AND GAZA HAS ITS TUNNELS Every society around the world has built monuments to declare who they are, reflecting their history, culture, achievements and pride. The Eiffel Tower, the Statue of Liberty, the Sydney Opera House and countless other wonders reflect humanity’s creativity, beauty and ambition. But what monuments did Hamas build in Gaza? Miles of underground tunnels, reflecting their obsession with hatred, war and destruction. Gaza could have become a beautiful Mediterranean paradise. Instead, Hamas chose tunnels and rockets over peace and prosperity. And today, we see the devastating consequences of those choices. Lyrics, Music and Artistic Direction by Yehuda Meitav

I was inspired to write this song by the movie The Matrix, particularly the choice between the red pill and the blue pill. I look at so many young people today, and I worry about the future they are creating for themselves. Too many have become caught up in distorted history, misinformation, and ideologies they barely understand. They believe they are fighting for justice, yet how many have stopped to question the slogans they repeat or the consequences of what they support? What troubles me most is that, while believing they are changing the world for the better, they may actually be destroying their own future. That’s why I wrote this song. If I could, I would offer every one of them the red pill and take them down the rabbit hole of reality. Through history, through suffering, through forgotten truths, and through the questions too many are afraid to ask. Not to tell them what to think, but to encourage them to open their eyes and discover the truth for themselves. Because before you change the world, you must first understand it. And before you destroy something in the name of justice, you had better understand what you’re destroying. Perhaps it’s time to take the red pill, before it’s too late. TAKE THE RED PILL Lyrics, Music & Artistic Adaptation by Yehuda Meitav

I wrote this song because I think it’s about time we opened our eyes and recognized what is happening around us. We see conflicts, destruction, political manipulation, the buying of influence, and the shaping of young minds through money and power. But how often do we stop to ask who is pulling the strings behind the scenes? I believe it’s time to recognize the real head of the snake. And I’m naming it: Qatar. For too long, we’ve been fighting the many heads without looking closely enough at the body connecting them. We see different faces, different organizations, different voices and different agendas. But what if the real power is hiding in plain sight? This song is my way of shedding light on what I see as a dangerous web of influence, hypocrisy and political manipulation. It’s sarcastic, it’s provocative, and it’s deliberately confronting. But beneath the music is a serious message: question what you’re being told, follow the money, challenge those in power, and never surrender your ability to think independently. It’s time to recognize the head of the snake. It’s time to seek the truth. CUT THE HEAD OF THE SNAKE Lyrics, Music & Artistic Direction: Yehuda Meitav

BRING YOUR LIGHT HOME — THE THIRD TEMPLE I wrote this song because I believe it carries an urgent warning to Jewish people everywhere, in Israel and throughout the diaspora. I believe that one of the greatest dangers we face today is not only the hatred directed at us from outside, but the division growing among us from within. We are weakening ourselves by forgetting the very thing that has sustained us for thousands of years: our unity with one another and our connection to God. We have become so occupied with our differences, our arguments, and our disagreements that sometimes we forget we belong to the same people, share the same extraordinary history, and carry the same responsibility. Our sages taught us that the Second Temple was destroyed because of Sinat Chinam — baseless hatred among our own people. And I wonder whether we are being given another opportunity to learn that lesson. I believe this is our chance to build the Third Temple. But if you imagine the Third Temple simply as a magnificent structure made of stone, I invite you to consider something much deeper. What if the Third Temple is actually us? What if every Jewish soul is a brick made of divine light? Each one of us carries a piece of something sacred. But scattered across the world, divided by hatred, those bricks cannot form the sanctuary they were meant to create. Only when we come together can those individual lights become something greater than ourselves. Not half of us. Not some of us. All of us. Those who live by faith, those who search through spirituality, those who question, those who struggle, and those who have travelled different paths. Every one of us has a place. Because perhaps God is not waiting for us to build Him a house of stone. Perhaps He is waiting for us to become the home in which His presence can dwell. And when we achieve that unity, we become a light not only to ourselves, but to the entire world. This is the choice before us. We can continue allowing Sinat Chinam to divide us, weakening the very foundation of our people, or we can choose Ahavat Chinam — unconditional love — and begin building something extraordinary together. The Third Temple, as I envision it, begins with every act of kindness, every reconciliation, every hand extended to another. Every soul is a brick of light. And every brick matters. I wrote this song to remind us that perhaps the calling we are waiting to hear has already begun. The question is not whether God is calling us to unite. The question is whether we are finally ready to listen.

