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The online update for Felix Forrest SOC the Award Winning Cinematographer, MK-V AR & Ωmega Revolution, SteadiSeg & Steadicam Owner Operator. Filmmaker.

London, UK
Joined December 2008
Felix Forrest, SOC retweeted
"At the start my legs didn't feel very happy but I soon got into it." - Olivia Forrest of Brentwood Beagles AC after winning the U15 girls race at the @CrossCardiff by an impressive 31sec.
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Olivia Forrest won the U15 3000m in 9:32.47, a PB and the fastest in the UK in the age group this year.
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Felix Forrest, SOC retweeted
Well said @EilishMccolgan - giving access to #athletics (and any sport) to those that can’t afford it is fundamental to ensuring that everyone can have a go & find their way of staying healthy. Our door is always open to those who can’t self fund - just ask [email protected]
In her debut BBC Sport column, Eilish McColgan tells how the support she received as a young athlete has made her determined to help others in that situation.

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There is no shortage of art that goes into a film. So many aspects of film are their own artform entirely. Among the most recognisable and apparent of these artforms is cinematography... 10 Films Whose Cinematography Perfectly Matches Their Concept bit.ly/36jxT8d
One of the best elements of ‘The Irishman is the cinematography. There's so much camera movement here, and when you’re hooked on the screen for over three hours, you’re really pulled deeper into the story... Deconstructing the Oner from 'The Irishman' bit.ly/39t52Au
The best cinematographers create a unique world in their films making them stand out from the rest. The films on this list try to make every frame a masterpiece... 10 Visually Striking Films You May Have Never Seen bit.ly/2Vh2QUl
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The title page the script for The 40-Year-Old stated “A New York Tale in Black and White.” Cinematographer Eric Branco took those words to heart, shooting the Netflix production almost entirely on Kodak Double X film... bit.ly/3mzcSfP
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Shot in two 80-minute single takes, filmed simultaneously in two different parts of a city, and presented in split screen, Last Call is groundbreaking. It has pushed realtime filmmaking to new levels... bit.ly/3o1I5IC
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Cinematographer Federico Pardo traveled to the Amazon during the height of the Covid-19 pandemic. In a recent interview he talks about the challenges filming during this period, and about the Life Cube project... bit.ly/37hJ0Oo
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Crops up every now and again, but after visiting the Kubrick exhibition last year and realising just what a feat they achieved, you can’t help but be further impressed at 2001: A Space Odyssey... How The Sci-Fi Movie's Effects Were Done Without CGI bit.ly/2VflQm2
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No Drama – kit lost through car theft. bit.ly/2TgQBpK
The 9x7 aims to democratize Giant Screen filmmaking. ... Meet the 65 Megapixel Cinema Camera Gunning for IMAX bit.ly/2ZGhSpn
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Keep ‘em peeled... Kit stolen in Barnes, London – 30/08/20
#RIP the awesome Ennio Morricone. What’s your favourite score of his? Mine is #CinemaParadiso hollywoodreporter.com/news/e…
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How the Coens Wrote Their Neo-Western Masterpiece 'No Country for Old Men' bit.ly/2ANvi9w
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Roger Deakins Podcast, Listen and Learn With A Cinematography Master bit.ly/3eh9lhF
Talking about Capote (2005) with Cinematographer Adam Kimmel bit.ly/2yjgdeP
How the Sony VENICE Evolved the Look of ‘Ozark’ bit.ly/2TrBfzc