๐ฌ โจ๏ธLas estrellas no brillan para indicarme cuรกnto falta para el amanecer.โจ๏ธ Shakespeare.
Joined April 2020
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Romina Mattioni retweeted
En "La tratta delle bianche" (Luigi Comencini, 1952), la miseria de la posguerra alimenta un sรณrdido trรกfico de mujeres. Entre bajos fondos, maratones de baile y atmรณsferas de cine negro, Comencini funde neorrealismp y relato criminal en una mirada รกspera sobre la desesperaciรณn.
Romina Mattioni retweeted
Mรกs neorrealismo tardio. En "Nella cittร lโinferno" (Renato Castellani, 1959), la cรกrcel de mujeres se convierte en un microcosmos de supervivencia, violencia y solidaridad. Anna Magnani y Giulietta Masina encarnan dos formas opuestas de enfrentarse a un mundo sin esperanza...
Romina Mattioni retweeted
Ciao Romina ๐คโค๏ธ, and thank you, as always, for your significant contribution to cinema, and to Italian cinema in particular. This film marks the directorial debut of Elio Petri; though not widely known, it is as memorable as everything else the director went on to create. It is an introspective crime film, a fake "giallo" really, with clear echoes of Hitchcock and Kafka. Yet, that is merely the surface. In truth, the director presents a harsh social critique, targeting the vices and degenerate behaviors of the average bourgeois Italian of that era: a person obsessed with the mirage of social climbing during the economic boom. As is always the case with Petriโs work, it is a political film; in this case concerning the absence of a collective social conscience. ๐๐๐
