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🔞yrs...an old Biker, a little bit sadistic 😈, who loves Metall, pipes and matures, master of ropes and bullwhips... Knight from the Order of NiNi.

mitten in Hessen
Joined February 2021
Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)Photo by OlderSenior_Silverback🦍 (@OlderSenior)
OlderSenior_Silverback🦍 retweeted
SIR PATRICK STEWART (1940-2026) Before everything else, Patrick was defined by being born and bred in Yorkshire, the proud county in the north of England which he loved to the end. You could hear it in his accented voice and in the stern honesty with which he told you what he thought and felt. Yorkshiremen have no truck with half-truths or avoidance of big issues. He wore his heart on his sleeve, which made him a man to rely on, to admire and in my case, love. We first met as ambitious young actors with the Royal Shakespeare Company half a century ago but we weren’t in the same productions. My first strong memory was a few years later, meeting him in the street in central London when he told me about an offer to take over a leading part in 'Star Trek'. “But Patrick think of your stage career in the UK. Do you really want to risk—getting lost in Hollywood for years and years?”. Well, he took the risk and thank goodness for us all that he did for not just his devoted Trekkies but film and theatre audiences, who marvelled at his using international celebrity to star in a string of cinema successes ('X-Men' of course) and in great classical plays by Shakespeare, Ibsen, Arthur Miller, Peter Shaffer, Pinter and Beckett at Stratford-upon-Avon, in London’s West End and on Broadway. America was his adopted home, where he met his adored Sunny who has cared for him through sickness and health, through thick and thin. But he never forsook his origins: and the proudest achievement of the most respected and beloved actor of his generation on either side of the Atlantic, was his appointment as Chancellor of Huddersfield University in Yorkshire. His farewell performance in 'Avengers: Doomsday' is yet to be seen. Ian McKellen 29 October 2026 Photo: University of Huddersfield
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OlderSenior_Silverback🦍 retweeted
“Perry Mason”
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Moinsen vom Niederrhein. Heute Morgen nicht viel Zeit, wünsche euch natürlich trotzdem einen angenehmen Wochenteiler. Kaffee und #MuckeGegenHass ist auch dabei. 🤘🏍️🎸🤘☕☕ youtu.be/jL53EUbHazo?is=Idlq…
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OlderSenior_Silverback🦍 retweeted
"Der Schritt ist mehr als das Ziel." Victor Auburtin (* 5.September 1870 - † 28.Juni 1928), deutscher Journalist und Schriftsteller (Quelle: aphorismen.de/zitat/31561)
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OlderSenior_Silverback🦍 retweeted
The Völva was one of the most powerful women in Norse society. She was not a goddess. She was a seer, spirit worker, and practitioner of seiðr, a form of Norse magic connected to prophecy, fate, trance, ancestral knowledge, and influencing unseen forces. Her title means “staff bearer,” named after the ritual staff she carried as both symbol and tool of authority. Unlike later ideas of witches working in secret, the Völva could hold enormous status. Chieftains invited her into halls, offered gifts, and asked her to speak on harvests, journeys, war, illness, and destiny. One of the most famous examples appears in the Saga of Erik the Red. A Völva arrives wearing blue robes, animal fur, gloves, and carrying a decorated staff. Women gather around her and sing sacred songs to help her enter trance. Only after ritual preparation does she begin revealing what she sees. Their magic was called seiðr. It was associated with prophecy, spirit travel, altered states, weaving fate, and moving between worlds. Norse mythology even claims Freyja taught seiðr to the gods themselves, and later Odin learned it despite criticism, since this kind of magic was viewed as crossing traditional social boundaries. The Völva occupied a liminal position. Respected. Needed. Sometimes feared. She stood between community and mystery, speaking truths people wanted and truths they wished were wrong. In modern witchcraft, the Völva has become a symbol of intuition, ancestral wisdom, divination, sovereignty, and remembering forms of feminine spiritual authority that existed long before the word witch became an accusation. The Völva’s power was never that she controlled fate. It was that she looked directly at it and spoke anyway. #drthehistories
