Aspiring creative polymath | Former college teacher | Building multi-dimensional brands and writing newsletters through multiple interests

Joined November 2021
We were sold a strange idea of success. Earn more so you can buy the bigger house, so you need the bigger job, so you have less time to do the things that actually make you feel alive. Money was never meant to buy status. It was meant to buy back your time.
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You don’t have too many interests. You have a recipe nobody’s tasted yet. Stop apologizing for the ingredients and start cooking.
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Your weirdness is the only part of you an algorithm can’t copy. Write weird.
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There’s a version of you that writes for your boss, your ex, and your classmates from highschool. That version is sterilized. Nobody remembers a word it says. Write like none of them are reading. Most of them aren’t.
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Everyone online is now an expert on something they learned about over breakfast. A war by 8 AM. A new drug by noon. A collapsing economy by dinner. It’s rare to be the person who says “I don’t know enough about this yet.” I’d rather be that person.
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You can learn a little about someone from their bookshelf. You can learn a lot by asking what they’ve read twice.
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Writing what you actually think is terrifying. Anyone can summarize a podcast or repackage consensus thought. But typing the sentence that might make your old coworkers squint, your mom worry, and three subscribers leave? Most people spend their whole lives waiting for a “better" moment to do that. There isn’t one. Hit publish anyway.
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100 subscribers isn’t a small number. Put them in a room and it’s a wedding reception. A packed school gym. It’s more people than showed up to most poetry readings in history. Somewhere tonight, one of them is reading your newsletter in bed, nodding along. You don’t have an audience problem. You have a perspective problem.
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Giving a shit is the new bare minimum.
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The self-censored version of you produces content. The unfiltered version produces art. We feel the difference.
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People overestimate talent and underestimate consistency.
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You don’t need fewer interests. You need one project where they all work together.
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Write the weird thing. Not because it'll go viral. Because it'll find the eleven people who've been waiting for someone to say it.
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The paradox of being multi-talented is having endless potential, but feeling paralyzed by choice. So don’t choose one talent. Choose one project that blends them all.
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I spent years sanding off the parts of myself that were “too much.” Turns out those were the only parts worth reading. Let the un-sanding begin.
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Don't underestimate how much energy it takes to write what you actually think.
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Everyone chasing the same niche is fighting for the same readers. Blend multiple niches and you invent a category with no competition.
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I’m convinced this is the rarest skill on Substack: Writing clearly about something complicated. You’ve spent years with it. Your reader has had it for about 5 seconds. Write for the 5 seconds.
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Maybe all the random projects you started and put down taught you something you couldn’t have learned any other way. You’re not lost, you’re loading.
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The advice is always "pick one niche." Nobody ever says "combine two and own the intersection." That's where all the interesting people live.
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