Jamison Boaz (@JamisonBoaz) header
Jamison Boaz (@JamisonBoaz) profile picture

👽Epsilon Zero👽 👾Rezodrone👾 🤠 James Hite🤠 he/him/they/them GJVA

Los Angeles, CA
Joined August 2010
Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)Photo by Jamison Boaz (@JamisonBoaz)
I've been in Berserk, a few Gundams, Devil May Cry, multiple Resident Evils, multiple Fire Emblem games, Aggretsuko, JoJo and a bunch of other stuff. I think my bucket list is complete, but now all I want is to keep working! I think it's time I take the next steps.
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Thank you everyone for having so much fun with me and Andre(w) Boom Boom!💖💥
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I’ve never felt so missed🥺
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Jamison Boaz retweeted
See, stuff like this is the great thing about having weekly episodes. Last week and this week are THE BOOMBOOM WEEKS. 💣💥 If we got batches again, most would not be giving them this sort of attention and respect. Thank you Netflix for making one (1) correct decision with JoJos
BOOMBOOM FAMILY
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I'm so honored to be the English voice of a JoJo character! Thanks @Seitz_Unseen and @nappingfrog !!!
アンドレ・ブンブーン cv.中島ヨシキ 第3話!Netflixにて世界独占先行配信中! -------------------------------------------- Andrew Boomboom cv.Yoshiki Nakajima New episodes streaming every Friday, worldwide exclusively on Netflix! #jojo_anime
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Jamison Boaz retweeted
Hey, whoa, I’m Laurence Boomboom in STEEL BALL RUN JoJo’s Bizarre Adventure! What a pleasure to work with @Seitz_Unseen and @nappingfrog on this insanely high energy show. Gallop on over to Netflix to see what wacky antics the Boomboom family’s gotten into! 🐎🐎🐎 #jojo_anime
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I’m in JoJo! I voice Andrew Boomboom in Steel Ball run, and episode 3 just dropped today! 💥Huge thanks to @Seitz_Unseen for having me in on this crazy ride! @NetflixAnime
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Spot my voice in Nippon Sangoku🙏
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All this Devil May Cry action in the media is making me really nostalgic for my time working on DMC5. That was a huge bucket list item.
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Jamison Boaz retweeted
He obviously won’t win CYL 10 but he wins in my heart 💔 #FireEmblemHeroes
He obviously won’t win CYL9 but he wins in my heart 💔 #FireEmblemHeroes
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I really hope any indie devs would consider hiring someone like me for their game's music before resorting to AI.
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MERRY FREAKIN CHRISTMAS!!!! #Aggretsuko
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Jamison Boaz retweeted
One draw of finish the year, Griss @JamisonBoaz
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Jamison Boaz retweeted
“Let’s get this pain party started!!!” Cosplayed as Griss this weekend at #ACen2025!! “Live as a Hound, die as a Hound”— Griss will always be my favorite cosplay! 🖤 #cosplay #grissfireemblem #fireemblemengage
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Over 11M streams this year across all my projects, I can't thank everyone enough. I know there's a lot of talk about the state of the industry, but we got here together on our own steam. You make my life better. Thank you. 💖✨
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I really wish I could hear what Starcadian would be writing next with all this stuff going on. Songs like "Culture" and "Propaganda" deserve a listen if you aren't familiar. "In a year or two you must stop the review that starts it all Art will fall"
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Deplorable
Shame on you @amazon @PrimeVideo. After years of fans hoping for an English dub of Banana Fish, you give it to us as AI generated garbage? It’s disrespectful as hell. Was a queer trauma narrative handed to a machine because paying real actors is too hard? Fix this, or I personally will not work with you as an actor EVER AGAIN on any of your dubs. This is not ‘the future.’ This is erasure.
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Jamison Boaz retweeted
Episode 128 is now up! We're listening to three different versions of the soundtrack to the excellent Takeshi Abo @valsound and @JamisonBoaz ! Also, HUGE announcement regarding the future of the podcast! DON'T MISS IT! xvgmradio.com/episode-128-sa…
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I think Spotify and others should just populate the top of the artist pages with the discography instead of this popular track nonsense. We almost always prefer our music discovered chronologically, not by its analytical value.
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