One of the things I love about this film is that the specific quality of that light is so distinctively London. When you know, it’s almost unmistakeable.
The publishing history of these uniform French editions is interesting: they’re not really paperbacks; they’re actually unbound. What you would do was buy the book in this form from your bookseller and take it to your bookbinder to be prepared for your library. 1/2
Christian Rutherford retweeted
‘Autumn, Turners Road, E3’ 1987. A block of flats stands where this little park used to be- a quiet oasis near the busy Burdett Road. @ahistoryinart @thegentleauthor
Mine is that his 1960s Anthony Newley music hall period was by far more interesting and enjoyable than anything he recorded subsequently.
This is getting ridiculous: bracketing 10-year periods in music (or anything) at the zeros is *arbitrary*. They didn't start a new season with a new cast between 31/12/1979 and 01/01/1980. Free your mind of these categories. Instead, think of the decade 1967-1977, or 1973-1983.
Christian Rutherford retweeted
A bloke tending to his motor, 1988
Cuba Street, Isle of Dogs
London
📷 Tim Brown
This is actually true, but it has nothing to do with the group itself. Being overrated is not about what’s being rated, but about who’s doing the rating. Beatles fans of today would embarrass the most hysterical Beatlemaniac of 1964 with their quasi-religious fervour.
The answer is simple: artists find inspiration in places where others see vanilla. This happens to be about movies, but someone like Lynch can be moved by a curtain, huckleberry pie, the texture of a mouse's skin or a snakeskin jacket.
I had to think about this, but I think it was when Michael Foot was in a wheelchair as a result of tripping on the stairs at the point of becoming Labour leader in 1980. It appealed to my 8-year-old self that Mr Foot had broken his foot.
Christian Rutherford retweeted
Replying to @mags_mclaugh
I’ve always loved Robert Wyatt’s 1982 rendition of Shipbuilding, but Costello’s lyrics have always annoyed me. They don’t make much sense as a general anti-war song, but as a comment on the Falklands Conflict, they’re utterly meaningless.
Ben and Josh in competition to see who can speak with the most glottal stops. (New?) Josh should realise that Ben is unbeatable: he can put glottal stops in words no one has even attempted.
#TheArchers
Christian Rutherford retweeted
Swiss Cottage Library, Camden
1964
Basil Spence and Partners
modernism-in-metroland.co.uk…
Christian Rutherford retweeted
Fernand #Léger, Les quatre acrobates, 1954.































