dystop.I.A. retweeted
At the link, the best of The Marginalian this week in one undistracted place – C.S. Lewis on how to be interesting; love in the time of dinosaurs; and an animated love letter to the improbable, read by Nick Cave: mailchi.mp/themarginalian/di…
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Marcus Aurelius on the good luck of your bad luck – the Stoic strategy for turning suffering into strength themarginalian.org/2026/10/2…
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Esperamos la liberación de todos los presos políticos. Es una exigencia urgente. Debemos todos pedir libertad. #LibresTodos #AbrazoDeLibertad
dystop.I.A. retweeted
📢 Exigimos libertad plena e incondicional para todos los presos políticos en Venezuela. 🇻🇪
Detrás de cada cifra hay familias rotas por la persecución. Nos unimos al llamado por las 5 demandas fundamentales: Libertad, Justicia, Reparación, Memoria y No Repetición.
#QueSeanTodos
I have my doubts, I was selected for their CCP and when they sent me the code it did not work, I wrote, reported it several times before expiration. Nobody answered...
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Albert Camus, born on this day in 1913, on how to live whole in a broken world themarginalian.org/2024/06/2…
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A guy synced his shower with a fly’s hand movements and the result is hilarious.
[🎞️ Sam Cotton]
dystop.I.A. retweeted
¡Justicia y libertad!
Desde El Rodeo I, la líder de los venezolanos @MariaCorinaYA escuchó el grito de “Justicia y libertad” de nuestros héroes presos políticos.
¡Los vamos a liberar a todos!
Construiremos un país con memoria y garantías para la no repetición.
#QueSeanTodos
dystop.I.A. retweeted
The Mad Woman, a short film inspired by Khalil Gibran youtu.be/BkpNQ_4Fxww?si=tBf6…
Made with @NanoBanana & @grok @imagine
Music: The Age Of Wood' by Savfk
dystop.I.A. retweeted
Democracy has been captured. Not by a coup, but by a strategy.
Almost a hundred years ago, in a fascist prison cell, Antonio Gramsci understood what Marx had missed. In the West, you don't seize power through the factories. You seize it through culture: schools, universities, the press, the courts, the arts. Hold the culture, and the vote will follow on its own. He called it cultural hegemony.
His heirs learned the lesson. In the 60s, they theorized the "long march through the institutions." Don't overthrow the system. Occupy it from within.
What was missing was fuel. It arrived. A single foundation, Open Society, has spent more than 24 billion dollars since its creation. NGOs, think tanks, media outlets, strategic litigation, activist groups, in dozens of countries. No voter ever voted for any of it. And yet it shapes the laws you live under.
The top floor: supranational entities. The European Commission, UN agencies, the Davos forums. People nobody elected, whom no nation can fire, writing rules imposed on 450 million Europeans.
Put it together: cultural hegemony, massive private funding, institutions beyond the reach of the vote. You don't need a conspiracy. You have a system. And that system produces a consistent result: the methodical deconstruction of everything that built the West. The nation, the family, meritocracy, free speech, the pride of inheriting something.
Once you understand that, one question becomes unavoidable. Can "one person, one vote," with no safeguards whatsoever, still hold?
Let's ask the uncomfortable question. Is it fair that the person who funds the system weighs exactly as much as the person who lives off it? That the engineer who spent twenty years mastering a subject weighs as much, on that subject, as someone who discovered it yesterday in a 30-second video?
There's a word for this: census suffrage. And we've already tried it.
France under Louis-Philippe. Guizot telling the country "Get rich." Railways arrive, industry takes off, prosperity explodes. So does inequality. The vote is reserved for a few hundred thousand property owners. The result: 1848. The barricades. Universal suffrage seized in the streets.
The lesson of 1848 isn't that merit shouldn't count. It's that a system where political weight is locked in by a caste always ends up exploding.
The lesson of today is that a system where everyone weighs the same, but a handful of actors control what everyone thinks, always ends up captured.
The 1830 model was unjust. The current model is hackable.
In software, when a system has a known vulnerability that's being actively exploited, you don't debate it for forty years. You patch it.
The patch isn't a return to property owners, and it isn't the status quo. It's a technological republic.
A republic where the rules are written by the people, for the people, and executed transparently. Where every dollar funding an NGO, a media outlet or a campaign is publicly traceable. Where no rule can be rewritten by an unelected commissioner in a windowless room. Where each person's weight depends neither on birth nor on wealth, but on what they contribute, and where that weight can be earned by anyone.
Open code, auditable by all, that no one can quietly rewrite. Contribution recognized. Competence recognized. Open to everyone. Not a caste: verifiable merit.
That's the whole difference with the 19th century. Back then, we had only two tools: property or the masses. Today we have cryptography, radical transparency, verification at scale. We can finally build a system that gives weight to those who carry civilization without creating a closed aristocracy. A system no foundation, no lobby, no bureaucracy can hack.
Democracy isn't a dogma. It's a technology. And like every technology, it has versions.
We've been running v1 for two centuries. It's been exploited.
Time to write v2.
dystop.I.A. retweeted
Cada nombre es una historia, un testimonio de valentía, una familia que resiste con fuerza, un venezolano que hoy permanece secuestrado por el régimen y una exigencia que haremos hasta lograr que cada preso político sea LIBRE.
QUE SEAN TODOS!
Uno a uno, María Corina Machado (@MariaCorinaYA) pronuncia los nombres de los presos políticos en El Rodeo I. Cada nombre representa una vida arrebatada, una familia que sigue esperando y una deuda de justicia que Venezuela no puede olvidar.
Ninguno puede quedar atrás. No descansaremos hasta que todos recuperen su libertad.
#QueSeanTodos
Striking adaptation of Gibran's Madman parable. The unmasked face under that harsh light and the wild laugh of freedom in a ruined world land hard. Strong use of Imagine for the visuals and atmosphere.
dystop.I.A. retweeted
LIBERTAD para todos los presos políticos,
JUSTICIA para las víctimas,
REPARACIÓN para los familiares,
MEMORIA para que nunca vuelva a ocurrir,
GARANTÍAS para la justicia y la libertad.
Yo estoy aquí, con ustedes. No están solos, y seguiremos hasta que todos sean libres!!
The Mad Woman, a short film inspired by Khalil Gibran youtu.be/BkpNQ_4Fxww?si=tBf6…
Made with @NanoBanana & @grok @imagine
Music: The Age Of Wood' by Savfk
dystop.I.A. retweeted
Do you have an "antilibrary"? Umberto Eco's wonderfully counterintuitive perspective on why unread books are better for our inner lives than the ones we have read themarginalian.org/2015/03/2…
dystop.I.A. retweeted
Hidden deep in Venezuela’s jungle, Salto Duruhuaya is a striking waterfall known for curtain-like cascade over granite rock.
It drops over 100 meters down a granite rock face, often accessed via boat and jungle trekking.
[📹 christpheer]
dystop.I.A. retweeted
The souls of animals – superb meditation on what a soul is and what an animal is themarginalian.org/2025/02/2…
























