3𝔇, product, and 𝔭𝔰𝔒𝔲𝔑𝔬-π”£π”¦π”«π”žπ”«π” π”’ enthusiast. π™™Μ³ΜŽπ™šΜ³ΜŽπ™¨Μ³ΜŽπ™žΜ³ΜŽπ™œΜ³ΜŽπ™£Μ³ΜŽ @̳̎ π™€Μ³ΜŽπ™©Μ³ΜŽπ™Μ³ΜŽπ™šΜ³ΜŽπ™§Μ³ΜŽπ™₯Μ³ΜŽπ™–Μ³ΜŽπ™œΜ³ΜŽπ™šΜ³ΜŽ

Boulder
Joined January 2010
The leading designers aren't doing things different, they're playing a different game. If you aren't using: Flipflap ZingoBoing Blangggg Mopfiy Boombang Dibbledabble Zippyrippy Consider your career over πŸ’€πŸ’€
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Man things move fast. I just got Figma MCP working well with Cursor and now we moved on to Pencil @tomkrcha Super easy to set up and nice agent viz. -go to Pencil.dev -create/upgrade your Claude -loginto Claude code, via Terminal -follow the onboarding prompts
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I love this. When you see pristine "process" shots in design portfolios 99/100 times it's all fabricated after the work is done purely to create designer envy.
Using Nano Banana Pro to create fake process sketches of my existing logo designs
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They say to show the kind of work you want to work on. I think this portfolio idea is getting close...
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Signs where always there πŸ‘€
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Did anyone know Dreamweaver still exists?
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People think tools like Bolt or Lovable are only for building products. The real cheat code is using them for product design. When a client sends a design request that has me stuck, I drop it into Bolt to get a wireframe, then polish it in Figma. It’s literal magic.
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I was recently asked to help @webflow create AI-generated images for their new marketing site. Here are some lessons I picked up from working on AI visuals at this level of commercial quality πŸ‘‡
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Become a curator of β€œwhat feels human.” Art direction & Design has always been about choices. With AI, your main job becomes deciding what looks and feels believable. Learn when to remove perfections and bring back in blemishes, artifacts, film-grain, etc. to make it natural
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AI can produce commercial visualsβ€” but it takes time, iteration, and a human eye to make them convincing. Hope this thread was helpful!
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This is what a $6.7 million dollar hero section looks like.
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