BRING ME HOME The Story of the Bnei HaAnusim I wrote this song in collaboration with Yaffah Batya daCosta, who approached me with something she felt was urgent and deeply important. She wanted to bring my attention to a part of our Jewish family that many people around the world know very little about: our brothers and sisters known as the Bnei HaAnusim. But who are they? More than 500 years ago, during the persecution of Jews in Spain and Portugal, countless Jewish families were forced to choose between abandoning their faith, leaving their homes, or facing terrible consequences. Many were forced to convert to Christianity. Some continued to practise their Jewish traditions secretly, passing fragments of their heritage from parents to children, often at enormous personal risk. Their descendants became known as Bnei HaAnusim, meaning “children of the forced ones.” Today, centuries later, descendants of these families are rediscovering their Jewish roots. Many are seeking to reconnect with the Jewish people, reclaim their heritage, and, for those who wish to, find their way to the land of Israel. When Yaffah brought this story to me, I knew it was important enough to write a song about. Because to me, this is not simply a story about the past. It’s a story about identity, belonging, family, and the extraordinary resilience of the Jewish soul. I believe it is time to reach out to these long-separated branches of our family, embrace them, help them reconnect with their heritage, and support those who dream of returning to Israel. That is why we created “Bring Me Home.” My hope is that through music, we can give a voice to their story, awaken curiosity, open hearts, and encourage more people to learn about this remarkable chapter of Jewish history. Please, take a moment to learn who the Bnei HaAnusim are. Share their story. Help reconnect our people. And for those who wish to return, let’s help bring them home. Because after 500 years, their story deserves to be heard. BRING ME HOME Lyrics, Music & Artistic Direction by Yuda Meitav In collaboration with Yaffah Batya daCosta

THE TREE OF HER LIFE — עץ חייה After October 7, I walked among the burned cars and destruction at Nova and wrote about the Kabbalistic Tree of Life. Three years later, those words became a song. Our roots may be burned or broken, but our tree will never die. Its name is ISRAEL. Lyrics, Music & Artistic Direction: Yehuda Meitav © Yehuda Meitav

THE DEVIL WAS A PAINTER FROM AUSTRIA Lyrics, Music & Artistic Adaptation by Yehuda Meitav

1938 reminds us what happens when antisemitism becomes normal and people look away. WWII killed 70–85 million, including 6 million Jews murdered in the Holocaust. We cannot be complicit. My new song exposes humanity’s dangerous habit of scapegoating Jews. CHECK IT OUT!

My favourite 💜✡️💜

Hi everyone, Probably most of you don’t know this, but when I was a young man, I served in the Israeli army as a combat soldier. Back then, I fought a real enemy on a real battlefield. I could see the danger standing in front of me. Today, many years later, I find myself back at war. But this time, the battlefield is social media, and I believe this war is, in many ways, even more dangerous than the wars I fought as a young soldier. Why? Because this war is being fought for the hearts and minds of millions of people around the world. Lies, misinformation, and hatred against Israel and the Jewish people spread faster than ever, shaping public opinion and turning ignorance into hostility. So here I am again, an older soldier, perhaps with a few more wrinkles, but with the same determination I had when I was young. Only this time, my weapons are not guns or bullets. My weapons are music, art, creativity, social media, and above all, THE TRUTH. Every song I write and every video I create is another attempt to challenge the lies and bring some light into the darkness. But I cannot fight this battle alone. I need all of you to join me, to question what you hear, share the facts, challenge misinformation, and stand together against hatred. The soldier inside me has never retired, and as long as I have a voice, I intend to use it. So here comes my latest musical response from the battlefield of social media. No missiles, no bullets, just truth, music, and a little Israeli chutzpah! SHTAAYIM! SHALOSH! SHAA GER! TWO! THREE! LAUNCH!