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OlderSenior_Silverback🦍 retweeted
„Eine 13-jährige Schülerin erstellt ein Instagram-Profil. Sie postet über ihren ersten Schultag, die Schulkantine und dass sie ihren letzten Milchzahn verloren hat. Ein paar Wochen später: 5.000 Freundschaftsanfragen. 6.700 Follower. Fast ausschließlich erwachsene Männer. Die größten Gruppen: Nigeria, Ghana, Dominikanische Republik. Die Reaktion von Meta? Eine Einladung, den Account zu monetarisieren. Der entscheidende Punkt: Das Mädchen existierte gar nicht. Der Account wurde vom Attorney General des US-Bundesstaats New Mexico erstellt... als Undercover-Experiment. Die Ermittler wollten wissen, was passiert, wenn sich ein angeblich minderjähriges Mädchen auf Metas Plattform anmeldet. Und sie dokumentierten systematisch, was der Algorithmus ausliefert. Jetzt steht Meta deshalb vor Gericht. Der Fall ist juristisch besonders interessant, weil er eine zentrale Schutzmauer der Tech-Plattformen angreift: Section 230. Bisher konnten sich Plattformen darauf berufen, nur „Host“ für Inhalte zu sein und nicht für das Verhalten der Nutzer zu haften. New Mexico argumentiert anders. Nicht der Content sei das Problem. Sondern das Produktdesign. Der Staat wirft Meta vor: – Algorithmen würden systematisch Kontakte ermöglichen, die Minderjährige gefährden – Sicherheitsversprechen würden öffentlich kommuniziert, intern aber nicht eingehalten – Plattformmechaniken würden problematische Interaktionen sogar verstärken Der Beweisansatz ist ebenfalls neu. Die Ermittler analysieren nicht interne Dokumente oder nachträgliche Statistiken. Sie haben live dokumentiert, was die Plattform einem angeblich minderjährigen Account tatsächlich ausspielt. Das Verfahren könnte enorme Auswirkungen haben. Wenn Gerichte anfangen, Plattformdesign statt Inhalte zu regulieren, verändert das die gesamte Haftungslogik der sozialen Netzwerke. Dann geht es nicht mehr nur darum, was Nutzer posten. Sondern darum, wie Plattformen Verhalten systematisch erzeugen. Im Product Design auch als Dark Patterns bezeichnet. Und genau dort liegt die eigentliche Macht moderner Plattformen. Nicht im Content. Sondern im Design der Systeme, die entscheiden, was wir sehen, wen wir treffen und wie sich Netzwerke bilden. Der Fall New Mexico vs. Meta könnte deshalb einer der wichtigsten Tech-Prozesse der nächsten Jahre werden." (Text: Ümit Eroglu, LinkedIn) -- Quellen und weiterführende Informationen: de.linkedin.com/posts/umit-b…… dailymail.co.uk/news/article…… courthousenews.com/new-mexic…… bbc.com/news/business-… techpolicy.press/tracker/new……
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OlderSenior_Silverback🦍 retweeted
Attention all #DoctorWho fans! 🚨 Your chance to find out about our new five part Collect and Build range is here 🤩 Sign up now and get early access for each drop: character-online.com/pages/d…
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OlderSenior_Silverback🦍 retweeted
20 years ago today, the Tenth Doctor and Rose set course for NEW EARTH - and began a whole new series of adventures in #DoctorWho Series 2! ❤️❤️
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OlderSenior_Silverback🦍 retweeted
After almost 60 years, two restored episodes of THE DALEKS' MASTER PLAN are now streaming! 📺 🇬🇧 In the UK? Watch on BBC iPlayer 🇺🇸 In the US? Watch on the Doctor Who Classic YouTube channel
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OlderSenior_Silverback🦍 retweeted
Daleks and warehouses: ALWAYS a dangerous combo 👀 Discover everything available in the #DoctorWho auction with @propstore_com 👉 bbc.in/4as79U5
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𝑨𝑵𝑵𝑰𝑯𝑰𝑳𝑨𝑻𝑶𝑹 ❞𝑨𝒍𝒊𝒔𝒐𝒏 𝑯𝒆𝒍𝒍❞
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OlderSenior_Silverback🦍 retweeted
Could River Song make her way back to #DoctorWho? 👀 Alex Kingston has some theories on how! Watch the full interview in the latest episode of THE WHONIVERSE SHOW 👉 youtu.be/hd0n8ZDjg4A
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OlderSenior_Silverback🦍 retweeted
Sorting out the naughty list 📷 @luannmsmith
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OlderSenior_Silverback🦍 retweeted
Die #Whovians unter Euch werden diesen 23. November als #DrWhoTag vermutlich mit einer gehörigen Portion Tardis feiern, denn genau heute vor 62 Jahren ging die erste Folge der englischen SciFi-Serie über den Äther. Mehr weiß diese Seite zu berichten: kuriose-feiertage.de/doctor-…
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OlderSenior_Silverback🦍 retweeted
