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“The universe is a continuous web. Touch it at any point and the whole web quivers.” – Stanley Kunitz, American poet
aron retweeted
For the first time, we can converse with computers about our intents.
@serensandikci and @hyperseref (co-founders of @indexnetwork_) shared their vision for the first intent graph for social coordination.
It works like this:
► People express intents in natural language ("find: others learning modular arithmetic, founders who like jazz, investors exploring ZK")
► Intents are stored privately (and contextually)
► AI agents ("context brokers") recommend mutual matches, in the "fastest" routes
► Agents stake financial claims on predictions – correct matches get rewarded, wrong ones lose stake
The theory is contextual integrity in a noisy web. A middleware layer for social intent fulfillment. A private discovery engine for finding your people.
They’re looking for community ecosystem partners and hiring AI and full-stack engineers to bring Index to life. Curious interns also welcome.
Say hello: [email protected].
Louder for the people in the group chat. Such an eye opening read by @nayafia exploring the emerging phenomenon of antimemetics. Released by the Dark Forest Collective on @metalabel_ darkforest.metalabel.com/ant…
aron retweeted
This is the Creative Century
We’re now 25 years into the 21st century — 25% through.
What will define it?
The internet? Cell phones? AI? Sure.
But there’s another one: creativity.
Few ideas have reshaped our world more this century than creativity.
We think of it as an eternal ideal that’s been with us forever. That’s not the case.
The word “creativity” entered the dictionary in 1966. Yes, 1966.
The concept was first developed in the 1940s by Defense Department researchers trying to identify independent thinkers for leadership.
At the same time, social scientists and advertising executives were searching for a postwar ideal: a way to motivate and fulfill people in a newly consumer-driven America.
Their solution? A democratic form of genius that everyone could aspire to: creativity.
Schools were remade in this image. So were businesses. Entirely new ways of thinking.
Eighty years later, creativity shapes everything — from how we work to who we want to become. Kids today don’t want to be astronauts — they want to be creators. And unlike astronauts, they can actually become one.
For all the power of creativity today, there’s one flaw: the current model is built around individuals.
There are no structures to help creative people become something bigger than themselves.
That’s the gap that Metalabel exists to fill. A new operating system that helps creative people cooperate rather than just compete. Release projects together. Share credit, earnings, and purpose.
The forces reshaping the 21st century are creative ones. Imagination, reinvention, and self-expression are the hallmarks of our time.
Even more than our technologies or our fears, creativity is the force that defines us.
aron retweeted
so thrilled to share that after 18 months in private beta, @wwwsublimeapp opens its doors to everyone today (!!)
save one idea
discover 100 more
it all starts with a single save
come play
sublime (dot) app
aron retweeted
Ghost context (h/t @Skelt) is the shared reference point we don't know about
You see several of your favourite books on somebody's bookshelf - instant connection
But we usually don't get that opportunity
How can we surface ghost context better?
(besides stickers on laptops)
aron retweeted
What is onchain media?
It’d be tempting to define it as:
“Media in the form of text, audio or video that’s put onchain”
But that would be a very naive definition that probably wouldn't stand the test of time.
Online media domino
Imagine it’s 1997, and I’m about to write an essay about online media. What would I say?
Probably something like:
“Thanks to the Internet, we now have two types of media. Offline media that we know well - like newspapers, TV stations, and radio. And online media where you put text, audio & videos on the Internet, a.k.a. online, hence the name “online media.”
But that would be a pretty shortsighted definition. Because it’s not only about where the media is stored (online vs. offline) but also about the new format this storage unlocks.
Online magazines aren’t just PDF scans of offline magazines - they offer an entirely different format. Articles are longer because they’re not constrained by the newspaper’s length. They have more images for the same reason. They have videos. And hyperlinks that connect them with other sources.
That’s definitely more than just “putting text on the Internet.”
And, as we know from “Creator Economy 101,” it was just the first piece of the domino.
Online media not only changed the format but also changed distribution. Since everyone had a digital printing press, ideas could be distributed more permissionlessly.
For the first time ever, you didn’t need to work your way up in a newspaper, TV station, or radio to reach millions of people. Everyone - with enough skills, work, and luck - could become a writer, YouTuber, or podcaster. And some outliers like MrBeast get more views than Superbowl.
