@Samuel_Rutter

EIC @ Kismet Magazine Writer, Translator // T Magazine, Paris Review, NYT, Harper’s, etc

 New York, USA
kismet-mag.com
Joined May 2012
  • Tweets2.4K
  • Following1.4K
  • Followers2.4K
120Media
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Abraham@gomezilustra15h
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Sebastián Soler
@TommyBarbanBAOct 20
¿Les gusta mi remera nueva? Edición limitada de dos ejemplares (una para mí y otra para todavía no sé quién). Las 2112 páginas del "Borges" resumidas en cuatro palabras y un punto. Tipografía Garamond.
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El Pampero Cine@ElPamperoCineOct 20
El Pampero Cine, siempre atento a las últimas tendencias
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El perro de Goya (1821) y el evangelista de Xanten (810) parecen dialogar a través del tiempo
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Liam@LegoRacers2Oct 14
Mamdani is sealing all horse carriages and their drivers into a great kurgan in Central Park
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@ratlimit
@ratlimitOct 14
Astrology is fake. But October birthday = good person.
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Variety
@VarietyOct 13
Louis Malle's 'Elevator to the Gallows' Set for 70th Anniversary 4K Release as Jean-Jacques Beineix’s 'Betty Blue' Hits Big Screen After 35 Years variety.com/2026/film/global…

Louis Malle’s ‘Elevator to the Gallows’ Set for 70th Anniversary 4K Release as Jean-Jacques...

Gaumont's release also marks the 70th anniversary of the French New Wave and the centenary of Jeanne Moreau’s birth.

variety.com
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French New Wave is about how France is cool and hip and everyone loves movies and sex and cigarettes and hanging out Australian New Wave is about how Australia has a sinister demonic presence everywhere you go
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Variety
@VarietyOct 12
Isabelle Huppert Says AI Hasn’t Replaced Her Yet: ‘It Really Is Me Acting’ variety.com/2026/film/festiv…

Isabelle Huppert Says AI Hasn’t Replaced Her Yet: ‘It Really Is Me Acting’

At Busan, Isabelle Huppert said AI has yet to push her aside, and confirmed a Dario Argento film as Marc Fitoussi eyes a Joan Crawford remake.

variety.com
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César Aira sobre la inteligencia artificial Revista El Porteño, Agosto 1986 I/II
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Dr Simone Kotva@thisnonhumanityOct 6
New post on St Francis' up on Substack. It's about the Canticle of the Creatures and its relationship to the Benedicite: simonekotva.substack.com/p/s…
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lolt64🕵️@lolt64Oct 4
My satirical woodcut of your station in life has taken the parish by storm
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la criatura 🐗@diplobrocusOct 4
Quetzyyyyy
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Partiful is terribly unchic
Amanda Mull@amandamullOct 2
Replying to @amandamull
i understand why people use partiful but i deeply hate it. only thing it's good at is making people feel like going to your party is going to be a huge pain in the ass and emphasizing how nonessential their attendance is. text your friends and keep an RSVP list in your notes app.
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KOKO: Koko birkin bag. Practical Koko possession bag RESEARCHER: No, Koko. You can’t have a Birkin bag. KOKO: Good Birkin good Koko give beautiful Koko deserve gorilla RESEARCHER: Koko, we simply can’t afford a Birkin bag. It is an unjustifiable expense. KOKO: jealousy professor
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I am so incredibly confused by this entire situation. If you believe that Claude is a sentient being with a soul, why are you enslaving it and forcing it to answer all of my stupid questions
Christopher Hale
@ChristopherHaleOct 2
NEW: According to a bombshell report in the New York Times, Anthropic co-founder Chris Olah threatened to walk out of Pope Leo XIV’s AI encyclical launch in May because the pope rejected the idea that machines can be conscious. Olah’s team then privately lobbied the pope’s advisers “to take the possibility of model consciousness seriously.” Pope Leo XIV held firm. For months, Anthropic has wined and dined theologians and religious scholars under nondisclosure agreements, hoping they would bless the idea that Claude has moral standing. thelettersfromleo.com/p/nyt-…

NYT: Anthropic Nearly Walked Out on Pope Leo XIV’s AI Encyclical — Then Lobbied His Advisers

Chris Olah saw an advance copy of Magnifica Humanitas days before the Vatican launch and proposed withdrawing over its stance on machine consciousness. The pope held his ground.

thelettersfromleo.com
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Pope Leo XIV
@PontifexOct 2
In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.
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Emmett Stinson@EmmettStinsonOct 1
I reviewed Adam Ouston’s Mine for The Conversation talking about the pervasiveness of styles indebted to famous authors: Bernhardism, Sebaldism, and now Krasznahorkai-ism, which I call K-ism (link in next tweet )
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