Building the largest archive of color across visual culture. Art history to the movie poster, every work read for its palette. Color fl芒neur. By @Pixel0Symphony

San Francisco, CA
Joined March 2026
Introducing The Palette Studio. Upload any image, or pull a painting or movie from the archive. The Studio distills its palette into a series of chromatic studies, each a different way of seeing the colors within. Copy color values, download studies or browse palettes. 馃敆馃憞
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Carlos Cruz-Diez, Physichromie Panam 112. 2010. Silkscreen on aluminum and PVC
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20
705
Carlos Cruz-Diez, Induction Chromatique. 1974-1975. Silkscreen on paper
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21
672
Buckminster Fuller, 4D Tower Time Interval 1 Meter. 1928. Gouache and graphite on paper.
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52
955
Adolf W枚lfli, The Kander Valley in the Bernese Oberland. 1926. Pencil and colored pencil on paper
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20
747
Anish Kapoor, Untitled. 2025. Gouache on paper
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11
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1,676
Adolf Fleischmann, Komposition. 1951-52. Oil on canvas
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1,206
Abu al-Rayhan al-Biruni, Phases of the Moon from Kitab al-Tafhim. c. 1029. Ink and pigment, manuscript on paper
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916
A. Marie, Aurora Borealis Seen at Paris, May 13, 1869. 1873. Chromolithograph, from The Atmosphere by Camille Flammarion
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870
Achille Perilli, Consonanze. 1974. Etching and aquatint
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71
1,296
Franti拧ek Kupka, The White Disk. 1937. Oil on canvas
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1,606
Georges Papazoff, Futurs constructeurs du ciel. 1940. Oil on canvas cardboard
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1,096
Fumio Tomita, Hip dance. 1970s. Serigraphy on paper
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929
Franti拧ek Drtikol, The Sun (Slunce). 1933. Oil on plywood
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47
1,080
F茅lix De Boeck, Composition. 1926. Oil on panel
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21
1,024
Camille Graeser, Heitere Musik der Farbe. 1948. Gouache on paper
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Benvenuto Benvenuti, Tramonto (Sunset). Oil on panel
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1,587
Alexander Rodchenko, Abstract Composition No. 60. 1918. Oil on canvas
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Adolf Fleischmann, Untitled (#107). 1953. Oil on canvas.
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Manet鈥檚 Luncheon on the Grass was his most controversial early picture and yet it borrowed heavily from tradition. It takes its subject of a nude female with clothed men from the Pastoral Concert, then attributed to Giorgione and now to Titian (ca. 1505). And the three figures in front echo the group in the bottom right in Raimondi's engraving after Raphael's Judgment of Paris (ca. 1525), clearly inspiring the arrangement.
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Four hanging scrolls. Late 1700s-early 1800s T艒ensai Kanshi, Beauty in Snow. Kubo Shunman, Chinese Beauty. Kamigaki H艒ry奴, Courtesan Seated on a Bench. Shiba K艒kan, Beauty in the Snow. Ink and color on silk and paper.
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