
ORE is a peer reviewed, MLA-indexed journal run by graduate students in English at @UniofOxford
Oxford, England
Joined December 2016
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Our sixteenth issue, at long last, is OUT. Featuring wonderful articles by @BanDrooks, @frankiegardner_, and Corinne Clark, 'Conversations' promises to please a wide variety of readers with good, revealing criticism.
oxfordresearchenglish.wordpr…
Get to know our team! Introducing @zrucker5, our Co-Editor-in-Chief! Zoe is a DPhil Candidate at Balliol, writing a thesis on Anglo-American modernism and how canonical expatriate poets might nuance our understanding of transitional identity authorial self-fashioning. (1/4)
Graduate students, it's the final day to send us your pieces on CONSUMPTION! Don't miss a great opportunity to get your work published!
Details here: oxfordresearchenglish.wordpr…
11 DAYS LEFT TO SUBMIT! Postgrads of English and related disciplines at all universities - please send us your work on CONSUMPTION! We can't wait to read what you've produced.
One month left to send us your work! We're looking for essays on all things consumption, plus reviews on a selection of monographs. If you're a grad student in English or related disciplines at any university, get involved!
Details: oxfordresearchenglish.wordpr…
#callforpapers
Reminder! For our upcoming issue on CONSUMPTION, we're also looking for features pieces on Mikhail Bakhtin's conceptualisation of the 'grotesque body'!
Check the CfP on our profile for more.
Sara, our prod editor, explores ORE's upcoming theme of CONSUMPTION in relation to Andreas Gursky's "99 cent" (1999). (1/3)
Gursky’s famous photograph, 99 cent, depicts the interior of a 99 cent store in Los Angeles. With its hyper symmetrical composition, high colour contrasts, and almost endless amount of detail, 99 cent indexes the visual excess and information overload of mass consumerism. (2/3)
Andreas Gursky, 99 cent (1999)
In its hyper symmetrical composition, high colour contrasts and endless detail, 99 cent indexes the visual excess and information overload of mass consumerism. Ironically, it sold for $3.34 mil in 2007, becoming the most expensive photograph. (2/4)















