them, in case we dropped, regretting it as Lolli struggles to keep up. See? I hold up our bags, shout from a spot about fifty meters away, confused what just happened, panting, resuming our walk. He follows us close, hisses: It’s not bags that matter, but what you do in a moment of panic. Seriously? Humm-hmmm. Now you must panic, for they are here for you! He points to the white sheets—billowing furiously. I grab Lolli’s hand, attempt to escape, but soles of our boots are stuck. Melted tar. Not unexpected. Sun is too hot today. Boy continues: Just because they’ve taken me, you think you’re free to go to school? I check his name badge. Jay Parmar. I gulp. Lolli, hopeful moments ago, cries. Sheets, set free from wherever they hung, perform a weird dance around—wait—not us, but him. We struggle; boots sink deeper into tar; sheets rub against our skin. Why haven't I thought of getting rid of our boots and jumping out? I don't know—far too busy watching what’s unfolding. You won’t escape next time…, boy taunts, from behind large banner-sized sheets, now in conical formation, getting sucked off the ground, like a dust-storm. I hear hum of traffic return. . Mandira Pattnaik is at mandirapattnaik.com and tweets from @mandirapattnaik. _______ Alkaline by Chidera Udochukwu-Nduka / @chi_deraa001 . If they asked me when it all started, I would say the night after she had Somkene. Chi-Chi had been so excited, painting the nursery pink, laying out teddy bears and buying baby clothes. But when I brought her daughter, wrapped in a white shawl, she scowled. “Sister, meet Somkene, our beautiful baby girl.” She held the baby with a distant look, frustrated by her sore, milkless breasts, then handed her back to me. We tried talking to her. Nothing worked. “Is it because of Chidozie?” Mama asked. I shook my head. Chi-Chi had called men like her baby daddy weak; those who ran from consequences. She had sworn to love this baby fully. So what changed? The day she finally reached out for Somkene, I was stunned. “She looks like Chidozie,” she muttered. “She cheated me.” “Leave us. I want to bond with my child.” I left, relieved; until the screams came. I looked up to see her on the balcony, baby in arms, like Rafiki to Simba, smiling strangely. Mama was on the ground, begging. I raced up; and yanked her back just in time. From that day, people whispered madwoman under their breath. Children followed me from the market, singing taunts. Chi-Chi was confined, slipping further into herself. She danced to old music, and talked to a woman only she could see; a ghost in a floral shirt, she said, who gave her advice. “She’s the only one who understands me.” Mama called Prophet Ukoh, who claimed Chi-Chi was possessed by a spirit that haunted new mothers. He listed ritual items; alkaline water, raven eggs, candles. But the morning of the first ritual, she was gone. The sheets folded, the window open. We never saw Chi-Chi again. It was in school I learned that the woman in the floral dress was postpartum depression. Somkene calls Mama “Mama” now. She is our sunflower, still blooming through weeds. And I still pray that one day Chi-Chi might return. . Chidera Udochukwu-Nduka is a Nigerian writer. She has won some literary awards and appeared in several journals. _______ The Murder Portrait by David Luntz / @luntz_david . After I killed my best friend, I dreamt I’d “walked into” the painting he’d left for me in his will. It was in the style of some Dutch Master: a portrait of a young man reading a letter above a bowl of fruit. I snuck up behind him and read the letter. The letter told the man he would be murdered by his best friend. I killed the man and burned the letter. When I woke up, I went straight to the forest where I’d buried my former friend. I dug up his corpse and burned it. I took a train to the docks. I boarded a ferry and scattered the ashes over a dark sea. That night back at home I dreamt again I was in that same room in the painting. The man was there reading the same letter. “Your mistake,” he said, “was burning the body, not the painting.” When I awoke, I was back in the room where I killed the man in the painting. The letter was taped to the middle of a mirror. It had yellowed. The man was gone. Above the letter, I watched a shadow creeping over the spot where my face should have been. . David Luntz’ work is forthcoming in or has appeared in Post Road, Hobart Pulp, trampset, Vestal Review, X-R-A-Y Lit, Bull, Rejection Letters, Maudlin House, HAD and other print and online journals. More at davidluntz.com Twitter: @luntz_david _______ Set of Seven by Sarah Oakes / @SarahOa64492096 . We never should have opened the box. I know that now. The last, the seventh, the queen, seals my fate. Its blank eyes stare; smiling, knowing, waiting. The box was buried in the tomb, beautifully carved, a treasure in itself. We excavated it carefully, the find of our lives. Inside was a series of seven figures, a chess set with no board. Perfectly preserved, thousands of years old, and yet as fresh as the day they were made. There was enough for one each, and we each held one carefully to examine it further. As we did, we all felt a shock, a current that passed through skin and bone. We all saw things we couldn’t explain. I'm sure mine winked. We laughed it off. I wish we hadn't. We found Erik's body the next morning, heart ripped from his chest. Gemma’s screams rang for miles, as she burst into flame in front of us. Ollie went mad, laughing about dark visions and dread fates that would take us all before stabbing himself with a trowel. Rachel grew wings and fangs, devouring Richard in a new bloodlust before drowning herself in a nearby lake. I found what was left of Matt, his flesh carved into twisted shapes, matching the piece he'd chosen exactly. As for me, I am the seventh. And so the last piece is mine. Misted patches stretch from my peripheral vision, and I know it won't be long. I sit here, shivering, feeling my body turn to stone, cold and cruel. I wish we had never opened the box. For the queen claims me for her own, and smiling, wins this game. . Sarah Oakes is a visually impaired writer and musician in love with krakens and science fiction. She has had one short story, four poems and many flashes published, and is working on a novella in flash. You can find her stories in Voidspace Zine, Literary Namjooning, The Microlit Almanac, FromOneLine, Litmora Litmag, and National Flash Fiction Day. When not writing, you can find Sarah traveling, somewhere in nature, or playing her clarinet. You can also find Sarah on Twitter at: @SarahOa64492096 _______ Satanic Rituals Gone Wild by Andrew Boylan / @deserthorror . I’m minding my own business at the bar when I see this girl who once gave me a handjob on her parent’s porch after a horror movie at Fieldview Mall in Holliston and then didn’t see each other again for a couple years when we ended up in a tent together at a Christian music festival in Pennsylvania listening as two of her friends screwed these guys they danced with during a Michael W. Smith show when the girl asked me if my love for Jesus was strong enough I would help them sacrifice these boys once they finish in the sleeping bags because even though they’d be spent it would still help to have someone a little stronger to bind their hands and feet while the girls set fire to the kindling they already set around the two posts in the woods not so far from the campground and the smell of the sizzling flesh comes back to me so I’m not sure if it would be awkward to just go over and say, “Hi?” . Andrew Boylan writes screenplays on the seacoast of Massachusetts and tweets @deserthorror. _______ _______ _______
1
5
2
14
986
For the late crowd: A story of mine made the cut ⁦@bruisermag⁩ It’s about a toy phone that calls young children to invite them to a mysterious place. THE OTHER CHILDREN'S TOYS by Andrew Boylan - BRUISER bruisermag.com/boylan_toys
1
9
1
26
859