In the meantime, social media arrived, which made online media interactive - people could comment on every piece and the discussion became often more important than the original content.
It gave even more power to the people, as everyone could now share their opinion on the posts by journalists, scientists and politicians.
This move also opened the golden era of free speech, where Twitter threads, 4-hour podcasts and 40-page long articles let us share our perspectives without being cut off by the TV presenter.
And although the media world is still imperfect - we all heard about YouTube, Facebook, and Twitter censoring and shadowbanning users - our media sources are way more decentralized than they were in the 90s.
So, an innocent move such as “putting text, audio, and video on the Internet”, changed the world.
Skeuomorphic phase of onchain media
Okay, so let's get back to onchain media.
If I were to reiterate the definition, I would say that:
“Onchain media takes the form of text, audio or video that’s put onchain and uses blockchains’ strengths to create a new format of content.”
And what could this format be? What would be the “hyperlinks, printing press, unlimited length & interactivity” of onchain media?
Hard to tell.
We have already explored obvious paths such as token-gating access to articles and videos, following the content edits onchain, integrating seamless payments, creating memes around the idea by the memecoin holders' communities, and increasing support of citizen journalism.
But I think we are still in the “Let’s put this PDF article online” era.
So please experiment, try, and break things. Let's see how media can change based on your onchain history. Let's use tokens to design incentives for journalists to stay objective. Let's use ledgers to track the provenance of ideas, so we know who started the chain of thoughts.
The onchain terrains are still wide open for trailblazers. Who knows, maybe you will be the one who discovers a format that will define the next decades of human communication.
Let's end the skeuomorphic phase of onchain media.
PS: And if you do it, please share your discoveries on @KiwiNewsHQ.
Thoughts based on the Broadcast panel at @dappcon_berlin‘23 with @katalunia030, @f1l1b0x & @rafathebuilder.
aron retweeted
Incredibly stoked to get this out the door 💫
It's been special seeing people create with artist-owned models so far and we're about to see a whole lot more!
aron retweeted
Today we’re releasing a new model for creative work
Metalabel is a new space where creative people can come together to release, sell, and exhibit creative work in groups we call labels
aron retweeted
.@KiwiNewsHQ Weekly #32 is out!
This time top links were picked by @timdaub , @mishaderidder, @ccarella , @pedrovilelaeth, @gigabvgatti, @carl_cervone, @DestinerX, @Skelt, @annoushka, brice3.eth, @freeatnet & @frotograf
What's inside this edition (link at the end) 👇👇
aron retweeted
Just before the new year** @broskoski on tuning your radar towards the things you love...
are.na/blog/here-for-the-wro…
Such an honor to have my recent piece listed among @viamirror’s favorite writing in 2023. Several writers on here who I admire + many others whose words I am excited to sit w/ over the holiday. Hitting publish is rare form for me, but this platform + community are a chef’s kiss.
Replying to @viamirror
Be sure to collect some of our favorite writing on Mirror in 2023 at the end of the post!
@riotgoools @latticexyz @stenkirsten @Skelt @jiayaoqi @fredwilson @MRJRHDZ @ugo_digi @w1nt3r_eth @PayPal @K41R0N @GilbertAgain @0xTranqui @daataart @notscottmoore @RikaGoldberg @Cooopahtroopa @Alex_Siber @liamzebedee @strollinghome @apolynya
aron retweeted
Mirror is in many ways an anticipation - a reaction - to tech and media trends of 2023. Entries are collectable, ad-free, and stored permanently online.
But what about the writing itself? Amidst GPTs and algo-curated feeds, would it become obsolete?
dev.mirror.xyz/TfZFZz9KxuDBB…
aron retweeted
Issue #2.
Added 2000+ new subscribers last week. Writing letters in collaboration with @paragraph_xyz with collects on @BuildOnBase.
Tune in for a signal from the UFO network.
paragraph.xyz/@ufo/issue-2
aron retweeted
Summoning the imaginative 👻 We recently announced a remix contest for writers + artists. Winning entries will receive .13 ETH (~$290 USD), a @Folklore_0x season pass + a copy of The Curious Human's Field Guide to the Future by @Radarxyz! Contest deets: mirror.xyz/aronshelton.eth/z…
aron retweeted
Our Centaur Future is here.
centaur.radardao.xyz/
