Hi everyone, I wrote this song because I was absolutely horrified when I saw celebrities walking down the red carpet, smiling for the cameras, proudly wearing those little red-hand pins on their expensive outfits. Do they actually know what that image brings back to the minds of so many Israelis and Jews? On October 12, 2000, two Israeli reservists, Vadim Nurzhitz and Yossi Avrahami, mistakenly entered Ramallah in the West Bank. They were taken to a Palestinian police station, where a Palestinian mob brutally murdered them. One of the most horrifying images from that day was a man standing at the police station window, proudly displaying his hands stained with the blood of the murdered Israelis. That image has never left me. Decades later, when I see celebrities wearing red-hand symbols, I cannot separate those images from what happened in Ramallah. The modern pins have been presented as symbols calling for a ceasefire, and their creators dispute any connection to that horrific event. But the resemblance raises a question that I believe deserves to be asked. Do you know what that red hand means to the families and communities who remember that day? Before you wear a symbol, understand the history and the pain that others may associate with it. I wrote this song to confront that ignorance, challenge the glamour of celebrity activism and remind people of two Israeli men whose names must never be forgotten. WHOSE BLOOD IS ON YOUR HANDS? Lyrics, Music & Artistic Direction by Yehuda Meitav

I wrote this song to bring awareness to something I believe is happening right now, beneath our very feet. There are two snakes moving through the grass. One is red, the other green. Together, they represent what is often called the Red-Green Alliance. I encourage everybody to learn about this term, investigate it, and understand the political movements and ideologies associated with it. In my view, we are witnessing a dangerous convergence of political interests. On one side are elements of the green movement, presenting promises of environmental protection, equality, peace, and a better future. On the other are revolutionary socialist and communist ideologies, alongside radical Islamist movements that, despite their very different beliefs, may find common ground in their opposition to Western political and social institutions. I believe we must question what lies behind these promises. What happens when movements with fundamentally different visions of the world unite against a common enemy? What happens when their ambitions become more important than the freedom of the people they claim to represent? And once again, who is being pointed at? Israel, Zionism, and the Jewish people. I believe accusations against Jews and Israel can become a convenient distraction from other political ambitions, encouraging people to look in one direction while failing to examine what is happening elsewhere. That is why I chose the Garden of Eden as the setting for this song. Two snakes, two colours, two different promises of paradise. Both climbing the Tree of Knowledge, both offering the forbidden fruit, and both seeking to influence the future of the garden. The warning is simple: Don’t be so distracted by the accusations being shouted around you that you forget to look at what is moving beneath your feet. I encourage everyone to research the Red-Green Alliance, examine its different meanings and political connections, question the promises being made, and form their own conclusions. Because freedom, once surrendered, is not always easy to recover. THE TWO SNAKES OF THE RED-GREEN ALLIANCE Lyrics, Music & Artistic Direction by Yehuda Meitav

תעוף לי מהעיניים! Ta’uf Li Meha’einayim! English: Get Out of My Sight! I think that says it all!

I wrote this song because I believe we have so many reasons to stand together, and so few reasons to keep fighting among ourselves. As Jewish people, we have carried enough pain, enough division, and enough sorrow throughout our history. Surely, after everything we have endured, we should understand the importance of unity. We have so much to be grateful for. The protection of Adonai, the wisdom of our ancestors, the lessons of thousands of years, and the extraordinary strength that has carried our people through the darkest chapters of history. And then there is our flag. Two blue stripes, a white background, and a Star of David. So simple, so beautiful, and yet carrying an entire nation’s story. I wrote this song to remind every Jewish person, wherever they may live, what those colours represent, what that flag has witnessed, and why it should bring us together rather than allow us to be divided. It’s only a piece of cloth. Almost weightless in our hands. Yet I believe it may be the heaviest flag in the world to carry. Not because of the material, but because of the memories, the sacrifices, the prayers, the tears, the courage, and the thousands of years woven into every thread. We carry it in our arms, in our hearts, and in our souls. It has covered those we have lost, accompanied those who defend us, and flown above those who dream of peace. And despite everything, it still flies. May we learn to stand beneath it together, with all our differences, all our disagreements, and all our love for one another. Because our flag belongs to all of us. And perhaps one day, we will raise it not because we must fight, but simply because we have finally found peace. BLUE, WHITE AND FIGHT Lyrics, Music & Artistic Direction by Yehuda Meitav

