@_cnris_

Lecturer in English at Binghamton

 Binghamton
chrisgortmaker.com
Joined August 2017
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New article in @insidehighered on how to fortify students' writing process against LLMs by making drafting and revision visible. This has been my lifeline insidehighered.com/opinion/c…

Save the Take-Home Essay by Making Process Visible (opinion)

AI-detection scores are a black box. But a writing process visualizer lays the groundwork for rich conversations about AI and writing.

insidehighered.com
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Chris Gortmaker retweeted
Inside Higher Ed@insidehigheredOct 14
Career Advice | How to Save the Take-Home Essay by Making the Writing Process Visible AI-detection scores are a black box. But a writing process visualizer lays the groundwork for rich conversations about AI and writing. By Chris Gortmaker: bit.ly/47lzwkD
A close-up of hands typing on a laptop. A notebook and pen lie on a table next to the laptop.

ALT A close-up of hands typing on a laptop. A notebook and pen lie on a table next to the laptop.

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Genre fiction as modernist fiction? Indeed. My article "Market Texture: The Art of Genre Fiction" is out now in a great new issue of @MModernity. Readings of Wells and Conrad—and a glimpse of the modernism of our present... muse.jhu.edu/pub/1/article/9…
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Modernism versus realism? Are these discrete literary historical periods? Historically adaptable aesthetic/political commitments? An age-old debate. Paul Stasi incisively clarifies its stakes in his recent book for @CambridgeUP. My review up now in CLCWeb docs.lib.purdue.edu/cgi/view…
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What can value criticism contribute to Marxist critical theory? What liabilities can it pose? "Totality Beyond Class: The Limits of Value Criticism"—new review essay (with Jake Burchard) now out in Mediations. mediationsjournal.org/articl…
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"What distinguishes Suther’s Hegel is how embodied this most absolute of German Idealisms appears: rational and conceptual all the way down—yet thoroughly biological." New in review, Christopher Gortmaker on Jensen Suther's True Materialism: criticalinquiry.uchicago.edu…
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Chris Gortmaker retweeted
ASAP/Journal@ASAP_Journal28 Jul 2025
Check out our newest piece, Chris Gortmaker's review of Barbara Solomon's EXITS EXIST exhibition: "Solomon’s 21st-century modernism lies in the specifically aesthetic way her work’s unity of form and content makes escape and existence thinkable together.” asapjournal.com/review/like-…
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Adolph Reed approaches the memoir of African American life under Jim Crow as both poison and remedy in The South (Verso 2022). My review of Reed's latest is out now in JMMLA, alongside some incisive articles on affective labor in humanities higher ed: muse.jhu.edu/issue/52578
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Chris Gortmaker retweeted
The Syllabus@syllabus_tweets20 May 2022
First performed at Indiana University on August 7, 1968, as a 'dadaesque' demonstration with participants wielding protest posters, Solt's work of concrete poetry went on to forge a distinct critical standpoint. By @_cnris_ in @nonsite_org nonsite.org/mary-ellen-solt-…

Mary Ellen Solt: Concretizing 1968

The Peoplemover does not merely transform what might otherwise be wall-hung or anthology-bound works of concrete poetry into tools for protest; it more fundamentally demands interpretation of what …

nonsite.org
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Mary Ellen Solt is one of concrete poetry's foremost proponents, but her major work The Peoplemover has received scant attention. In this article, I show how Solt achieves a “demonstration” of the changing life of art in 1968 #concretepoetry #maryellensolt nonsite.org/mary-ellen-solt-…

Mary Ellen Solt: Concretizing 1968

The Peoplemover does not merely transform what might otherwise be wall-hung or anthology-bound works of concrete poetry into tools for protest; it more fundamentally demands interpretation of what …

nonsite.org
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