🌎Cultural Programmer | 🏨Hospitality Enthusiast | 🧠 Mental Health Advocate | TBE Lecturing Series | Dom 🪢 | Performative Male 📕| ENM 🌹| Father 👴🏾
Atlanta, GA
Joined May 2013
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Man, s/o everyone who pulled up to “A house of memory” act I. I really hate I couldn’t be there due to showing up and create necessary memories in my own world. Because of a team I can trust, I have the space to pour back into the communities that shaped and raised me.
Demarco. retweeted
“I don’t think influence is something that flows in only one direction.”
Tite Kubo (@tite_official) drew 'BLEACH' every week for fifteen years, building a 686-chapter story that sold 130 million copies and set the template for countless other series and the modern fighting manga.
For our Issue 38 cover story, he talks about the ending he planned from the very first chapter, how Ichigo’s darkest arc took a toll on his own health, and the influence 'BLEACH' has had on a new generation of manga artists.
Read the full interview now:
hypebeast.com/2026/10/tite-k…
Demarco. retweeted
Prison bros need to come and expose the fitness industry. The brothers locked up ain’t drinking no huel or gold standard 😂.
Demarco. retweeted
The process to the build. Knowledge, the skill and the execution has to excellent.
Ladies and gentlemen, this is what we have been talking about on here. Just look at the details of this door!
I would appreciate more carpenters, weavers, carvers and painters doing Afrocentric work sharing it here so we can connect. A good number of people have been asking me where they can get magnificent work like this.
So if you are in Kenya and building or renovating, you have no excuse to go for a plain door or plain furniture when @Gakumo_Migwi shares work like this!
God is in the details.
Demarco. retweeted
"you’re not a good parent if you haven’t performed a little nepotism" shit ya know when you put it like that
Sylvester Stallone says that having his daughter in a major role in ‘TULSA KING’ Season 4 is absolutely nepotism.
“First they go, ‘Nepotism is terrible. I said, ‘Oh please, you’re not a good parent if you haven’t performed a little nepotism.' Then obviously you don’t care about your kids, because they come first.
Of course it’s nepotism, you idiot. That’s why we’re parents. We want the best for our children. So obviously, we let them have every advantage.”
(Source: usatoday.com/story/entertain…)
Demarco. retweeted
If we valued our art, we would embed it in our homes the way it used to be done - carved on doors, marked on walls, placed in compounds.
It would have been passed down. Every generation would have seen it and known that African architecture was never minimalist. There would be no argument, because the evidence would still be standing in the houses we live in.
We stopped putting it in. Then we started forgetting what it looked like.
We rarely put African sculptures, masks, carvings, or paintings in our own homes. Then we get angry when we see them in the British Museum.
At the same time, many of us still fill our spaces with things brought in through colonization. That does not line up.
If we actually used our own art in our interiors, the demand would be here. Artists and makers would earn from it.
The conversation about where the pieces belong would make more sense, because we would already be treating them as part of how we live, not only as something we defend after someone else takes them.
Demarco. retweeted
my gift to all the fashion + film lovers, a list with all the best fashion and fashion adjacent films: boxd.it/TdO5i
Demarco. retweeted
Gallerist Joeonna Bellorado-Samuels’s Brooklyn apartment is PERFECT.
[Images by Seth Caplan for Architectural Digest]