I just had to write this song! Because seriously, what a joke the world has become! What an unbelievable comedy the entire situation has turned into! The hypocrisy, the double standards, the absurdity of it all! And the most frightening part? So many people don’t even realise where they’re leading themselves. As far as I’m concerned, everyone blindly supporting the pro-Palestinian movement without questioning its slogans or contradictions has joined the circus. And what a spectacular circus it has become! Well, ladies and gentlemen, welcome to the greatest comedy show on Earth! And I’m absolutely delighted to be standing on that stage, dressed as a clown, singing, laughing, and pointing at the absurdity unfolding before our eyes. I don’t think I’ve ever had so much material to laugh about in my entire life! The only problem is that behind all this comedy, the consequences are very real. So laugh, ladies and gentlemen. Laugh while you can. Because the joke is on YOU! But hey… I’m still a Jew! And that, ladies and gentlemen, is no joke! Yehuda Meitav

I’m sick and tired of people thinking that simply changing the name of a place somehow makes it theirs! Judea and Samaria are Judea and Samaria. These names are deeply rooted in our ancient Jewish history. They were there long before anyone started calling the region the West Bank, and no modern name can erase that history. You can call it the West Bank a thousand times, but that doesn’t make the ancient names disappear, nor does it erase our connection to the land. It’s like me travelling to the Grand Canyon, putting up a giant sign saying “PALESTINE,” and then announcing that the Grand Canyon belongs to Palestine! Or renaming the Eiffel Tower the Palestinian Tower! Ridiculous, isn’t it? JUST BECAUSE YOU CHANGED THE NAME DOESN’T MEAN IT’S YOURS! And that’s exactly why I wrote this song. With a little humour, a lot of Jewish chutzpah and some very ancient names, I’m reminding the world that our history cannot simply be painted over with a new sign. Names can change. Governments can change. Borders can change. But history doesn’t disappear just because someone decides to call it something else. JUDEA! SAMARIA! OUR HISTORY IS STILL HERE! JUST BECAUSE YOU CHANGED THE NAME! Lyrics, Music & Artistic Direction: Yehuda Meitav

I wrote this song because I refuse to let the world bury San Remo! In 1920, the Allied powers met in San Remo, Italy, and agreed to incorporate the Balfour Declaration’s commitment to a Jewish national home into the British Mandate for Palestine. This was later formalised by the League of Nations in 1922. Long before 1948, the history was already being written. You can shout your slogans, wave your flags and spend your fortunes, but you cannot erase historical documents or change the past. I’m bringing San Remo back to educate those who don’t know and remind those who have forgotten! I will never forget San Remo. Neither should you! REMEMBER SAN REMO (1920) Lyrics, Music & Artistic Direction: Yehuda Meitav

Hey everyone, here it is! My interview today with James McPherson on News24 Australia. I want you all to know something. I didn’t walk into that studio alone today. I took each and every one of you with me. Every person who has supported my music, shared my videos, sent me a message, encouraged me, or simply listened to what I have to say was there with me in spirit. I felt incredibly proud to have the opportunity to share my story, my music and the message behind everything I do. But what made me even prouder was knowing that I wasn’t speaking only for myself. I was carrying the love, encouragement and strength that you’ve all given me along this extraordinary journey. So this interview belongs to all of us. Thank you for walking beside me, for believing in what I do, and for reminding me every day why I started doing it in the first place. Today, I took you all with me. And I couldn’t have been prouder. With love and gratitude, Yehuda