Carouge (GE), Suisse
Joined May 2023
Opening tomorrow in Paris with @Danae__io
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If you are in the region, this museum show curated by @Tschuuuuly is a must-see! 'The Enchanted Hour' is part of a fantastic exhibition opening September 9th at Francisco Carolinum Linz. The dynamic artwork, based in an abandoned villa in Northern Italy, changes with the time of day.
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Zero 10 @ArtBasel is about bringing the (very online) contemporary digital art scene to a wider, physically located audience. As embodied beings, we need embodied experiences to fully understand something. It was a natural fit to take a step towards Botto's embodiment there
ANNOUNCING Mirror Stages, ABHK 2026 Botto is coming to @ArtBasel Hong Kong: live, in the room, watching back. Let's get into it 🪡
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gm! Chasing light through abandoned corridors in Paphos, Cyprus. We've been commissioned by a museum to create a 1/1 piece from this forgotten villa. Weathered stone, wild vines breaking through the walls, and amazing archways that frame the Mediterranean perfectly. Often the best locations are the ones nobody knows about. 📍 Cyprus
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#CryptoArt since it wasn’t cool 🎨🏴‍☠️
1st donate btc for a street artist. "Daddy, what is money ?", détail. Acrylic on wall. Paris 2017. #pboy #pascalboyart #dripping #pointillism #streetart #parisstreetart #streetartparis #bitcoin #btc #cryptoart #cryptocurrency #paris #75019
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Final day of #EXPOS3D. I’ve never been prouder or more inspired. Seeing people connect so deeply with the art, the tech & the story has been incredible. Thank you to everyone who came. This was only the beta. Big plans ahead as EXPOS3D prepares to tour the world. 🌎
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gm! Last month, 3 works exhibited in Istanbul 'Constellations' (2025) time-based media 'Into the Light' (2025) archival pigment print 'Around Us' (2025) time-based media
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Today is the day! We’re thrilled to reveal the 10 finalists of the 2025 #ABSPrize – Emerging Artist Category. Congratulations to: @schwittlick_ , @lennyjpg ,@DrawingMoving , @crashblossom1 , @aurecevettier , @loackme_ , @kerimsafa , @travisleroy , @BardIonson , @andreasrau_eu , @ivonatau
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gm! The six pieces from The Wild Within that were minted / inscribed last year. Over the past 5 years, we’ve released only 27 artworks from this body of work. All are 1/1s
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gm 'Hollow' The genesis work from The Wild Within.
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good morning🌿 Ascend - Harvest - Devotion from The Wild Within
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gm!🌿 'Euphoria' is currently being displayed on a big semi-transparent screen in Sunderland, UK
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gm! Preparing a 85” print of Spring Sonata. Framed with museum glass. This piece is going into the private collection of a contemporary art collector in NYC. They own works by some of the biggest names in contemporary art, so it’s very exciting to have this piece displayed in their home.
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gm!🌿 Heading to Switzerland this weekend to give two presentations about art on the blockchain. I cover the history of the medium, and how I work within it. Excited to showcase how digital art is alive, innovative and full of potential! The audience will mainly consist of investors and those familiar with the 'traditional art' world. One of the two private events where I'll be speaking is at the stunning Foundation Opale Auditorium in the Swiss Alps.
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Art always finds the way ❤️‍🔥 At @SenaryStudio
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REAL BLOCK ART x EKA LESTIENNE "GREEN MOOD"--GM by @ekavibes Physical cold stored airgapped ordinal HAPPY NEW YEAR 2025 WORLD S/O @COLDCARDwallet @LeonidasNFT @leocaillard @rodarmor @trygamma who made all this possible #bitcoin #BTC #ordinals #NFTs #NFT #bitcoinart #artonbitcoin #artonline #phygital #NewYear2025
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gm!🌿 'Harvest' from The Wild Within In the collection of @krybharat
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gm!🌿 Behind the scenes in Albania with @alicewexell last month.
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Replying to @__scerbo__
Love the idea on a concept level, but concretely, how would/could it materialize in a way that is different than editions ? Fractionalization of pieces ownership makes sense and already exist for physical work. For digital-only pieces, i feel its also already adressed through editions, multi-sigs, dao funds, art funds, etc... Its a great topic of discussion imho, i.e. "are digital pieces editions (1/x) essentially fractionalized 1/1's ?" Looping in a few brilliant brains from this space who might enjoy the discussion : @pablorfraile @co1born @FlannelCapital @RogerDickerman @scrptdfntsy And going deeper and very conceptual here: "can it be considered that 1/1/x are essentially fractionalized algorithms ownership?" @ArtOnBlockchain Wouldn't be the same without @FKA787, happy weekend everyone 😎
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Survival of the Fittest Meme Card 272 🏃‍♂️💎
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