1x Euro champ , 5x World Champion, 1x honors champion 1x pure champ 2x tv champion 1x international champion 3x United States champion.WISH YOU WAS HERE
Somewhere on earth
Joined December 2023
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”Showtime“ Ray Andretti retweeted
Oh no.
No no no no no no no.
What a tremendous talent and even finer human being. My most profound condolences to all who knew him. A truly terrible loss!
”Showtime“ Ray Andretti retweeted
Okada on Ciampa's challenge for All Out:
“Tommaso Ciampa is a BITCH.”
*immediately gets destroyed by Ciampa*
😭😭😭
”Showtime“ Ray Andretti retweeted
Kofi & Austin Creed just posted this video of two Unicorns escaping the CIRCUS they were held hostage at. With emotionally leaving behind their brother, Big E. ❤️
THEY FINALLY BECOME FREE AGENTS THIS WEEKEND. 👀
”Showtime“ Ray Andretti retweeted
it’s gonna be weird seeing him on screen not calling niggas ancient slurs
Marvin Jones III’s Tombstone will reportedly have a small role in ‘SPIDER-MAN: BRAND NEW DAY’
(via @Cryptic4KQual)
”Showtime“ Ray Andretti retweeted
To answer this question quickly:
WWE does not own the composition or the master recording of “S.O.S.”
The song appears on WWE compilation albums because WWE has obtained a specific license allowing them to use and distribute the track within those particular releases. This does not transfer ownership.
So who is the official rights holder?
@CollieBuddz is one of the main rights holders of the composition, along with his publishing company.
Therefore, any external party — including @AEW and talent such as Kofi Kingston (@TrueKofi) — would need to secure a proper synchronization or usage license from the rights holders.
Kofi Kingston is credited among the songwriters of the track, although he is not listed as the primary writer or performing artist. This suggests a supporting or partial contribution within the composition rather than full authorship or ownership of the work, so a good relationship can exist between the two and facilitate obtaining the license.
This is not a case of ownership transfer, but rather a structured licensing system where usage is granted for specific contexts while rights remain with the original creators and publishers.
”Showtime“ Ray Andretti retweeted
For the past 16 years, WWE has been my home. It’s where I grew up, found myself, failed, learned, and got to live out things the younger version of me could only dream about.
When I first walked into FCW, I just wanted a chance to prove I belonged and to bring something different to professional wrestling. That chance became a life full of moments I’ll carry with me forever — WrestleMania, championships, King of the Ring, arenas around the world, and the gift of connecting with all of you by being myself.
The New Day gave me a bond with @TrueKofi and @WWEBigE that I’ll cherish for life. You believed in us, even when our ideas were wild, and because of that, we got to show people that being unapologetically yourself is a strength.
UpUpDownDown became another piece of that same mission: a place for joy, friendship, and humanity. I’m so thankful to everyone, past and present, who helped build it brick by brick.
To the locker room, producers, trainers, crew, camera teams, ring crew, everyone behind the scenes, and the props department - thank you. WWE has the most special and hardest working props department that youll ever find. Love you guys and none of this happens without you.
And to everyone who has been part of this ride: thank you for believing in me. Thank you for letting me be Xavier Woods. Thank you for giving me the confidence… to walk away as Austin Creed.
