Research Fellow (RTDA), @IsplPolimi @polimi Machine Learning applied to Audio & Music (He/Him)

Milano, Italia
Joined September 2010
An urgent message from The Wire magazine Running an independent music magazine is becoming increasingly difficult. We need your support thewire.co.uk/in-writing/ess…
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Glad to have been presented the FakeMusicCaps dataset and the risks and issues behind deepfake music detection! Link to the paper --> arxiv.org/pdf/2409.10684 Link to the dataset --> zenodo.org/records/15063698 #AIMusic #GenerativeAI #Deepfake #AI #GenerativeMusic @IsplPolimi
The rise of text-to-music platforms like Suno and Udio has prompted researchers to develop systems that flag AI-generated music, @laur_insider reports. Test your own detection skills with our interactive game. scienceline.org/2025/05/ai-m…
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Luca Comanducci retweeted
``Diffused Responsibility: Analyzing the Energy Consumption of Generative Text-to-Audio Diffusion Models,'' Riccardo Passoni, Francesca Ronchini, Luca Comanducci, Romain Serizel, Fabio Antonacci, ift.tt/DNEBwqO
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Luca Comanducci retweeted
``Mind the Prompt: Prompting Strategies in Audio Generations for Improving Sound Classification,'' Francesca Ronchini, Ho-Hsiang Wu, Wei-Cheng Lin, Fabio Antonacci, ift.tt/CV32Urk
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Luca Comanducci retweeted
``Towards HRTF Personalization using Denoising Diffusion Models,'' Juan Camilo Albarrac\'in S\'anchez, Luca Comanducci, Mirco Pezzoli, Fabio Antonacci, ift.tt/6sMuYmK
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I have shared our latest research, "Synthetic Training Set Generation Using #TextToAudio Models for Environmental #Sound Classification" at #DCASE2024 in Tokyo last month! 📝 Article: shorturl.at/0KW55 🔸 Slides: shorturl.at/oK0tP
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Luca Comanducci retweeted
The #ICASSP2025 paper submission deadline is 9 September 2024. No new submissions will be accepted after this deadline. However, you may update the submitted paper until September 12. The title, author list and EDICS of the submitted paper cannot be changed.
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Our paper “Room Transfer Function Reconstruction Using #Complex-#Valued #Neural #Networks and Irregularly Distributed Microphones” will be presented at #EUSIPCO2024! I won't be able to attend but DM me if you want to know more! Preprint 👉 shorturl.at/MW8JZv
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Together with @LucaComan, we conducted a user experience study of #creative #interaction with #text-to-#music models to understand more about #human-#AI #collaboration with these tools. Preprint: arxiv.org/pdf/2407.04333 Additional material: paguri-ismir-2024.github.io/… (1/n)
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Interesting to see exploring the use of #AI-#generated #synthetic #data for various tasks. Can we trust them to train other models? I've done a similar study in the #audio domain: arxiv.org/pdf/2403.17864 Our conclusions are similar, but the results are interesting!
Will training on AI-generated synthetic data lead to the next frontier of vision models?🤔 Our new paper suggests NO—for now. Synthetic data doesn't magically enable generalization beyond the generator's original training set. 📜: arxiv.org/abs/2406.05184 Details below🧵(1/n)
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Replying to @LucaComan
@LucaComan and I will present "Crafting Music and Audio via Textual Descriptions: Exploring the Future Evolution of Music Production and Audio Content Generation" tomorrow at "Artificial Creativity", Panel IV. Livestream here 👉 youtube.com/watch?v=2CUoe2YJ…
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I'll be presenting a paper on XAI and speech source localization at #ICASSP24 XAI-SA workshop (15/04) It will not be part of the proceedings, but you can find online 📜 paper arxiv.org/pdf/2404.03436.pdf 💻 code github.com/lucacoma/XAISrcLo… 📢 examples lucacoma.github.io/XAISrcLoc…
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Luca Comanducci retweeted
Thrilled to share #Lyria, the world's most sophisticated AI music generation system. From just a text prompt Lyria produces compelling music & vocals. Also: building new Music AI tools for artists to amplify creativity in partnership w/YT & music industry deepmind.google/discover/blo…
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@RBMA @nytimesmusic @robert_henke @haxan_cloak is available a video of the performance? it would be really great!