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Filmmaker ——— Programming Manager @ Arthouse Cinema (He/Him)

Omaha, NE
Joined June 2013
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feathers mcgraw retweeted
Photographs from Wim Wenders' road trip while location scouting for PARIS, TEXAS.
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Sort of reflecting on how THE BRUTALIST and NICKEL BOYS are probably our two most significant films this year. Wildly ambitious conceptualizations executed with precise, innovative craft & a devotion to confronting dark truths of mid-20th Century America. Decade defining art.
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Tonight’s slate: THE BRUTALIST 35mm CLOUD
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Devastating, though maybe the most essential and formally groundbreaking film of the 21st Century thus far. A foundational piece of cinema.
Seated for @ Chicago Film Festival
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Seated for @ Chicago Film Festival
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A Different Man: I loved The Substance, but this is the essential self-hatred text of 2024. Effortlessly smart, a movie with a million layers underneath a cruel, nasty joke of getting exactly what you want. Sebastian Stan and Adam Pearson are unbelievable.
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Those who say this looks like AI made it simply lack an understanding of film as language, how complex that language is, AND why “cinematic” AI art really isn’t cinematic even though it will overuse simple (yet fundamental) parts of that language- in this case, a dolly in.
Something else is out there 🏔️ Discover THE LEGEND OF OCHI, a bold new wonder from filmmaker Isaiah Saxon. Starring Helena Zengel, Finn Wolfhard, Emily Watson, and Willem Dafoe. Coming soon.
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A lot of “cinematic” AI art you see on the internet are misty, fantasy lands & characters, paired with some sort of simple movement, be it dolly in, out & across, etc. The dolly is so effective in the language of cinema because it draws the viewer in & adds depth to a frame.
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So, as this trailer is edited using multiple dolly-in establishing shots (that AI art often tries to replicate), people are conflating a real knowledge of craft with AI art’s oversimplification of cinematic art & language.
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I have been waiting for these to return to stores for years.
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Yeah, JOKER: FOLIE À DEUX is really bad. Good thing there’s another new release this weekend worth seeing- I’d even goes as far as saying one of the year’s best. Go to the movies for A DIFFERENT MAN instead.
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feathers mcgraw retweeted
Our #CommunityCollaboration with The House of Afros, Capes & Curls is almost here! Join us for THEY CLONED TYRONE and a post-film discussion about #Afrofuturism and its impact on our community. 📅 Oct 11, 6 PM | The Ruth: #TheyClonedTyrone 🎟 → bit.ly/3zFRbGw #Film
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Really sucks I didn’t get much out of MEGALOPOLIS when imagery like this is maintained throughout.
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if i ever found out a mouse lived in my home, and he had a small archway in the wall, and he lived in there with small, real furniture, and he ventured out nightly to get one olive or a small wedge of cheese. i would stop at nothing to end his life. i would spare no expense
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feathers mcgraw retweeted
Guillermo Del Toro on AI, emotion and the value of art. Watch the full In Conversation on our YouTube channel. @RealGDT
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Con el magnífico equipo de @filmstreams después de la presentación del programa de Cine Negro Mexicano en Omaha con el gran Alexander Payne! Mil gracias por este gran honor! Adoré cada momento!
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The CMB will be blasting Hail Varsity 100000x louder than this after the first TD on Saturday.
Colorado is blasting Nebraska “Fight Song” in practice to prepare for Saturday’s Game 👀 #SkoBuffs 🎥 : @DeionSandersJr
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One of the greatest animated movies ever btw
‘WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT’ is now streaming on Netflix.
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THROW DOWN (2004) dir. Johnnie To
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