R-Typography (@R_Typography) header
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A typeface designer from the far west.

Portugal
Joined March 2008
Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)Photo by R-Typography (@R_Typography)
Very happy to know that Flecha has been selected by the judges to receive the “Certificate of Typographic Excellence”. Big thank you to the Jury!
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Ah yes, the ornate serifs and ball terminals of Helvetica, made with hand and brush, promoted lovingly by the PR team at Monotype and rigorously verified by the editors at Print. printmag.com/typography/mono…
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The German court has ruled last month that Google Fonts is not in compliance with GDPR?
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In short: microblogging sucks
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👀Body Size = Optical Size
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Any examples of typefaces with an old style g and a one-storied a, come to mind?
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✂︎ Dodging balls
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R-Typography retweeted
Exactly a week ago we welcomed people from around the world to the Third Fontstand conference, and it was great. #FontstandCon2022
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Arrived at The Hague for the @Fontstand conference.
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Friends: When referring to a list or emperors, both male and female, do you say Emperors & Empresses, or just Emperors?
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Optical kerning is an extraordinarily destructive technological achievement …specially when a publishing house sets all their books in Times, with Optical kerning.
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Serifs are there to form a negative semioval on the side of vertical stems.
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