We're streaming three of five from Devika Girish's Intl Movies to Stream column @nytimes 🗞️
Check out "pitch-perfect physical comedy" THE ART OF NOTHING + Carmen Trocker’s "lively" humanity in PERSONALE + Houman Seyedi’s "utterly believable" WORLD WAR III
nytimes.com/2026/10/16/movie…
AGATHA'S ALMANAC by Amalie Atkins
"Spun with care, love and passionate attention." @highonfilms__
"CHARMING…endearing, even inspiring… a compendium of [Agatha] Bock’s green-thumb wisdom." @nytimes
** Best Canadian Feature Doc @HotDocs
Now on OVID courtesy @IcarusFilms 🌱
BLACK RABBIT, WHITE RABBIT
"Wildly ambitious, wryly comic." @Screendaily
The latest film from Iranian director Shahram Mokri is a mysterious M.C. Escher-like thriller:
"Mokri has transformed the Möbius strip into a cinematic form of its own." @ScreenAnarchy
Now on OVID ▶️
Critic’s Pick! "A brilliantly observed portrait of a young woman simmering with frustrations." —Nicolas Rapold @nytimes
DESERT OF NAMIBIA joins our collection of New York Times Critic’s Picks. Streaming courtesy @kani_releasing
ovid.tv/nyt-critic-s-pick
We're streaming three of five from Devika Girish's Intl Movies to Stream column @nytimes 🗞️
Check out "pitch-perfect physical comedy" THE ART OF NOTHING + Carmen Trocker’s "lively" humanity in PERSONALE + Houman Seyedi’s "utterly believable" WORLD WAR III
nytimes.com/2026/10/16/movie…
DESERT OF NAMIBIA
"Yuumi Kawai is immediately magnetic… Yamanaka’s work defies binaries… pulsating, alive!" @Variety
"Intriguing because it’s so unusual." @voguemagazine
"An ultra-melancholic slapstick comedy." @Slatefr
#Nowstreaming on OVID courtesy @kani_releasing
KRAKATIT
Otakar Vávra’s fever dream movie mixes noir, paranoid thriller and sci-fi: "Few films have more potently captured the distress of living in a time where mankind’s impulse for self-destruction was seemingly at its peak." @Slant_Magazine
Streaming via @DeafCrocodile
"Kramer faded from sight in the United States because for several decades almost none of his work was easily available to see… no other artist holds as strong a claim to being the emblematic filmmaker of the US New Left."
Another terrific piece on Kramer via @whitstrub @jacobin
hey-o, I wrote about Robert Kramer for Jacobin!
jacobin.com/2026/10/politica…
"Kramer faded from sight in the United States because for several decades almost none of his work was easily available to see… no other artist holds as strong a claim to being the emblematic filmmaker of the US New Left."
Another terrific piece on Kramer via @whitstrub @jacobin
hey-o, I wrote about Robert Kramer for Jacobin!
jacobin.com/2026/10/politica…
"Ghassan Salhab’s first feature film, PHANTOM BEIRUT, ought to be placed in a lineage of cinema of revenants, strangers, and unexpected or unwelcome guests..."
Terrific essay by @HishamAwad4 🙏
PHANTOM BEIRUT now streaming on OVID courtesy @Several_Futures
metafilm.ovid.tv/2026/10/08/…
"Ghassan Salhab’s first feature film, PHANTOM BEIRUT, ought to be placed in a lineage of cinema of revenants, strangers, and unexpected or unwelcome guests..."
Terrific essay by @HishamAwad4 🙏
PHANTOM BEIRUT now streaming on OVID courtesy @Several_Futures
metafilm.ovid.tv/2026/10/08/…
Filmed 10 years after FINALLY GOT THE NEWS, TAKING BACK DETROIT is an essential portrait of socialist organizing against the backdrop of Detroit's extreme economic crisis.
Now streaming on OVID alongside a brand new 4K scan of FINALLY GOT THE NEWS courtesy @IcarusFilms!
STATE OF WEIGHTLESSNESS lifts off with archives from Soviet era space missions:
"If you’ve ever been curious about what it was actually like on the other side of the Space Race, Maciej Drygas gives you a front-row seat—and it’s more human than you’d expect." @FilmThreat
OVID retweeted
Long live the League. FINALLY GOT THE NEWS, new on Blu-ray this month, documents the efforts of the League of Revolutionary Black Workers to build an independent black labor organization that would respond to worker's problems. Pre order now 🔗mailchi.mp/icarusfilms/hv-fi…