Heute vor 50 Jahren, am 21. November 1975, veröffentlichte die britische Rockband Queen mit "A Night at the Opera" ihr viertes Studioalbum. Es gilt als eine der größten Leistungen der Band. youtube.com/watch?v=N_lb1NmH…
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OlderSenior_Silverback🦍 retweeted
Dracula is much more popular at Halloween than he is in March. And there is no surprise there. He is one of the primary evil beings living in pop culture. The history of vampires goes back perhaps thousands of years to ancient superstitions, but what is the origin of Dracula as we know him today? In general, people believe the history of Dracula is an open and shut case, beginning and ending with Vlad Tepes the Impaler. However, there may be more to the story than meets the eye. It seems Bram Stoker also used other vampires and Irish legends as a basis for Dracula. Most scholars believe that Bram Stoker based his evil count Dracula on a real-life 15th-century prince in Wallachia, Romania. Vlad Dracula (Vlad Son of the Dragon) or Vlad Tepes (Vlad the Impaler), as his story has come down through history, was a terrible man and a savage ruler. His brutality against enemy troops consisted of having them sit awkwardly on stakes with sharp points, and as their leg muscles gave out, the point of the stake would impale them through the length of their body. Thus, he was nicknamed Vlad Tepes, which means Vlad the Impaler. However, impaling was not his only method of torture and murder. Vlad was as creative as he possibly could be. People also knew him to boil his victims or cut off their limbs and other body parts. Additionally, Vlad mutilated organs, skinned and scalped people, or simply had animals eat them. It is not clear where he initially got the idea for this kind of torture. But the reports say that he even used these methods on innocent women and children. Saxon records indicate that Vlad Tepes killed between 40,000-100,000 people. It is uncertain if he really drank the blood of his victims or if fanciful people created the tale later. Bram Stoker took note of Vlad’s name, Dracula, and used it for his character. Vlad acquired the name Dracula because of his father’s name, Vlad II Dracul. It was Sigismund, King of Hungary and the future Holy Roman Emperor, who initiated Vlad II into his society of “knights.” The name of the society was The Order of the Dragon, and their purpose was to fight the Ottoman Empire during the Crusades. Hence, Vlad II took the name Dracul, which means the dragon or dragonist. As noted, Dracula means son of the dragon. Sometime after his death, Vlad took on the nickname Vlad the Impaler. Evidently, that was what he was most famous for. Vlad Dracula engaged in various wars and battles of the time, and enemy troops sometimes imprisoned him. During one of his imprisonments, a bishop described him: “He was not very tall, but very stocky and strong, with a cold and terrible appearance, a strong and aquiline nose, swollen nostrils, a thin reddish face in which very long eyelashes framed large wide-open green eyes; the bushy black eyebrows made them appear threatening. His face and chin were shaven, but for a mustache.” This is certainly not the image we have of Dracula today. Interestingly, not all scholars point to Vlad as only basis for Dracula. Some believe that Irish-native Bram Stoker used Irish folklore to base his original vampire. Irish mythology and history point to a shadowy figure known as Abhartach. He was a 5th Century king who apparently was also a dwarf. The following is an excerpt of the tale from 1875: This dwarf was a magician, and a dreadful tyrant, and after having perpetrated great cruelties on the people he was at last vanquished and slain by a neighboring chieftain…He was buried in a standing posture, but the very next day he appeared in his old haunts, more cruel and vigorous than ever. And the chief slew him a second time and buried him as before, but again he escaped from the grave, and spread terror through the whole country. The chief then consulted a druid, and according to his directions, he slew the dwarf a third time, and buried him in same place, with his head downwards; which subdued his magical power, so that he never again appeared on earth.” #archaeohistories
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OlderSenior_Silverback🦍 retweeted
Actress Alex Kingston reveals womb cancer diagnosis. You can fight this! Sending thoughts and good vibes. 💝
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