
Get off my lawn, twitter. Black Lives Matter, too. Progressive๐ค๐พ #LakeShow
Third rock from the Sun
Joined July 2012
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Angel got motion. She asked him could he go back and speak to the other ladies. She didnโt have to. ๐ซฑ๐พโ๐ซฒ๐ฝ
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angel got so much motion she got usher coming into the locker room chanting
โATL HOEโ ๐ญ๐ญ๐ญ
Was playing right in our face but I was a teen so I wasnโt able to pick up what was going on. I just thought they dressed fly.
In August 1994, an underage marriage certificate nearly destroyed one of the most promising new labels in music.
Aaliyah Haughton was 15 years old. Her producer, R. Kelly, was 27. Her debut album was titled Age Ain't Nothing but a Number.
The album was not just a pop release. It was the flagship asset of Blackground Records, a label built by Aaliyah's uncle, Barry Hankerson, specifically to keep 100 percent of her management, publishing, and master revenues inside the family.
In their 1994 interview on BET's Video Soul below, R. Kelly explains how Barry Hankerson brought him in to develop Aaliyah, right before they discuss her age and the album title.
When the illegal marriage leaked, it created an immediate existential crisis for the label and its distributor, Jive Records.
Facing severe media fallout, potential legal exposure, and an impending PR disaster, Hankerson executed a swift corporate containment strategy.
The marriage was quietly annulled, R. Kelly was completely cut out of her future projects, and Hankerson severed ties with Jive, moving Blackground's distribution deal to Atlantic Records. The scandal was buried and Aaliyah was rebranded alongside Timbaland and Missy Elliott into a multi-platinum global superstar.
Commercially, the maneuver saved the brand. Structurally, it trapped the artist. Aaliyah was managed by her mother, signed to her uncle's label, and bound by contracts negotiated while she was a minor. She had zero independent representation.
When Aaliyah died in a plane crash in 2001 at age 22, the complete ownership of her master recordings remained with Blackground.
For nearly two decades, her catalog stayed off major streaming platforms because of rights disputes and family control. Only recently have deals begun to change that.
The label built to protect a child star from the industry ended up owning the gate to her legacy.
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SNEAKO just went NUCLEAR on DJ Akademiks, absolutely COOKING him in a HEATED 5-minute rant ๐
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I know Aโja Wilson looking at Usher sideways right now given how hard she worked trying to get him to come to one of her Finals games
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When people ask me what type of girlfriend I am ๐๐๐๐
Omg yโall remember when making the thriller videos was a thing???
#ThrowbackThursday
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Isaiah Rashad admits Doechiiโs lyrical ability sometimes gets under his skin during a new interview with Andscape.
โI hate that she be, like, lowkey better than me. Sometimes it irritates me.โ
OJ Mustard retweeted
this is the definition of long term booking.
An unbreakable bond ๐ซถ
Angel Reese gives Allisha Gray her flowers, reminding her she's THAT girl after helping lead the @AtlantaDream to a Game 6 win!
#WNBASeason30 | #2026WNBAFinals
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Megan definitely not tryna impress these niggas everyday and they canโt stand it ๐๐๐
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Only our culture anybody can come in and just try there hand smhโฆsoon as we try some rock or country shit they will exile us so fast boy
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โsit down youโre on the benchโ๐พโ and i alr know who she was talking to๐ญ๐ญ๐ญ
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WATCH: โThis isnโt just about Scott Jennings. This is about truth in media. I donโt think you should be able to get away with lying like this. Someone has to fight back.โ
@hasanthehun on his $72 MILLION defamation lawsuit against paid CNN/Salem Media propagandist Scott Jennings
OJ Mustard retweeted
Alll of these men are just the manifestation of arrested development. Kanye, Dame, 50โฆ. Age hasnโt made them wise, graceful, or introspective . Money and fame just inflated their fragile egos.





























