It might stick this time

Yay for Brazil!

MINOTAUR successfully blends an engrossing Hitchcockian thriller with a sobering commentary on the corrupt systems that use chaos as a means of control. Zvyagintsev has a cold, calculating perspective that’s riveting to watch unfold. An unsettling tale that’s expertly crafted.

IRON BOY utilizes its distinct animation style to create an endearing coming-of-age portrait. It may indulge in some familiar conflicts, but the characters and artistry make the narrative compelling. An effortlessly charming work that’s a delightful watch.

Final day of the Chicago International Film Festival. Let’s hope we end on a high note!

Really digging this haircut

Caught up with Wicker and found it utterly delightful. Colman gives a great performance, not only funny but also tragic and compelling. Very impressive crafts all around. Even more fun when seen with a crowd.

Unfortunately, I know who Ethan and Hila Klein are. So it does mean this drama interests me to a degree.

WILDWOOD attempts to pack a lot of lore into its runtime, which sometimes leaves its narrative muddled and the characters flat. But it’s hard not to be completely swept up by the incredible artistry. The scope and ambition of the animation is dazzling. Thoroughly engrossing.

ELEPHANTS IN THE FOG is a fascinating examination of trans community in Nepal that features an intriguing mystery and engrossing characters. The atmosphere has a tragedy and beauty, both equally haunting. Pushpa Thing Lama’s central performance is quite endearing.

THE ONLY LIVING PICKPOCKET IN NEW YORK is a fairly breezy excursion that gives John Turtutro an endearing lead role that’s captivating. The narrative isn’t the most complex, but a nice ensemble and jazzy score keeps things engaging. Hot take: Buscemi’s superior 2026 performance.

Love Josh O’Connor so much, but he should not be James Bond.