Rob Toulson

Lovely review of my @iDrumTune iPhone app in @sospublications this month “It's a Swiss Army knife for tuning drums!” bit.ly/iDrumTunePro

Yeah, said on #MOTD they are using 50fps for the analysis, and you can see it with the blurred images they use to measure. Equally, players on the near side of the pitch have better image resolution than those on the far side, so it’s not consistent across the width of the pitch!

#VARdebate... (PS: I’m a #spurs fan too, and agree they should definitely not have disallowed that goal by #sheffieldunited yesterday). #VAR simply isn’t capable of measuring to that fine degree of accuracy, so it’s not 100% objective on tight decisions. #MOTD #MOTD2

3/3 #VARdebate It will usually be better than this, but ruling out a goal because someone was 2cm offside has no scientific basis, when the system error is clearly greater. If using objective measurement in the game, system error needs incorporating objectively too. #motd #MOTD2

2/3 #VARdebate. using cameras at 50 frames per sec, when feasibly a player or the ball can be moving at 5 meters per sec, means 1 frame = 10cm difference between frames. This could at both the measurement of the ball being kicked and the player who may be offside, so 20cm total.

1/3 #VARdebate I’m a Professor of Digital Technology, and am amazed that no-one has mentioned the accuracy or measurement error of #VAR in the #PremierLeague. There are a number of ways to calculate/measure, but one scratch calculation is as follows... #MOTD #MOTD2

@BrechtDeMan in my experience the professional plugin industry relies significantly on Matlab, Python and C/C++. There are easier languages to teach and learn, but if you want to work for Waves or someone similar these are deal breakers - this job looks pretty fun :)

Amazing moment - Mandy Parnell takes over as interviewer and invites friend, mentor and mastering legend Sean Davis on stage to share his wisdom! @AudioEngSocUK @AESorg @blacksaloon @UniWestminster #AESmastering2018

Grammy Winning Mastering Engineer Mandy Parnell in conversation with Katie Tavini at AES Mastering Conference 2018. #AESmastering2018 @AESorg @AudioEngSocUK @blacksaloon @KatieTavini @UniWestminster

Approaches, benefits and pitfalls of stem mastering by Mike Cave @mikecavemixer of Loft Mastering @UniWestminster @AESorg @AudioEngSocUK #AESmastering2018

Mike Wells of @MWMastering presents the SWAN streaming platform for sharing listener copies with music artists and producers. Takes the stress out of transfers, zipping, and accessibility on all devices. @AESorg @AudioEngSocUK @UniWestminster #AESmastering2018

Crispin Herrod-Taylor broaches the discussion of ‘elephants in the mastering room’! #AESmastering2018 @AESorg @AudioEngSocUK @UniWestminster