you were not brought upon this world to get it
nah
Joined January 2019
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I would think appearing in a Best Picture nominee that made $200m at the box office gave him more relevance but we all know the Oscars don't matter unless they're about the Flash entering the Speed Force
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What’s the greatest final line in movie history? The last spoken line before the credits, not the dialogue that follows.
THE SILENCE OF THE LAMBS has “I’m having an old friend for dinner,” CASABLANCA has “I think this is the beginning of a beautiful friendship,” but what modern movie has a final line that belongs in that conversation?
Drop your picks. 🎬
They really don't seem to realise that hating on Snyder does not automatically mean approving of (or even caring about) Gunn or the current state of DC movies. People can just find Ferrara himself amusing.
Conveniently, Snyder getting similarly low scores on the bulk of his movies is meant to show that he's a misunderstood visionary
I'd accept a sequel to Alien: Romulus on the grounds that it pulls an Alien³ and unceremoniously kills off one of its surviving leads at the start of the movie.
All I'll say is that I've managed to watch every Halloween at least twice, which is something I seriously doubt I could do for Scream 7
Stage Fright (1950) is a serviceable Hitchcock thriller, bouncing between a variety of modes without ever really transcending into something better. Great ending, though.
Rewatched Ace Ventura for the first time since I was a kid. Even without now being able to tell what's going on with *that* third act, it's a relentlessly obnoxious movie. At least The Mask has Carrey dialing it down half the time.
Rewatched Carlito's Way for the first time in 20 years, which feels appropriate for a film that's as focused on making up for lost time as this. Definitely won't wait so long for the next rewatch of what is definitely one of De Palma's masterpieces.
Rewatched Jason Lives. Going to consider this my favourite of the F13 movies because it finds a decent hook with which to change up its predecessors' generic slasher antics without getting too silly like its successors.
Rewatched Invitation to Hell. Still a passable enough telemovie thanks to Craven and his particular knack for exploring the ugly side of suburbia, but really only for completionists.
Crocodile (2000) is a contender for the worst Tobe Hooper film I've seen. At least Eaten Alive had a sense of personality to its killer-croc antics compared to this generic spring-breaker bullshit.