刚刚进球了，但我在玩多邻国。没看到，但是就是在我眼前这个球门进的

结束，Opus5.5 做简历绝了

提示词： Seedance 2.5 Prompt: Create a 15-second, 16:9, playful nonverbal character comedy in one continuous shot. CHARACTER AND STYLE Use @[char ref] as the exact reference for the dog’s identity, costume, proportions and illustration style. Inherit the character design only; replace the reference background with pure white and animate a new performance. Preserve the red-and-white anthropomorphic dog: bright red fur; white muzzle, cheeks, neck, hands and tail-tip; large expressive brown eyes; rounded black-and-red canine nose; fluffy red ears; expressive canine mouth; and fluffy red-and-white tail. Preserve the complete outfit: red tailored jacket, matching waistcoat and trousers, white dress shirt, patterned red necktie, white pocket square, and glossy dark-red lace-up dress shoes. Maintain the reference’s painterly brush texture, sharp graphic shapes and dimensional stylized anatomy. Keep the same face, fur markings, body proportions and costume throughout, including during turns and strong perspective foreshortening. The ears retain their original design, length and fur pattern while naturally lifting, drooping and swaying with emotion. Hands retain the reference anatomy while gripping and gesturing. FIXED CAMERA AND POP-OUT COMPOSITION Use a stationary, level camera with a fixed wide-angle lens. No cuts, camera movement or zoom. Begin with the dog centered at a comfortable distance, his face and torso prominent, with room for forward hand gestures and the final knee lift. The scene has a seamless pure-white background and white floor. Two solid black horizontal bars occupy the top and bottom 15% of the output. Both bars span the full width and remain identical in size and position throughout. Layer order, back to front: White background and floor. Static black bars. The dog and every gift he holds. The white scene is visible only within the central picture window. The foreground dog and gifts can overlap the black bars. Whenever a hand, sleeve, gift, shoe, leg, head or ear crosses an inner picture boundary, its silhouette and original colors continue uninterrupted OVER the black surface. The inner edges of the bars do not crop the foreground. The bars are screen graphics, not physical objects. They never bend, slide, shake, open or react to contact. Foreground movement only hides portions of them. When an overlap withdraws, the same unchanged black surface is revealed. Keep visible black areas beside the overlaps so the pop-out effect remains readable. PERFORMANCE AND PROP RULES The dog offers gifts directly to the unseen viewer. After each offer, he looks into the lens, waits briefly, and reacts as though politely rejected. The rejection is communicated only through his own expression. No viewer hands, camera nods or external rejection signals. Keep his face readable inside the central white window during the gift offers. Hands, sleeves and gifts extend toward the lens and overlap the lower black bar without covering his eyes. Use natural blinking, expressive eyebrows, small head tilts, canine muzzle expressions and subtle ear movement. Each offer has one clear emotional change. Present only one gift at a time. The flower, coffee and gemstone enter from the same side edge of the output and are visibly carried back through that edge before the next gift appears. The cat follows the separate exit described below. Objects remain intact and recognizable. They do not transform into one another or disappear while still held. CONTINUOUS PERFORMANCE TIMELINE 0.0–2.5 SECONDS — FLOWER The dog retrieves a single flower from offscreen and offers it toward the viewer with a warm, hopeful smile. The flower, furry fingers and red sleeve clearly overlap the lower black bar. He looks into the lens. His smile fades into puzzled curiosity; one eyebrow rises and his head tilts slightly. He gives the flower one small encouraging forward nudge, then forms a tiny disappointed pout. He retracts the flower and carries it completely offscreen through the side edge. 2.5–5.0 SECONDS — COFFEE He retrieves a coffee cup, holding it securely by the handle. His confidence returns. He extends the cup toward the lens. The cup, hand and sleeve overlap the lower black bar while his face remains visible. After a brief expectant look, he glances at the cup, then back at the viewer. His eyebrows lift, his ears droop slightly, and his shoulders make one small resigned drop. He carefully withdraws the cup and carries it completely offscreen without spilling. 5.0–7.5 SECONDS — JEWEL His eyes brighten with a new idea. He retrieves one large sparkling gemstone and presents it on an open furry palm. The gemstone, fingers and sleeve visibly overlap the lower black bar. He looks proudly from the jewel to the lens. His confidence changes into silent disbelief: widened eyes, raised eyebrows and a briefly open canine mouth. He closes his mouth into a restrained frustrated pout, retracts his hand, and carries the gemstone completely offscreen. 7.5–10.5 SECONDS — CAT He retrieves a small cute cat and supports its chest and hindquarters securely with both hands. He proudly presents it toward the viewer. The cat’s paws and fluffy body, together with his hands and sleeves, overlap the lower black bar. The cat blinks and gently moves its paws. After another expectant look into the lens, his delighted expression collapses. He looks at the cat, then the viewer, then back at the cat with an incredulous squint. He turns slightly and gives the cat a gentle, short backward toss close to the floor. The cat lands safely on all four paws behind him, briefly visible beside his body, then trots completely out through a side edge of the white scene. 10.5–14.0 SECONDS — HIMSELF With both hands now empty, he turns back toward the viewer. His frustration changes into a mischievous idea. He raises one index finger beside his head in a “one moment” gesture. The fingertip briefly overlaps the upper black bar. He lifts one knee and extends his leading dress shoe toward the lens, clearly OVER the lower black bar. Natural foreshortening makes the shoe appear larger as it approaches. He shifts his weight forward and follows with his body, creating the illusion of stepping out of the framed picture into the viewer’s space. His leg, trousers and jacket overlap the lower bar. As he approaches, the top of his head and ear tips overlap the upper bar. His face remains readable in the central window. The black bars stay perfectly straight and stationary behind him; he does not push, break or move them. 14.0–15.0 SECONDS — FINAL HOLD Finish in a close medium framing, with his face and both open palms clearly visible. He presents himself as the final gift, raises his eyebrows, slightly perks his ears, and gives the viewer a cheeky, hopeful smile. Keep his head or ear tips overlapping the upper black bar and his lower body overlapping the lower bar, with black still visible on both sides. Hold this readable final pose with natural blinking, breathing and subtle ear movement. Communicate the hopeful question entirely through expression; do not mouth words. GLOBAL CONSTRAINTS AND AUDIO Keep the performance brisk and continuous, with brief readable pauses after each offer. No slow motion or frozen expressions. No dialogue, narration, whispering, human vocalizations, lip-sync, sentence-like mouth movements, subtitles, captions, speech bubbles or other text. No character redesign, costume changes, extra accessories, duplicated limbs, distorted hands, changing prop shapes or transitions between rendering styles. Audio contains only subtle prop handling, suit-fabric rustling, dress-shoe footsteps and one brief natural cat meow. No dog barking or background music.